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Carmen de VosMrs. Richards Darling [from Les Foxy Femmes] - Polaroid, Color2019
2019
About the Item
Mrs. Richards Darling, 2019 (diptych)
[From the series Les Foxy Femmes]
20x20cm each, 20x45cm installed, Edition of 30.
Archival pigment prints, based on two original Polaroids on beautiful PHOTO RAG ® ULTRA SMOOTH paper, 305gsm, 100% cotton by HAHNEMÜHLE.
Certificate, hand signed & numbered by the artist.
Not mounted.
Carmen De Vos - Artist statement -
Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine.
The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand.
She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections.
Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography with her Polaroids.
- Creator:Carmen de Vos (1967, Belgian)
- Creation Year:2019
- Dimensions:Height: 7.88 in (20 cm)Width: 17.72 in (45 cm)Depth: 0.04 in (1 mm)
- More Editions & Sizes:50x110cm installed, 50x50cm each, Edition of 10Price: $1,279100x100cm each - 100x220cm installed, including gaps mounted on DIBOND® 2mm - matt UV coating Aluminium bars at the back for floating wall effectPrice: $5,758
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU65237765302
Carmen de Vos
Belgian photographer Carmen De Vos shoots polaroids to frame her mental escapades. They get so easily out of hand. She thinks up situations and collects fantasies. She is the Founder and Editor-in-Chief of the late TicKL-Magazine. Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She enormously longs for what she’s afraid to lose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception, she uses old polaroid cameras, long time expired film and self-made filters. Her tools and methods, such as film bleaching and deliberate film obstruction, are not precise and are not even geared towards a perfect representation. They often yield results, such as colorization, deformation, unsharpness, which she could never have predicted on forehand with any certainty because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic, all by themselves, which merrily surprises her or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time, she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She can’t help but travel back to these blessed times of free-love photography with her Polaroids.
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