Silver Black and White Photography

Edition 12 The Platinum-Palladium process is the most stable and aesthetically rewarding of all black and white photographic printing techniques. Produced by coating specially manuf...

This early albumen silver print is titled in ink on the front of the mount. Printed before 1876, when Watkins lost his negatives to a creditor, who sold them to his competitor, Isaia...

This exquisite, mammoth albumen print of the now-dammed Dalles on the Columbia River is one of Watkins' finest images. This particular print was likely made in the 1880s by Isaiah Ta...

Rebecca Skinner’s “The Root of the Problem” was photographed in the interior of an abandoned hospital. The 16 x 30 inch black and white metal print is of a...

Rebecca Skinner’s “Erosion #5” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The textural beauty is natures own art form. The 24 x 16 inch black and whi...

The Element ‘Gold, (Au) can only be make in the nuclear reactor of stars. It came to our planet when the Earth was first forming, as dust from catastrophic astronomical events –stars...

This loose albumen silver print is signed and numbered in the negative. Printed c. 1880s.

Rebecca Skinner’s “Contradiction” is a 18 x 12 inch black and white photograph of a salon style, vintage hair dryer in an abandoned factory. With sa...

This early albumen silver print from an imperial plate was printed prior to 1876, when it was included in an album compiled at the Centennial Expositio...

Rebecca Skinner’s “Endurance” is a 17 x 11 inch black and white photograph of an abandoned church in Gary, Indiana. With satin finish, the image is infused directly into metal making...

Rebecca Skinner’s “Alkabo I” is a 24 x 36 inch black and white photograph captured in a North Dakota ghost town. Dramatic sky frames a weathered structure in this beautiful contempor...

Rebecca Skinner’s “Erosion #3” was photographed on the shoreline of Lake Champlain in Burlington, Vermont. The 12 x 18 inch black and white photo with satin finish is infused directly into metal making it waterproof and easy to clean. This frameless metal print hangs easily with a float mount and the artist’s signature is located on the back. With breathtaking depth and amazing detail “Erosion #3” makes an excellent addition to your home or office. The textural beauty is natures own art form. Edition of 5. This image is also available upon request as an acid-free, archival, paper print. Traditional prints are done on Hahnemuhle Photo Rag Baryta Paper featuring a 100% cotton base with a very finely textured gloss surface finish. Abandoned buildings serve as the focus of Boston-based Rebecca Skinner’s most recent series of photographs. Skinner studied at the Rhode Island School of Design, RI. Artscope, BostonVoyager and Upworthy are just a few publications that have featured her widely shown work. Skinner is represented by Fountain Street...