Cristina Fontsare

Lucia at Twelve - Polaroid, Photograph, Childhood. 21st Century

2020

Lucia at Fourteen (2018) 40x51 cm, Edition of 10 plus 2 Artist Proofs. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Instant Film (not mounted) Once / Cristina Fonts...

Gabriela at Twelve - 2020, 40x30cm, Edition of 10 + 2 Artist Proofs. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on a Fuji Instant Film original (not mounted). ...

Lucia at 13 (2016) 40x50 cm, Edition of 10 plus 2 Artist Proofs. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Instant Film (not mounted) Bombay B...

In the meantime (2018), Edition 1/10. 40 x 50 cm. Printed in Canson Barita Fiber Rag 310gr, based on a Fuji Instant Film (not mounted). Signed on back with Certificate. Once / Crist...

'Illuminations started in 2002 when a relationship was slowly falling apart. While trying to save it, we rented a large stylish apartment in Stockholm, and then later one in Arles, France, hoping that a change of scene would have a posi-tive effect. The new spaces made the distance between us more acute, and the inevitable break even more obvious. The ritual of making one photograph each night became crucial to me. I left the camera shutter open for 3 to 8 hours in a darkened bedroom, and as the morning light arrived I interrupted the exposure. It is a private journal, documenting time and memory, where present meets past.' Born in Vienna to Swedish and Greek parents and raised in Stockholm, Florence Montmare has an MBA in Design Management from Linnaeus University, Sweden and studied at the School of Visual Arts. A graduate of International Center of Photography, New York, she collaborated with artist Sam Samore...

YOUTH C Print On Fuji Paper Collection: Dutch Masters One size: 44.5 x 40.5 Edition of 7 + 3 Artist Proofs, 6 left DUTCH MASTERPIECE These Self-portraits remind us of historic fema...

'Illuminations started in 2002 when a relationship was slowly falling apart. While trying to save it, we rented a large stylish apartment in Stockholm, and then later one in Arles, France, hoping that a change of scene would have a posi-tive effect. The new spaces made the distance between us more acute, and the inevitable break even more obvious. The ritual of making one photograph each night became crucial to me. I left the camera shutter open for 3 to 8 hours in a darkened bedroom, and as the morning light arrived I interrupted the exposure. It is a private journal, documenting time and memory, where present meets past.' Born in Vienna to Swedish and Greek parents and raised in Stockholm, Florence Montmare has an MBA in Design Management from Linnaeus University, Sweden and studied at the School of Visual Arts. A graduate of International Center of Photography, New York, she collaborated with artist Sam Samore...

DUTCH MASTERPIECE These Self-portraits remind us of historic female archetypes and bring to mind a mysterious beauty that we would typically associate with the classical age of portr...