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Carole Conde & Karl BeveridgeConceptual Contemporary Art Color Photograph, Social Commentary
$1,500
£1,113.06
€1,296.56
CA$2,088.01
A$2,325.19
CHF 1,210.13
MX$28,669.29
NOK 15,411.96
SEK 14,485.75
DKK 9,673.95
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About the Item
Provenance: Deaccessioned from a New York University.
Condé + Beveridge
Carole Condé and Karl Beveridge
Condé born in Hamilton in 1940. Beveridge born in Ottawa in 1945. Both live and work in Toronto.
Canadian artists Carole Condé and Karl Beveridge moved to New York City in 1969, and soon were at the centre of the burgeoning conceptual art movement. In 1975, they joined the Art & Language journal The Fox (with Joseph Kosuth and Ian Burn) and picketed the Museum of Modern Art to protest its lack of inclusion of women artists, while critiquing the apolitical minimalism of Donald Judd. This ferment culminated in a major museum show, It’s Still Privileged Art, at the Art Gallery of Ontario in 1976, just prior to the artists’ return to Toronto in1977. Rarely has a conjugal couple had such longevity as a collaborative artistic duo as Canada’s Carole Condé and Karl Beveridge. The history of visual art is replete with collaborations between artists and life partners who achieved their greatest critical success as individuals. Georgia O’Keefe and Alfred Stieglitz, Diego Rivera and Frida Kahlo, Edward Weston and Tina Modotti easily come to mind. Closer to home, we have Christopher and Mary Pratt. But few have sustained a collaboration over a lifetime, and fewer still have signed their works as one single authorial entity. For this reason alone, Carole Condé and Karl Beveridge are a unique phenomenon. Perhaps the closest contemporary parallel to Condé and Beveridge as a collaborative duo are Bernd and Hilla Becher, the German photographers and conceptual artists who worked together for over 40 years. But that’s where the comparison stops.
By the late 1970s, Condé and Beveridge drew a focus on various issues that were urgent within the trade union movement. referencing immigrants, the disabled and the service economy. Their method of working dialogically with their subjects was invented for the landmark 1981 project Standing Up, and has been refined in numerous subsequent collaborations. In the past three decades, over fifty solo exhibitions of Condé and Beveridge’s work have been presented at major museums and art spaces on four continents, including: the Institute of Contemporary Art (London, UK); Museum Folkswang (Germany); George Meany Centre (Washington); Dazibao Gallery (Montreal); Centro Cultural Recoleta (Buenos Aires); Art Gallery of Edmonton; and the Australian Centre for Photography (Sydney). Condé and Beveridge’s repeated calls for reflection, accountability and social justice have gained them recognition as activist-artists dedicated to improving cultural consciousness. The pair has exhibited extensively in Canada and internationally, and have work in many public and community collections including those of the National Gallery of Canada, the Art Gallery of Ontario and the Stedelijk Museum.
Equally, and congruent with the artists’ commitment to accessibility, their work has been displayed in a host of non-art and public settings, such as union halls, billboards, bus shelters and bookworks. The artists continue to work and live in Toronto
- Creator:Carole Conde & Karl Beveridge (Canadian)
- Dimensions:Height: 24 in (60.96 cm)Width: 20 in (50.8 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Surfside, FL
- Reference Number:1stDibs: LU38212359522
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Located in Surfside, FL
Referencing immigrants and the disabled. Social commentary conceptual artwork.
Provenance: Deaccessioned from a New York University.
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Conceptual Contemporary Art Color Photograph, Social Commentary
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Provenance: Deaccessioned from a New York University.
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1948 Born in Toyama Prefecture
1973 Dokuritsu Bijyutsu exhibition, Tokyo Metropolitan Art Museum
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Tokyo Metropolitan Art Museum in Tokyo
1979 Prefectural Assembly Chairman Award at Kanagawa Prefectural Art
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By Gretchen Garner
Located in Surfside, FL
Only a Little While, 1980
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25.7 x 33.1 cm (image); 27.8 x 35.6 cm (paper)
Gretchen Garner was born in Minneapolis. In 1973–75, she studied photography at the School of the Art Institute, Chicago.
After graduating, she worked for some time as a press photographer at the Chicago Daily News. Apart from photography, Garner has also been a curator, writer and teacher – teaching photography and photo history at the Michigan Grand Valley State University and the University of Connecticut. In the 1980s, Garner devoted herself strongly to outdoor photography. The countryside around Chicago inspired her to travel around the USA and Europe for a decade, producing landscape portrayals that include Denmark, Sweden and France.
EDUCATION:
Photo credit: Bill Jay
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AB (art history, with general honors), University of Chicago, 1965
ACADEMIC POSITIONS:
The Ohio State University, Columbus, 2003-2004-2005-2006-2007
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Moore College of Art and Design, Philadelphia, 1994-1997
(Academic Dean)
University of Connecticut, Storrs, 1989-1994
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Grand Valley State University, Michigan, 1987-1989
(Asst. and Associate Professor, School of Communications, Director, Calder Art Gallery)
Saint Xavier College, Chicago, 1974-84
(Asst. and Assoc. Professor, Department of Art, Director, SXC Gallery, 1979-81,
Chairperson, Department of Art, 1982-84)
Columbia College, Chicago, 1978, 1982
(Visiting Instructor: Photographic Criticism, History of Photography)
Institute of Design, IIT, Chicago, 1979
(Visiting Instructor: History of Photography)
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Moore College of Art and Design, Philadelphia, Sept-Oct, 1994
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