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Carole Conde & Karl BeveridgeConceptual Contemporary Art Color Photograph, Social Commentary
$1,500
£1,138.17
€1,301.39
CA$2,095.09
A$2,329.46
CHF 1,216.31
MX$28,355.18
NOK 15,519.65
SEK 14,541.17
DKK 9,712.52
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About the Item
Provenance: Deaccessioned from a New York University.
Condé + Beveridge
Carole Condé and Karl Beveridge
Condé born in Hamilton in 1940. Beveridge born in Ottawa in 1945. Both live and work in Toronto.
Canadian artists Carole Condé and Karl Beveridge moved to New York City in 1969, and soon were at the centre of the burgeoning conceptual art movement. In 1975, they joined the Art & Language journal The Fox (with Joseph Kosuth and Ian Burn) and picketed the Museum of Modern Art to protest its lack of inclusion of women artists, while critiquing the apolitical minimalism of Donald Judd. This ferment culminated in a major museum show, It’s Still Privileged Art, at the Art Gallery of Ontario in 1976, just prior to the artists’ return to Toronto in1977. Rarely has a conjugal couple had such longevity as a collaborative artistic duo as Canada’s Carole Condé and Karl Beveridge. The history of visual art is replete with collaborations between artists and life partners who achieved their greatest critical success as individuals. Georgia O’Keefe and Alfred Stieglitz, Diego Rivera and Frida Kahlo, Edward Weston and Tina Modotti easily come to mind. Closer to home, we have Christopher and Mary Pratt. But few have sustained a collaboration over a lifetime, and fewer still have signed their works as one single authorial entity. For this reason alone, Carole Condé and Karl Beveridge are a unique phenomenon. Perhaps the closest contemporary parallel to Condé and Beveridge as a collaborative duo are Bernd and Hilla Becher, the German photographers and conceptual artists who worked together for over 40 years. But that’s where the comparison stops.
By the late 1970s, Condé and Beveridge drew a focus on various issues that were urgent within the trade union movement. Their method of working dialogically with their subjects was invented for the landmark 1981 project Standing Up, and has been refined in numerous subsequent collaborations. In the past three decades, over fifty solo exhibitions of Condé and Beveridge’s work have been presented at major museums and art spaces on four continents, including: the Institute of Contemporary Art (London, UK); Museum Folkswang (Germany); George Meany Centre (Washington); Dazibao Gallery (Montreal); Centro Cultural Recoleta (Buenos Aires); Art Gallery of Edmonton; and the Australian Centre for Photography (Sydney). Condé and Beveridge’s repeated calls for reflection, accountability and social justice have gained them recognition as activist-artists dedicated to improving cultural consciousness. The pair has exhibited extensively in Canada and internationally, and have work in many public and community collections including those of the National Gallery of Canada, the Art Gallery of Ontario and the Stedelijk Museum.
Equally, and congruent with the artists’ commitment to accessibility, their work has been displayed in a host of non-art and public settings, such as union halls, billboards, bus shelters and bookworks. The artists continue to work and live in Toronto
- Creator:Carole Conde & Karl Beveridge (Canadian)
- Dimensions:Height: 24 in (60.96 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38212359542
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Located in Surfside, FL
Referencing immigrants and the disabled. Social commentary conceptual artwork.
Provenance: Deaccessioned from a New York University.
Condé + Beveridg...
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Conceptual Contemporary Art Color Photograph, Social Commentary
By Carole Conde & Karl Beveridge
Located in Surfside, FL
Provenance: Deaccessioned from a New York University.
Condé + Beveridge
Carole Condé and Karl Beveridge
Condé born in Hamilton in 1940. Beveridge born in Ottawa in 1945. Both live ...
Category
Late 20th Century Conceptual Color Photography
Materials
C Print, Color
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Lithograph with Roman portrait bust.
Will Petersen, a painter, master printer and a poet, was born in
Chicago. (Amer. 1928-1994) created this limited edition LITHOGRAPH at
the Lakeside Studio.
The LITHOGRAPH PRINT is from a limited edition THE LITHOGRAPH IS SIGNED TITLED AND ANNOTATED
BY THE ARTIST in pencil EXCELLENT condition.
Will's formal art education began with classes at the Chicago Academy
of Fine Arts. As a student at the city's Steinmetz High School,
Petersen succeeded Hugh Hefner (of Playboy magazine fame) as the HS
newspaper cartoonist, the Steinmetz Star. During this time, Petersen
recovered from polio.
In 1947 Petersen enrolled at Chicago's Wilbur Wright College. While
there, he painted with oils for the first time. Two years later he
enrolled at Michigan State University where he developed a strong
interest in literature and writing and began printmaking. By 1951 he
had begun to exhibit paintings and prints nationally. A year later he
completed his master's degree.
Petersen served in the United States Army from 1952-54, spending one
year as an education specialist in Japan. This encounter with the
Japanese culture affected his entire life. He became interested in
calligraphy and Noh, classical Japanese Buddhist performance that
combines elements of drama, music and poetry. Upon completion of his
military service in Japan in 1955, Will Petersen settled in Oakland,
California, where he met some of the most active poets of the Beat
Generation: Gary Snyder, Allen Ginsberg, Jack Kerouac, Phil Whalen,
Mike McClure and others. Petersen was attracted to the group by their
intelligence and belief in Zen Buddhism.
In 1956 in his small studio in Oakland, he printed the poems of Jack
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writing for eight years while living in Kyoto. In 1965 he accepted a
faculty appointment at Ohio State University, teaching drawing,
painting and printmaking. Four years later Petersen took his teaching
skills to West Virginia University in Morgantown, where he
concentrated on printmaking. He taught there until 1977 when he began
publishing Plucked Chicken, a journal of art and poetry. In 1978 in
Morgantown, Petersen and his wife, Cynthia Archer, established Plucked
Chicken Press, which they later moved to Chicago and then Evanston.
Petersen operated the Press until his death on April 1, 1994.
1956 In storefront studio in Oakland, California, creates serigraphs
and lithographs. Prints poems of Jack Kerouac.
1961 Back in Japan, acquires a lithography press and stones and
resumes printing lithographs. Exhibits regularly with Kyoto
Printmakers.
1969 Resident lithographer at the Lakeside Studio, Lakeside, Michigan.
Prints for the first time Richard Hunt lithographs.
1978 Establishes Plucked Chicken Press in Morgantown, West Virginia.
Resident lithographer at Lakeside Studio in Michigan.
1980 Plucked Chicken Press moves to Chicago. Publishes lithographs by
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1982 Publishes Blossom, a lithograph/collage by Tom Nakashima.
1983 Series I of Plucked Chicken Press is published with work by
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1984 Plucked Chicken Press moves to Evanston. Series II of Plucked
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department at Northern Illinois University.
1986 Publishes Richard Hunt s Over Wisdom Bridge.
1987 Series IV of Plucked Chicken Press is published with works by
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1990 Series V of Plucked Chicken Press is published with four floral
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EDUCATION:
Photo credit: Bill Jay
MFA (photography), School of the Art Institute, Chicago, l975
AB (art history, with general honors), University of Chicago, 1965
ACADEMIC POSITIONS:
The Ohio State University, Columbus, 2003-2004-2005-2006-2007
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Moore College of Art and Design, Philadelphia, 1994-1997
(Academic Dean)
University of Connecticut, Storrs, 1989-1994
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Grand Valley State University, Michigan, 1987-1989
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Saint Xavier College, Chicago, 1974-84
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Chairperson, Department of Art, 1982-84)
Columbia College, Chicago, 1978, 1982
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