Julia Beyer

Generation A

2017

'The Sorcerers Apprentice’, 2017, 24 x 20 cm, edition of 2/10, Archival C-Print based on a Polaroid, Numbered and signed on the back by the artist. Not mounted. A piece from T...

'Untitled' (Chinese Classical), 2003, Edition of 10 plus 2 Artist Proofs, digital C-Print, POLAROID 809 Emulsion Transfer, 32 cm x 26cm, not mounted, Signed, embossed stamp and artis...

'Untitled' (Chinese Classical), 2003, Edition of 10 plus 2 Artist Proofs, digital C-Print, POLAROID 809 Emulsion Transfer, 26 cm x 32cm, not mounted, Signed, embossed stamp and artis...

'Untitled' (Chinese Classical), 2002, Edition of 10 plus 2 Artist Proofs, digital C-Print, POLAROID 809 Emulsion Transfer, 26 cm x 32cm, not mounted, Signed, embossed stamp and artis...

Gloss finish urushi lacquer over ABS thermoplastic viewer / Black film diffuser Kojun is an self-taught multimédia American artist born in 1977 based in Tokyo, Japan since 1999. Koj...

Photographed in one of Florida’s state parks known for its old growth gardens. The roses are juxtaposed against the blue spring sky highlighting their b...

This series was photographed at Landcraft on the North Fork of Long Island. A place of ethereal and thoughtful design by two extremely talented men. Photographed with an infrared cam...

Large original, vintage, Ektacolor print collage Depicts art deco architectural facade of Publix building at Dade Boulevard and Alton Road in Miami Beach, Florida. Multiple prints formed into a collage mounted on a stretched canvas. Printed November 1989. Mounted December 1989. dated lower left. Includes protective canvas slip covering. Size: 81"H x 72"W (205.74 cm x 182.88 cm). Provenance: Bass Museum, Miami Beach, Florida This was exhibited at the Norton Museum in Palm Beach and Bears their exhibition label verso. Rafael Salazar (Cuban- American photographer) was born in Cuba in 1945 and has been a South Florida resident since 1965. He has photographed the development of the City of Miami as well as Miami’s budding art scene over the years. He is primarily known for his panoramic photographs and photo assemblage montages which have both a documentary quality to them but are full of enchantment and depth. Of great importance to him is the preservation on film of art works, especially those of a transitory nature, this has led him to photograph two of Christo and Jeanne-Claude projects; Miami’s Surrounded Islands and the Pont Neuf in Paris. He has also documented the works of Fernando García, Ed Ruscha, and Philip Johnson. His work draws inspiration from his love of the cosmos, spirituality, architecture, Eastern philosophy, and nature. He has been exhibiting his fine art both nationally and internationally for many years. Salazar’s images have earned him a reputation as an innovative and sensitive artist. He has close ties with the Miami-Dade Public Library System and photographed much of the development of Main Library as well as the early exhibitions and events held there. He photographed the library’s Artmobile, painted by New York Realist artist Lowell Nesbitt, an art gallery on wheels decorated with zebra patterns and native flowers that was in service from 1976 until 1992. He also documented the Grand Opening Celebration of the Metro-Dade Cultural Center held in 1986. Since its 1970 start, the Permanent Art Collection has been recognized nationally as a fearless reflection of Miami’s diversity, and an invaluable chronicle of its artistic and social history. Their collection includes Elizabeth Catlett, Purvis Young and Emilio Sanchez. "Fact and Fiction: The State of Florida Photography...