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Carole Conde & Karl Beveridge
Conceptual Contemporary Art Color Photograph, Social Commentary

$1,500
£1,138.17
€1,301.39
CA$2,095.09
A$2,329.46
CHF 1,216.31
MX$28,355.18
NOK 15,519.65
SEK 14,541.17
DKK 9,712.52
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About the Item

Provenance: Deaccessioned from a New York University. Condé + Beveridge Carole Condé and Karl Beveridge Condé born in Hamilton in 1940. Beveridge born in Ottawa in 1945. Both live and work in Toronto. Canadian artists Carole Condé and Karl Beveridge moved to New York City in 1969, and soon were at the centre of the burgeoning conceptual art movement. In 1975, they joined the Art & Language journal The Fox (with Joseph Kosuth and Ian Burn) and picketed the Museum of Modern Art to protest its lack of inclusion of women artists, while critiquing the apolitical minimalism of Donald Judd. This ferment culminated in a major museum show, It’s Still Privileged Art, at the Art Gallery of Ontario in 1976, just prior to the artists’ return to Toronto in1977. Rarely has a conjugal couple had such longevity as a collaborative artistic duo as Canada’s Carole Condé and Karl Beveridge. The history of visual art is replete with collaborations between artists and life partners who achieved their greatest critical success as individuals. Georgia O’Keefe and Alfred Stieglitz, Diego Rivera and Frida Kahlo, Edward Weston and Tina Modotti easily come to mind. Closer to home, we have Christopher and Mary Pratt. But few have sustained a collaboration over a lifetime, and fewer still have signed their works as one single authorial entity. For this reason alone, Carole Condé and Karl Beveridge are a unique phenomenon. Perhaps the closest contemporary parallel to Condé and Beveridge as a collaborative duo are Bernd and Hilla Becher, the German photographers and conceptual artists who worked together for over 40 years. But that’s where the comparison stops. By the late 1970s, Condé and Beveridge drew a focus on various issues that were urgent within the trade union movement. Their method of working dialogically with their subjects was invented for the landmark 1981 project Standing Up, and has been refined in numerous subsequent collaborations. In the past three decades, over fifty solo exhibitions of Condé and Beveridge’s work have been presented at major museums and art spaces on four continents, including: the Institute of Contemporary Art (London, UK); Museum Folkswang (Germany); George Meany Centre (Washington); Dazibao Gallery (Montreal); Centro Cultural Recoleta (Buenos Aires); Art Gallery of Edmonton; and the Australian Centre for Photography (Sydney). Condé and Beveridge’s repeated calls for reflection, accountability and social justice have gained them recognition as activist-artists dedicated to improving cultural consciousness. The pair has exhibited extensively in Canada and internationally, and have work in many public and community collections including those of the National Gallery of Canada, the Art Gallery of Ontario and the Stedelijk Museum. Equally, and congruent with the artists’ commitment to accessibility, their work has been displayed in a host of non-art and public settings, such as union halls, billboards, bus shelters and bookworks. The artists continue to work and live in Toronto

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Conceptual Contemporary Art Color Photograph, Social Commentary
By Carole Conde & Karl Beveridge
Located in Surfside, FL
Referencing immigrants and the disabled. Social commentary conceptual artwork. Provenance: Deaccessioned from a New York University. Condé + Beveridg...
Category

Late 20th Century Conceptual Color Photography

Materials

C Print, Color

Conceptual Contemporary Art Color Photograph, Social Commentary
By Carole Conde & Karl Beveridge
Located in Surfside, FL
Provenance: Deaccessioned from a New York University. Condé + Beveridge Carole Condé and Karl Beveridge Condé born in Hamilton in 1940. Beveridge born in Ottawa in 1945. Both live ...
Category

Late 20th Century Conceptual Color Photography

Materials

C Print, Color

A Matter of Aesthetics
Located in Surfside, FL
Lithograph with Roman portrait bust. Will Petersen, a painter, master printer and a poet, was born in Chicago. (Amer. 1928-1994) created this limited edition LITHOGRAPH at the Lakeside Studio. The LITHOGRAPH PRINT is from a limited edition THE LITHOGRAPH IS SIGNED TITLED AND ANNOTATED BY THE ARTIST in pencil EXCELLENT condition. Will's formal art education began with classes at the Chicago Academy of Fine Arts. As a student at the city's Steinmetz High School, Petersen succeeded Hugh Hefner (of Playboy magazine fame) as the HS newspaper cartoonist, the Steinmetz Star. During this time, Petersen recovered from polio. In 1947 Petersen enrolled at Chicago's Wilbur Wright College. While there, he painted with oils for the first time. Two years later he enrolled at Michigan State University where he developed a strong interest in literature and writing and began printmaking. By 1951 he had begun to exhibit paintings and prints nationally. A year later he completed his master's degree. Petersen served in the United States Army from 1952-54, spending one year as an education specialist in Japan. This encounter with the Japanese culture affected his entire life. He became interested in calligraphy and Noh, classical Japanese Buddhist performance that combines elements of drama, music and poetry. Upon completion of his military service in Japan in 1955, Will Petersen settled in Oakland, California, where he met some of the most active poets of the Beat Generation: Gary Snyder, Allen Ginsberg, Jack Kerouac, Phil Whalen, Mike McClure and others. Petersen was attracted to the group by their intelligence and belief in Zen Buddhism. In 1956 in his small studio in Oakland, he printed the poems of Jack Kerouac. He attended for the first time, the reading of Ginsberg's Howl at Six Gallery. His relationship with Gary Snyder had begun when both were in Kyoto, Japan; later Snyder wrote for the Plucked Chicken. Petersen returned to Japan in 1957, pursuing painting, printmaking and writing for eight years while living in Kyoto. In 1965 he accepted a faculty appointment at Ohio State University, teaching drawing, painting and printmaking. Four years later Petersen took his teaching skills to West Virginia University in Morgantown, where he concentrated on printmaking. He taught there until 1977 when he began publishing Plucked Chicken, a journal of art and poetry. In 1978 in Morgantown, Petersen and his wife, Cynthia Archer, established Plucked Chicken Press, which they later moved to Chicago and then Evanston. Petersen operated the Press until his death on April 1, 1994. 1956 In storefront studio in Oakland, California, creates serigraphs and lithographs. Prints poems of Jack Kerouac. 1961 Back in Japan, acquires a lithography press and stones and resumes printing lithographs. Exhibits regularly with Kyoto Printmakers. 1969 Resident lithographer at the Lakeside Studio, Lakeside, Michigan. Prints for the first time Richard Hunt lithographs. 1978 Establishes Plucked Chicken Press in Morgantown, West Virginia. Resident lithographer at Lakeside Studio in Michigan. 1980 Plucked Chicken Press moves to Chicago. Publishes lithographs by Don Crouch and Art Kleinman. 1982 Publishes Blossom, a lithograph/collage by Tom Nakashima. 1983 Series I of Plucked Chicken Press is published with work by Archer, Duckworth, Godfrey, Heagstedt, Himmelfarb, Hoff, Hunt, Martyl, Miller, Nakashima and Petersen. 1984 Plucked Chicken Press moves to Evanston. Series II of Plucked Chicken Press is published with works by Croydon, Ho, Archer, Torn, Osver, Middaugh, Roseberry, Petersen, Spiess-Ferris and Hoppock. 1985 Series III of Plucked Chicken Press is published with works by Driesbach, Hunt, Trupp, Gregor, Pattison, Conger, Evans, Weygandt, Archer, Ho and Petersen. Prints Suite I, Northern Illinois University Collectors Series, with lithographs by Renie Adams, David Bower, David Driesbach, Carl Hayano and Ben Mahmoud, all faculty members of the art department at Northern Illinois University. 1986 Publishes Richard Hunt s Over Wisdom Bridge. 1987 Series IV of Plucked Chicken Press is published with works by Bustos, Archer, Martyl, Petersen, Smith, Gordon, Gadomski and Godfrey. 1990 Series V of Plucked Chicken Press is published with four floral lithographs by Winifred Godfrey...
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1980s Modern Figurative Prints

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SLR
By Milton Figen
Located in Surfside, FL
Milton Figen 'SLR', Mid-Century Modernist Figurative Acrylic on Paper, SIGNED.
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Only a Little While
By Gretchen Garner
Located in Surfside, FL
Only a Little While, 1980 Chromogenic print, from the portfolio "Vanitas" (1980) 25.7 x 33.1 cm (image); 27.8 x 35.6 cm (paper) Gretchen Garner was born in Minneapolis. In 1973–75, she studied photography at the School of the Art Institute, Chicago. After graduating, she worked for some time as a press photographer at the Chicago Daily News. Apart from photography, Garner has also been a curator, writer and teacher – teaching photography and photo history at the Michigan Grand Valley State University and the University of Connecticut. In the 1980s, Garner devoted herself strongly to outdoor photography. The countryside around Chicago inspired her to travel around the USA and Europe for a decade, producing landscape portrayals that include Denmark, Sweden and France. EDUCATION: Photo credit: Bill Jay MFA (photography), School of the Art Institute, Chicago, l975 AB (art history, with general honors), University of Chicago, 1965 ACADEMIC POSITIONS: The Ohio State University, Columbus, 2003-2004-2005-2006-2007 (Visiting Artist and adjunct professor) Moore College of Art and Design, Philadelphia, 1994-1997 (Academic Dean) University of Connecticut, Storrs, 1989-1994 (Professor, Department of Art, 1989-1994; Head, Department of Art, 1989-1992) Grand Valley State University, Michigan, 1987-1989 (Asst. and Associate Professor, School of Communications, Director, Calder Art Gallery) Saint Xavier College, Chicago, 1974-84 (Asst. and Assoc. Professor, Department of Art, Director, SXC Gallery, 1979-81, Chairperson, Department of Art, 1982-84) Columbia College, Chicago, 1978, 1982 (Visiting Instructor: Photographic Criticism, History of Photography) Institute of Design, IIT, Chicago, 1979 (Visiting Instructor: History of Photography) EXHIBITIONS: (one and two-person) Intimate Panoramas, Image House Gallery, Santa Fe, NM, Feb-Mar 2001 Moore College of Art and Design, Philadelphia, Sept-Oct, 1994 Weir Farm National Historic Site, Wilton CT...
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20th Century Modern Photography

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View Fr. Living, Large Scale Chicago Color Photograph
By Jay Wolke
Located in Surfside, FL
Jay Wolke lives and works in Chicago, Illinois. He has had solo exhibitions at the Art Institute of Chicago, the St. Louis Art Museum, Harvard University and the California Museum of...
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1980s Color Photography

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