Carbon Pigment Color Photography

We Know Our Place (1958) Limited Estate Stamped - Giant (Photo by Slim Aarons) A Dalmatian dog lies at the feet of Mr and Mrs John M Seabrook as they pose...

James Dean At A Car Rally 1955 (colorised) by Frank Worth paper size 40 x 60 inches / 101 x 152 cm edition of 6 only in this size Archival pigment print unframed Note other si...

David Bowie Aladdin Sane Eyes Open 40 x 40 inches / 101 x 101 cm paper size limited edition of 25 Archival Pigment Print Hand signed by David Bowie Edition 23/25 Taken by Duffy...

David Bailey Mick Jagger Goats Head Soup Album Art Version, 1973 Archival Inkjet on paper Signed by the artist, on verso Image: 101 x 148 cm Sheet: 111 x 158 cm Edition of 10 + 2 AP

O'Brians Catch American actor Hugh O’Brian returns to the beach with a fish after a snorkelling expedition, Antigua in the West Indies, 1961. Paper size 50 x 50 / 127 x 127 cm E...

HRM Queen Elizabeth II visits a new maternity ward at the Lister Hospital in 2012 in Stevenage. The Queen was on a two day tour of the East Midlands as part of her Diamond Jubilee tour of the country. by Official Getty Images Royal Photographer Chris Jackson...

David Bailey Rolling Stones Colour Out of Our Heads, 1968 Archival Inkjet on paper Signed by the artist, on verso Image: 50.8 x 50.8 cm Sheet: 58...

Squaw Valley Snow Snow covers the deserted cafe in Squaw Valley, California, January 1961. Paper size 30 x 20" inches / 76 x 51 cm Estate Stamped Collection Edition to 150 Ph...

John Dolan’s photographs revel in the extraordinary that lies beneath everyday, fleeting occurrences. And in this eloquent collection of twenty images shot in ravishing color and bla...

Oberon's Lunch Film star Merle Oberon and lunch guests at her villa, La Consentida, Acapulco. The star is second from the right facing the camera. Circa 1966. 40 x 60" inches / 101...

The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will...

David Saxe - “Photography has always been the simple act of looking and being inspired to strip the unnecessary elements from the scene and frame the image down in a way to discover what is not apparent on the surface. My photographs are as much about me as what I am seeing: In Southern California, 2010 is a perfect example of this process of seeing. When I first noticed this scene, it was a simple mural of a whale on a wall. After looking at it for a while I realized that by eliminating the sky and foreground from the image the whale now had an undulating rhythm and movement. In another image Restaurant Hostess, Palm Beach, FL 2012, I would go to this restaurant every week and sit in the bar behind the reception area. One day, I turned around and saw the back of a woman. Through this process of deductive framing, the image became one of dark shadows rhythmically trickling down her back interwoven with the tattoo of the lizard. David Saxe was born in Montreal, Québec, Canada in 1943 and studied fine art at l’ecole des Beaux Arts in Montreal. He started taking pictures in 1970, after being influenced by the work of Robert Frank, and Henri Cartier Bresson. About 10 years ago, he decided to take a workshop with Constantine Manos...