2010s Color Photography

'Yellow is the Dawning of May' Limited edition (1 of 25) archival photograph, hand signed and numbered. Unframed _________________ Illuminated among painted pools of early summer lig...

'Yellow is the Dawning of May' 60 x 40" Master Edition Limited edition (1 of 5) archival photograph, hand signed and numbered. Unframed _________________ Illuminated among painted po...

'May Morning in Yellow' 60 x 40" Master Edition Limited edition (1 of 5) archival photograph, hand signed and numbered. Unframed _________________ Illuminated among painted pools of ...

High winds at night Size & Edition: 40" x 50” - Edition of 5 + 2 Artist Proofs This photograph will be printed once payment has been received and will ship directly from the printe...

J&J Photo is the artchild of Jane Pike and Jeff Turner, combining their respective backgrounds in graphic design and photography to create bold colour statements with places and obje...

Kalli Brelsford Downtown Views – Looking Up Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provide...

Rebecca Skinner’s “Interior III” is a 12 x 18 inch color photograph taken from inside an abandoned farmhouse in North Dakota. The viewer gets a glimpse of the beautiful landscape thr...

Daniel Videtich Peter with Jesus and Mary Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and fram...

Kevin Vivers Taking flight Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal...

Kevin Vivers Devotion Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal blac...

Erin Rockers City Market Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matte...

Jarrett Redd Alligator Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal bla...

Jarrett Redd Fog Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal black fra...

Erin Rockers Crossroads Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal bl...

Don Porter Kaw Point Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal black ...

Paula Newton Burr Oaks Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal blac...

JoLynne Martinez Kansas City Indian Center Staff Members Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang;...

Shannon Maltbie-Davis Bird’s Eye View of KC Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and fr...

'Tulip, Awakening' 60 x 40" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ Gauzy afternoon light, the tulips are stretching softly,...

Richard Klopfenstine Library Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minim...

Jeff Burk Under the Buck O’Neil Bridge Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed ...

Fine art inkjet print on special paper rag Ask us for framing options Hans Withoos career spans more than twenty years worldwide. After graduating from the Art Academy. He specializ...

Archival Pigment Print Former Masonic Lodge, Mobile AL All available sizes & editions for each size of this photograph: 30" x 40” - Edition of 5 + 2 Artist...

Down Stream is a limited-edition photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in only one dimension. There are...

Browning High Power Digital C-Print / Archival Pigment Print Edition of 20 per size Available sizes: 36 x 72 in 48 x 96 in In Point Blank, Lusztyk’s magnification of handguns at onc...

Down Stream is a limited-edition photograph by contemporary artist Luca Marziale. This photograph is sold unframed as a print only. It is available in 2 dimensions: *76.2 × 76.2 cm...

Untitled (#16-5) is a photograph by Polish contemporary artist Pawel Żak. This photograph is sold unframed as a print only. It is available in only one dim...

Jersey Girls Yellow, photograph from Richard Heeps Jersey Shore series. Vintage matchbooks from New York's Chelsea Flea Market featuring nudes from the 1940's are reimagined by Richa...

Superposition de deux photos prises à Paris « A partir d’une photo d’une affiche du début du 20 ° siècle de la Tour Eiffel, superposition avec une image nocturne prise des Champs Ely...

Superposition de deux photos prises à Paris « Du canal Saint Martin au pont Alexandre III, deux visions de Paris s’entremêlent »

GOLDEN PEAR 2019 From “Sexy Golden fruit" project Measurement: CM 30x40 Print run 10+2PA Digital Photography C-Type Lambda, print on Fujichrome Photo paper, unframed, in design...

Katie Eleanor, ‘Your Hand, Your Tongue III’, 2017 Hand-coloured portrait of a regal monarch, immobilised in marble, her reigning celebrated the blooms she becomes entwined in. The characterisation is inspired by visual depictions of Lady Macbeth, in particular, John Singer Sargent’s 1889 portrait of actress Ellen Terry. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: 'Your Hand, Your Tongue’, 2017 Hand-coloured Archival Pigment Print on Hahnemuhle Photorag 40.5 x 30.5 cm Unique Series: The Sialia Marbles Signed and dated on verso "I’m not a sculptor, but I wanted to construct my own stories. Photographers have often used sculpture in order to challenge our idea of a “sculptural” body or object, by casting them in a two-dimensional light. I love playing with perception. A lot of my work is influenced by the nineteenth century—the pictorialist movement for instance. When photography was a new experiment, people would play around with perception tricks—Victorian paper theaters...

Boat to Nowhere - 2019 20x20 cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid, Not mounted. Signed on the back and with certificate. Artist invento...

Playing Ball - 2020 20x20cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2020-838. Not ...

This is number 1 from a limited edition of 12. London-based Photographer and Graphic designer Omer Ga'ash, graduated from Bezalel Academy of Art and De...

Nick Vedros Ducati Girl Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 2012 Size: 16x10in Edition: 15 Signed, dated and number...

Nick Vedros Hair Dryer Car Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 10x10in Edition: 15 Signed, dated and numbered by hand...

Nick Vedros Bed Gnomes, Honey I’m Home Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 14x12in Edition: 12 Signed, dated and numbered by hand on label Sta...

New York City seen uniquely through the artful lens of Mitchell Funk. We all have seen images of the financial district in Lower Manhattan but this original in a very artful way. T...

Basilica - Limited edition pigment print - Limited Editions of 5 Girona's Basilica, Spain Signed + numbered by artist with certificate of authenticity. Archival pigment print a...

Pigment ink on Fine Art Hahnemühle paper Edition 1/5 Hand-signed on the back by the artist “We are such stuff as dreams are made on, and our little life is rounded with a sleep.” Th...

Les Corbières - Limited edition pigment print - Limited Editions of 5 Mountain in France. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted): 23 x 70,4 cm / 9,05 x 27,56 in - Edition of 5 31 x 95 cm / 12,2 x 37,40 in - Edition of 5 45 x 137.7 cm / 17,71 x 53,93 in - Edition of 5 A custom size is possible, it will be included in the nearest edition of 15 This print that is being offered is a high-quality Archival Pigment print, which has been printed on fiber-based paper. The paper used is Hahnemühle Photo Rag® Baryta 315 gsm, which is a premium quality paper that is acid-free and lignin-free. This ensures that the print will remain in pristine condition for years to come. The Hahnemühle Photo Rag® Baryta paper is a museum-quality paper that is highly resistant to aging. It is a popular alternative to analogue baryta paper, which is known for its ability to produce rich, deep blacks and vibrant colors. The Hahnemühle Photo Rag® Baryta paper is no different, as it produces stunningly vivid and lifelike prints. Overall, this Archival Pigment print is a stunning piece of art that is sure to impress. The combination of high-quality paper and inks ensures that the print will remain in pristine condition for many years, making it a great investment for any art collector or enthusiast. Sam Thomas...

Print detail: Painting like photographic print, Printed on Museum Glass and Hand Gilded with Gold leaf in custom made frame. 41 x 57 cm (Framed) Glass Print from Edition of 1/5 Series: Blossom Blizzard (New Print on Glass edition 2022) Shipping: The print on glass would be packed and into wooden crate for artwork protection and shipped with professional art shippers. About the work: "Despite T.S. Eliot's assertion that 'April is the cruellest month', I invariably feel a sudden surge of wellbeing and optimism when the first scent of spring hangs in the air. I know I'm far from alone in this - photographers and artists surely feel that sense of excitement as keenly as any gardener eagerly rifling though their seed packets. Mother Nature, it seems, is handing us our images on a plate. The light is soft and benign, the colours, gentle, and the countryside seems to suddenly be filled with boundless enthusiasm. Quotes such as 'Spring is nature's way of reminding us that every day is worthy of celebration' pop up on social media with unfailing regularity - long before the first cuckoo is heard. This image was taken at Stanmer Park, just outside of Brighton. A blustery day in early April, the air was filled with the sweet smell of April and the profligacy and exuberance of the new growth emerging was inspirational. Blossom-laden branches were everywhere but I concentrated on one small tree that stood apart from the rest. For reasons unclear, its tiny flowers seemed whiter, fluffier, altogether more generous than that of any of its neighbours. It was bitterly cold. The type of cold that can only be experienced when one has left home in overly optimistic clothing, only to realise that the wind chill factor hadn't been accounted for when getting dressed. I struggled on for about half an hour - reluctant to retreat to the warmth of the nearby cafe and the very enticing appeal of a cup of coffee. Fortunately, my inspiration came quickly - as the tiny petals blew around my head and I stood there shivering in all my reckless optimism, I realised it felt like nothing more than being encased in one of those half-domed snow globes. The fiercest blizzard was surely never this intense. I certainly couldn't imagine it ever being this cold. Photographic perfection is not my objective. Its obedient conformity initially attracts, but, for me, leaves little enticement to investigate further. So it was that the tangled complexity of branches and the disparate arrangement of blossom engaged, rather than frustrated my aspirations. By layering image upon image, frame upon frame, I was able to build up the layers of blossom and emphasise the movement of the branches. All photographic images represent a moment in time. The way I make my images combine several. I walked around the tree, back and forth trying to engage with the long-limbed gaucheness of its extended branches. The colour palette needed little intervention; I don't think anybody makes a paint called 'blustery blue' but perhaps they should. This contrasted beautifully with the jade and emerald grass, subsequently overlaid with soft white snowflakes and created, what for me, was a very pleasing and fresh arrangement of seasonal colours." - Valda Bailey

Rebecca Skinner’s “Inward” is a 12 x 18 inch color photograph of vines growing through a window into the interior of an abandoned building. Layers of peeling paint in green, pink and...

The Girl II (The Girl behind the White Picket Fence) - 2011 128x125cm. Edition of 5. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and certif...

The towering glass skyscrapers of Lower Manhattan are framed by a colorful rooftop graffiti wall in this captivating photograph by street photographer Mitchell Funk . The fine art p...

'The way we were' 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs Digital C-Print, based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL219...

The other day I was sure I knew what is good and what is bad (The Girl behind the White Picket Fence) - 2015 20x20cm, Edition of 10, plus 2 Artist Proofs. Digital C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory # 13866. Not mounted. Offered is a piece from the movie: The Girl behind the White Picket Fence A tale told with blemished and expired Polaroid film about the hopes and dreams of an newly orphaned girl after loosing her parents who lived in Californian desert in an vintage Spartan travel-trailer . -filmed with Polaroid film stock and Super-8 footage, overlaid with poetic voice over monoloque - this feature film creates a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick, Gus Van Sant, and pages torn from a lonely girls journal (Palms Springs life magazine / Caroline Ryder) Stefanie Schneider By Caroline Ryder Travel up a bumpy dirt road in Morongo Valley, the trail strewn with rocks, and you’ll come upon a gigantic 1950s trailer in pristine condition, ringed by a white picket fence, with cottontail rabbits hopping among neat little rose bushes that bloom in spite of the broiling desert heat. Inside the trailer are period accents—a vintage radio, vintage fridge, little crocheted doilies and dusty gilt-framed photographs. It’s a surreal home-sweet-home, an Americana fantasy as imagined by German artist and experimental filmmaker Stefanie Schneider whose work is so inspired by the desert landscape, she made it her home in 2005. “There’s a completely different light here than in Germany, a beautiful light,” says Schneider, whose 10 acre property in Morongo is dotted with vintage trailers. They surround her midcentury home, and serve as sets for her photo shoots or as guest lodgings for her friends from Hollywood and Berlin. “But what I really love about the desert is the desolation,” she continues. “The sense of hope for something that might or might not come. It’s easy to see our dreams projected in the desert.” Famed for shooting trailer park chic fine art photographs exclusively on vintage Polaroid film, Schneider recently completed her most ambitious project to date—a feature film made entirely of Polaroid stills (4000 images in total), the story set around her magnificent 1950s trailer. The film, called “The Girl Behind The White Picket Fence” tells the story of a broken-hearted girl who lives in the trailer. Her name is Heather, and she is played by model Heather Megan Christie, girlfriend of actor Joaquin Phoenix, and former partner of Red Hot Chili Peppers singer Anthony Kiedis, with whom she has a son. Heather stars opposite Kyle Larson (who plays ‘Hank’), a real-life gypsy fisherman who catches crab in Alaska when he’s not surfing in Southern California. Neither of the two had ever acted before, and never in the history of movie making has a director shot a film entirely on Polaroid film. “There was great difficulty shooting a film this way,” says Schneider, who, with her long straight hair, wide innocent eyes and thick-framed glasses, conjures an art-house Gretel. “If I had used a regular camera I would have had 36 exposures per minute, much faster and easier than using the old Polaroid camera which takes a long time to shoot one frame. Also, sometimes it doesn’t shoot at the exact moment you think it’s going to—but that’s really great because then you miss the perfect moment…and often those are the best shots.” Individually, the Polaroid photographs that comprise 29 PALMS, CA stand alone, but together and in sequence, filmed with super 8 and 16mm film stock and overlaid with poetic voice-over monologues, they create a dynamic kaleidoscope of words and pictures, a dreamy tale that channels Terrence Malick. Gus Van Sant, and pages torn from a lonely girl’s journal. The idea to shoot a movie in this way came about in 2004, when Schneider was working with leading German director Mark Forster (Monster’s Ball, Finding Neverland, Quantum of Solace) on his film Stay. She had met Forster at director Wim Wender’s birthday party in Hollywood. A few years later, Forster asked Schneider to shoot Polaroids of scenes from Stay as he filmed; he used those photographs for dream and memory sequences in the movie. For the first time, Schneider saw her Polaroids strung together in sequence, moving with rhythm like a flipbook, in the context of a story. When Forster urged her to consider making a feature film using that technique, the seed of 29 PALMS, CA was sown. She mentioned the idea to her good friend German actor Udo Kier, who also gave the idea a big thumbs up, and agreed to play the part of a mysterious shaman in the film. Thanks to her strong reputation in the art world and her Hollywood connections, getting talented people on board was the easy part (for a while, Charlotte Gainsbourg was pegged to play the starring role, although she pulled out two weeks before shooting commenced because she was pregnant and not fit to travel to the desert.) The hard part was finding the perfect trailer—and bringing it to the desert. “This trailer almost killed us,” says Schneider’s partner Lance Waterman, who lives and works with Schneider in Morongo Valley. After finding it on eBay, the couple drove to Utah to pick it up, the plan being to tow it all the way back to the high desert themselves. Bad idea. “We were driving down a hill with this enormous trailer behind us when we realized that if we wanted to stop, there would be no way to do so without the trailer crushing us,” says Waterman. Adds Schneider: “Lance was even giving me instructions on how to jump out of the truck, if we needed to.” Thankfully the road leveled and as soon as they were able to slow down and pull over, they called a professional towing company, which transported the trailer the remaining distance to Morongo Valley. Filming took place in Spring 2011 and 2012. Schneider recently submitted the film to major film festivals in Europe and the US, and it will be broadcast in 2013 by leading German television channel, Arte. While Schneider may come from a long tradition of photographers-turned-filmmakers—Stanley Kubrick started out as a photographer, as did Ken Russell (Tommy, Women in Love...

The other day I was sure I knew what is good and what is bad (The Girl behind the White Picket Fence) - 2015 50x50cm, Edition of 10, plus 2 Artist Proofs. Digital C-Print, based o...

Always Sometimes - 2020 Original Polaroid - Unique Piece, signed and titled on back. 7.8 x 7,7cm (image area) 10.7 x 8.7 cm ( including white Polaroid frame) Artist inventory PL2...

Sisyphus (The Girl behind the White Picket Fence) - 2013 98x97cm, Edition 1/5, analog C-Print, hand-printed by the artist, based on a Polaroid. Certificate and Signature label Arti...

Fern II - 2018 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2018-479. Not mount...

`Shadow Within` Norway/USA 2010-2013 70 cm x 110 cm. (28 in. x 43 in.) Edition 6 + 2 a.p. 110 cm. x 150 cm. (47 in. x 59 in.) Edition 3 + 1 a.p. 100 cm x 150 cm. Edition 3 + 1 a....

Brigitte LUSTENBERGER (*1969, Switzerland) A new dawn blooms, 2021 From the series 'An Apparition Of Memory' C-print 100 x 121 cm (39 3/8 x 47 5/8 in.) Edition of 5, plus 2 AP; Ed. no. 1/5 print only Born in Zurich, Switzerland, Brigitte studied at Zurich University and received her MA in Social and Photo History in 1996. In the following years she established herself as an fine art photographer. She moved to New York and received her MFA in Fine Art Photography and Related Media at Parsons The New School of Design in 2007. The main issues in her works lie in her interest in the study of the gaze, the interplay between absence and presence in a photographic image, and the fact that the reading of a photograph is most often triggered by a collective memory. She explores the media itself and its close connection to themes like decay, memory, death and transitoriness. Brigitte Lustenberger has shown nationally and internationally in both solo and group shows. She had Solo Shows at the Museée de l’Elysée in Lausanne/Switzerland, at Walter Keller’s Scalo Gallery in Zurich and New York, at Le Maillon...

'Under the boardwalk, down by the sea' - one of Richard's favourite songs by The Drifters, that this photo is not only named after, but really emulates. T...

I swing to see the world upside down - 2020 - 40x33cm, Edition of 10, plus 2 Artist Proofs. Photograph printed on Canson Barita Fiber Rag 340gr, based on a reclaimed Fuji Instant...

'Under the boardwalk, down by the sea' - one of Richard's favourite songs by The Drifters, that this photo is not only named after, but really emulates. T...

In a delicate smear of faded blues intermingled with the curves and lines of the pale colors of the skin, Alex Sher’s “Brushstroke” uncovers his phenomenal ability to capture the tr...