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Jean Pierre De NeefGalleria Umberto 1er of Napoly - Italy- Contemporary Panoramic Color Photography2018
2018
$1,635.13
$2,043.9120% Off
£1,225.63
£1,532.0420% Off
€1,384
€1,73020% Off
CA$2,246.39
CA$2,807.9920% Off
A$2,507.88
A$3,134.8620% Off
CHF 1,314.09
CHF 1,642.6220% Off
MX$30,698.97
MX$38,373.7120% Off
NOK 16,689
NOK 20,861.2520% Off
SEK 15,735.61
SEK 19,669.5120% Off
DKK 10,535.51
DKK 13,169.3920% Off
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About the Item
Pigment photographic paper - photography & fine art print © Jean Pierre De Neef
Artwork sold in limited edition of 12 pieces in perfect condition - Composition from an assembly of several shots made in August 2018.
The technique of assembling several images allows the production of a new very heavy file, the large number of pixels obtained offers a very detailed image
And precise in the nuances of colors. We get an effect close to 3D and clarity giving a striking transparency effect.
This is a detailed of the elegant, glass-and-iron covered gallery built in the late 19th century.
Jean-Pierre De Neef came to photography like a new convert to religion, convinced that it would lend meaning to his life. His path took him first to a photographic laboratory, having once been a Cibachrome expert, regularly visited by French art photographers who made their way to Brussels to consult him.
Well-versed in modern high performance techniques, nowadays Jean-Pierre De Neef produces art photos for several internationally known photographers whose works can be found in galleries and fairs the world over.
Twelve years ago Jean-Pierre De Neef’s encounter with François Bayle, art critic and curator of the works of various photographers for Brussels Art Edition, enabled him to pursue his passion in new fields. He was at the side of the Italian photographer Fabrizio La Torre (Rome 1921, Brussels 2014) in the last few years of his life, who entrusted him with detailed instructions for digitising his archives and explained to him the results he was seeking.
Jean-Pierre De Neef with his refined technical skills, and François Bayle with his creativity made up a team which was perfectly equipped to stage a number of well-received exhibitions of the work of Fabrizo La Torre - Museum of Ixelles (Brussels 2011), Principality of Monaco, an excellent Retrospective,(2014) and Bangkok (2019), which involved the presentation of the photos taken in Thailand between 1956 to 1961.
Similar restoration work was performed on the photographic archives of the German photographer Jörg Krichbaum (d. 2002 in Brussels) and the remarkable photos of Rome taken by Enrico Valenziani in the 1860s.
Gifted with exceptional technical skills, allied to an ability to stage
spectacular exhibitions without betraying the intentions of the artist and at the same time bestowing on “his” photographers the commercial attractions of a gallery, Jean-Pierre De Neef is able to present these works to collectors and the general public in their most attractive form, never betraying the wishes of their creators. Because he supervises every step of the process, the same photo can take the form of a superb art print, digitised, numbered and authenticated, or of a very large format photo on PVC, plexiglass or canvas fit to decorate a public space or an event.
- Creator:Jean Pierre De Neef (1959, Belgian)
- Creation Year:2018
- Dimensions:Height: 35.44 in (90 cm)Width: 39.38 in (100 cm)Depth: 0.12 in (3 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Brussels, BE
- Reference Number:1stDibs: LU157029233032
Jean-Pierre De Neef came to photography like a new convert to religion, convinced that it would lend meaning to his life. His path took him first to a photographic laboratory, having once been a Cibachrome expert, regularly visited by French art photographers who made their way to Brussels to consult him. Well-versed in modern high performance techniques, nowadays Jean-Pierre De Neef produces art photos for several internationally known photographers whose works can be found in galleries and fairs the world over.
Twelve years ago Jean-Pierre De Neef’s encounter with François Bayle, art critic and curator of the works of various photographers for Brussels Art Edition, enabled him to pursue his passion in new fields. He was at the side of the Italian photographer Fabrizio La Torre (Rome 1921, Brussels 2014) in the last few years of his life, who entrusted him with detailed instructions for digitising his archives and explained to him the results he was seeking.
Jean-Pierre De Neef with his refined technical skills, and François Bayle with his creativity made up a team which was perfectly equipped to stage a number of well-received exhibitions of the work of Fabrizo La Torre - Museum of Ixelles (Brussels 2011), Principality of Monaco, an excellent Retrospective,(2014) and Bangkok (2019), which involved the presentation of the photos taken in Thailand between 1956 to 1961. Similar restoration work was performed on the photographic archives of the German photographer Jörg Krichbaum (d. 2002 in Brussels) and the remarkable photos of Rome taken by Enrico Valenziani in the 1860s.
Gifted with exceptional technical skills, allied to an ability to stage spectacular exhibitions without betraying the intentions of the artist and at the same time bestowing on “his” photographers the commercial attractions of a gallery, Jean-Pierre De Neef is able to present these works to collectors and the general public in their most attractive form, never betraying the wishes of their creators. Because he supervises every step of the process, the same photo can take the form of a superb art print, digitised, numbered and authenticated, or of a very large format photo on PVC, plexiglass or canvas fit to decorate a public space or an event.
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The technique of assembling several images allows the production of a new very heavy file, the large number of pixels obtained offers a very detailed image
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