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Seydou KeïtaUntitled Portrait1952-1955
1952-1955
$8,500
£6,385.44
€7,363.45
CA$11,794.86
A$13,106.69
CHF 6,868.04
MX$160,730.19
NOK 87,597.91
SEK 82,408.90
DKK 54,957.65
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About the Item
Listing includes framing with UV Plexi ($900 value), free shipping, and a 14-day return policy.
Seydou Keïta
Untitled Portrait, 1952 - 1955 (02158)
23.5 x 19.5 inch silver gelatin print
Edition 1 of 10
With certificate of authenticity, print embossed by the estate
Artist Biography -
Since his photographs were first seen in the west 30 years ago, Seydou Keïta has been acknowledged as one of the great practitioners of the medium, his work collected and shown by the world’s leading museums.
Born circa 1921, Seydou Keïta lived in Bamako, Mali, where from 1948 through the 1950s he ran a successful portrait studio taking pictures of local individuals and families. Essentially self-taught, Keïta developed his trademark style photographing his sitters in daylight against a variety of backdrops from plain drapes to vibrant African pattern. No matter the situation Keïta had a natural gift and a refined aesthetic that made his portraits distinctive works of art. Technically, his negatives were perfectly exposed and focused. More importantly however, his pictures captured the spirit of his sitters in the most generous manner and in naturally captivating compositions.
Completely unknown outside of Bamako, Keïta was “discovered” by westerners in the early 90’s due to the eye of African Art collector Jean Pigozzi. After seeing two uncredited pictures in a 1992 group show of African Art, Pigozzi sent his curator André Magnin to Mali to try to locate the un-named artist from Bamako. Magnin found Keïta repairing bicycles and returned to Paris with 921 negatives Keïta had buried when the government shut down his studio. Pigozzi then arranged for one of the leading printers in Paris to make archival prints of the images under Keïta’s supervision.
In 1994 Keïta was given a solo show at the Fondation Cartier followed by an impressive number of museum shows around the world. By the time of his death in 2001 Keïta was not only recognized as a master of photography but in his use of contrasting backdrops his work has influenced a whole generation of artists, most notably painters Mickalene Thomas and Kehinde Wiley, and triggered a worldwide interest in African photography.
The prints on exhibition are authenticated estate prints limited to editions of 10 prints of each image. Each print comes with a certificate signed by Keïta’s heirs, Cheickiné and Mamadou Keïta.
- Creator:Seydou Keïta (1921 - 2001, Malian)
- Creation Year:1952-1955
- Dimensions:Height: 23.5 in (59.69 cm)Width: 19.5 in (49.53 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1559210448742
Seydou Keïta
Danziger Gallery in collaboration with the Contemporary African Art Collection of Jean Pigozzi (CAAC) is proud to announce two forthcoming exhibitions of the renowned African photographer Seydou Keïta. We will be presenting Keïta’s work at the 1-54 African Art Fair in New York (May 3 – 5) and as our opening show of Fall 2019. Born circa 1921, Keïta lived in Bamako, Mali, where he ran a successful portrait studio taking pictures of local individuals and families. Essentially self-taught, Keïta developed his trademark style photographing his sitters in daylight against a variety of backdrops from plain drapes to vibrant African pattern. Some customers brought in items they wanted to be photographed with but Keïta also had a selection of accessories and clothing at his subject’s disposal. No matter the situation Keïta had a natural gift and a refined aesthetic that made his portraits true and distinctive works of art. Unknown to the West for most of his career, Keïta was “rediscovered” by westerners in the early 90’s including by the African Art collector Jean Pigozzi. In 1992 Pigozzi sent his curator André Magnin to Bamako to try to contact and meet Keïta. Magnin returned with 921 negatives and arranged for a printer in Paris to make the first archival prints of the images under Keïta’s supervision. In 1994 Keïta a was given a solo show at the Fondation Cartier followed by an impressive number of museum shows around the world. By the time of his death in 2001, Keïta was not only recognized as one of the greatest photographers of the 20th Century but particularly in his use of contrasting backdrops, his work has influenced a whole generation of artists, most notably painters Mickalene Thomas and Kehinde Wiley, and triggered a worldwide interest in African photography.
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