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David BurdenyDavid Burdeny - Red Wall, Peterhof, Russia, Photography 2015, Printed After
About the Item
All available sizes & editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
Burdeny’s Russia images, particularly in his photographs of the Moscow Metro, in which the artist documents the palatial grandeur of the city’s 85-year-old underground rail system. Burdeny was among the first photographers to be granted after-hours access to the subway stations, and his images Soviet-era stations, whose ornate designs and realist artwork were meant to reflect the socialist ideals of Stalinist Russia—“palaces of the people.” During the Cold War, some stations doubled as bomb shelters. Today, the metro system transports upwards of two and a half million riders per day across more than 200 stations, making Burdeny’s unobstructed views of the vaulted and brightly lit tunnels an especially rare glimpse, one that highlights the space itself rather than its more quotidian function.Next to his equally rare shots of actual Russian palaces, among them St. Petersburg’s Yusopof Palaceand Hermitage Museum, these metro views form a picture of Russian architectural history as a social-cultural current that moves both above and below the country’s storied cities.
- Creator:David Burdeny (1968, Canadian)
- Dimensions:Height: 21 in (53.34 cm)Width: 26 in (66.04 cm)
- More Editions & Sizes:32” x 40" Edition of 7Price: $6,60044” x 55” Edition of 10Price: $8,00059” x 73.5” Edition of 5Price: $17,000
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Greenwich, CT
- Reference Number:1stDibs: LU25115892542
David Burdeny
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establishing himself as a photographer. Burdeny translates his intimate appreciation for the structure, details and metaphorical value of space into sublime observations on how the contemporary world is still pregnant with mystery and potential. His early work of square-format black and white images rendered space in stark, elemental terms. The spare landscapes seemed modeled to serve as liminal spaces -as thresholds and portals and points of departure that lead the viewer to a complex intimacy with the expressive force of empirical awareness. In subsequent series, Burdeny has explored both opulent and austere interior scenes that use the sensuality of colour to full effect. Whether focused on ordinary spaces or iconic settings, Burdeny's photographs occupy an artistic middle ground between the physical and the atmospheric, the concrete and the spiritual, the actual and the idealized. They represent not strictly what he found but his personal experience of these enigmatic and luminous locations.Burdeny has featured his photographic series in numerous solo and group exhibitions in Canada, the US and throughout Europe. His work has also been widely published including most recently in The Guardian, the Corriere Dela Sera and the Moscow Times.David Burdeny lives in Delta, B.C. and works from his studio in Vancouver.
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