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Carbon Pigment Color Photography

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Style: Modern
Medium: Carbon Pigment
Frida Kahlo in Blue Silk Dress
Located in Denton, TX
Edition of 30 Titled, dated, numbered, and signed by Nickolas Muray's Estate Nickolas Muray Photo Archives Paper size: 19 x 16 in., Image size: 12 2/3 x 9 3/4 in. "Muray and Kahlo were at the height of their on-again, off-again, ten-year relationship when these pictures were taken. Their affair had started in 1931, after Muray was divorced from his second wife, and shortly after Kahlo’s marriage to Mexican muralist...
Category

20th Century Modern Carbon Pigment Color Photography

Materials

Carbon Pigment

Frida in Pink and Green Blouse
Located in Denton, TX
Edition of 30 Titled, dated, numbered and signed by Nickolas Muray's Estate Nickolas Muray Photo Archives. Paper size: 22 x 18 in., Image size: 13 3/4 x 9 1/2 in. "Muray and Kahlo w...
Category

20th Century Modern Carbon Pigment Color Photography

Materials

Carbon Pigment

Frida in New York - Skyline, New York City, Portrait, Frida Kahlo, Celebrity
Located in Denton, TX
Frida in New York by Nickolas Muray features Frida Kahlo in a colorful red, yellow and blue dress with light blue bows in her hair and a cigarett...
Category

20th Century Modern Carbon Pigment Color Photography

Materials

Carbon Pigment

Frida with Idol
Located in Denton, TX
Edition 22/30 Carbon pigment print Paper size: 17 1/2 x 22 in., Image size: 11 x 15 3/4 in. Titled, dated, numbered, and signed by Nickolas Muray's Estate Nickolas Muray Photo Archives "Muray and Kahlo were at the height of their on-again, off-again, ten-year relationship when these pictures were taken. Their affair had started in 1931, after Muray was divorced from his second wife, and shortly after Kahlo’s marriage to Mexican muralist...
Category

20th Century Modern Carbon Pigment Color Photography

Materials

Carbon Pigment

Frida with Picasso Earrings by Nickolas Muray, 1939, Carbon Pigment Print
Located in Denton, TX
Frida with Picasso Earrings is a color portrait of Frida Kahlo. She is dressed in magenta clothes with matching magenta flowers in her hair. She is wearing dangly earrings in the sha...
Category

20th Century Modern Carbon Pigment Color Photography

Materials

Carbon Pigment

Frida in Pink and Green Blouse by Nickolas Muray, 1938, Carbon Pigment Print
Located in Denton, TX
Frida in Pink and Green Blouse by Nickolas Muray is a colorful portrait of Mexican painter Frida Kahlo. Frida wears a green and pink shirt with a magenta scarf wrapped around her nec...
Category

20th Century Modern Carbon Pigment Color Photography

Materials

Carbon Pigment

Frida with Idol by Nickolas Muray, 1939, Carbon Pigment Print, Photography
Located in Denton, TX
Frida with Idol by Nickolas Muray depicts Mexican painter Frida Kahlo posing while holding a green stone carved idol in her hand. She stands in front o...
Category

20th Century Modern Carbon Pigment Color Photography

Materials

Carbon Pigment

Frida in New York - Skyline, New York City, Portrait, Frida Kahlo, Celebrity
Located in Denton, TX
Frida in New York by Nickolas Muray features Frida Kahlo in a colorful red, yellow and blue dress with light blue bows in her hair and a cigarett...
Category

20th Century Modern Carbon Pigment Color Photography

Materials

Carbon Pigment

Frida with Picasso Earrings by Nickolas Muray, 1939, Carbon Pigment Print
Located in Denton, TX
Frida with Picasso Earrings is a color portrait of Frida Kahlo. She is dressed in magenta clothes with matching magenta flowers in her hair. She is wearing dangly earrings in the shape of hands. Frida is rested against a bright blue wall, with her hand gently placed on her chest. Frida with Picasso Earrings by Nickolas Muray is listed as a 13.75 x 9.5 inch carbon pigment print, with the paper size measuring 20 x 15 inches. This photograph is available in an edition of 30 through the Nickolas Muray Photo Archives. This photograph is titled, dated, numbered and signed by Nickolas Muray's Estate. Nickolas Muray (1892–1965) was a Hungarian born artist that worked in New York as a photographer, specializing in portraits of celebrities. His work was often seen in Vanity Fair magazine. Nick’s friendship with the Mexican artist, Miguel Covarrubias, lead to the introduction to Frida Kahlo when Nick visited Mexico. Diego Rivera and Frida Kahlo were introduced by Covarubbias and it was in 1931 when Nickolas and Frida’s love affair started. Later, when Frida had a solo exhibition at the renowned Julian Levy gallery...
Category

20th Century Modern Carbon Pigment Color Photography

Materials

Carbon Pigment

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David Bowie, Aladdin Sane Eyes Open, 1973. Duffy Archive.
Located in London, GB
David Bowie, Aladdin Eyes Open, 1973 by Brian Duffy. This photograph was taken during the photo shoot for the album cover for Aladdin Sane, January 1973, London. This is an exquisite FRAMED* Archival Pigment print. *Note delivery includes secure art crating & shipping. Framed in black wood with glass and matt Stamped by The Duffy Archive, UK. Supplied with certificate of authenticity. Gorgeous print measuring 115 x 115 x 3 cm (framed). The image area is 95 x 95 cm. Produced utilising the original contact sheet. We ship regularly using Fedex Express services and ship to all international locations. About these images : “It wasn’t until we saw the contact sheets the next day I remember thinking, God this is spectacular. You just knew you had cracked it, boy, did you know it.” Celia Philo DAVID BOWIE: FIVE SESSIONS PHOTOGRAPHS BY DUFFY Brian Duffy photographed David Bowie over five sessions between August 1972 and April 1980, and made the iconic Aladdin Sane album cover image. January 1973–Session two–Aladdin Sane. It has been called ‘The Mona Lisa of Pop’. Who could have imagined that the moment he clicked the shutter on the Hasselblad in early 1973 that one of those images would become known as a cultural icon? – Chris Duffy Some background to the shoot. The background stories to the Aladdin Sane shoot are told in rich detail in the book Bowie Duffy – Five Sessions. In particular it is a delight to read Duffy’s (a self confessed Marxist anarchist) analysis and compare that with the measured tone of Tony Defries. If you don’t have a copy of the book, here’s a flavour of their respective views – which amount to much the same thing – just expressed in different ways. First up, Tony Defries: “I was looking for an iconic cover image and artwork that would help me to persuade RCA that Bowie was sufficiently important to warrant megastar treatment and funding in order to propel him to exactly that status. Engaging a master, world-class photographer to shoot the project /brand and to design the artwork was the best way to send that message. Brian had the ability to make the mundane image interesting and the interesting image fascinating.” Then Duffy: “Tony wanted to make the most expensive cover he could possibly get a record company to pay for, because he realised that if it cost fifty quid, well, so what – but if it cost £5,000 the record company were now having to pay attention. He said “Can you make it expensive?“and I said “No problem old love.” I proposed– One: A Dye-transfer. A genius method of being able to spend the most amount of money to get a reproduction from a colour transparency onto a piece of paper. Two: Get the plates made, where? Switzerland. Then employ me to design it and create it – even better and more wasteful.” The Aladdin Sane session was a real team effort. 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Francis Newman remembers, “Pierre stared to apply this tiny little flash on his face and when Duffy saw that he said, “No, not like that, like this” and literally drew it right across his face and said to Pierre, “Now, fill that in.”” The red colour was lipstick. Adding the pool of liquid to the collarbone was Duffy’s idea, and this was brilliantly airbrushed in as part of the post-production work by Philip Castle. David Bowie explained the background to Rolling Stone magazine, that it was a “Lightning bolt. An electric kind of thing. Instead of, like, the flame of a lamp, I thought he would probably be cracked by lightning. Sort of an obvious-type thing, as he was sort of an electric boy. But the teardrop was Brian Duffy’s. He put that on afterward, just popped it in there. I thought it was rather sweet.” DAVID BOWIE David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie (/ˈboʊi/ BOH-ee),[2] was an English singer-songwriter and actor. 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Located in London, GB
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Located in London, GB
English singer, songwriter and actor David Bowie on stage, 1970s Photo by Globe Archives Paper size 40 x 40" / 101 x 101cm Unframed Archival Pigment Print Certificate of authentici...
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Skiing In Stowe (1962) - Limited Estate Stamped
Located in London, GB
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Located in London, GB
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Materials

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Previously Available Items
Frida Kahlo
Located in Denton, TX
Edition of 30 Signed by Nickolas Muray's Estate Nickolas Muray Photo Archives Paper size: 22 x 18 in., Image size: 14 1/2 x 11 1/2 in. Nickolas Muray (1892–1965) was a Hungarian born artist that worked in New York as a photographer, specializing in portraits of celebrities. His work was often seen in Vanity Fair magazine. Nick’s friendship with the Mexican artist, Miguel Covarrubias, lead to the introduction to Frida Kahlo...
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20th Century Modern Carbon Pigment Color Photography

Materials

Carbon Pigment

Frida Kahlo
H 22 in W 18 in D 0.1 in
Frida Kahlo on Bench
Located in Denton, TX
Edition of 20, 2nd Edition Titled, dated, artist name, numbered, copyright and signed by Nickolas Muray's Estate
Category

20th Century Modern Carbon Pigment Color Photography

Materials

Carbon Pigment

Frida Kahlo on Bench
H 13.5 in W 9.25 in D 0.1 in
Frida in N.Y.
Located in Denton, TX
Edition of 30 Signed by Nickolas Muray's Estate Nickolas Muray Photo Archives
Category

20th Century Modern Carbon Pigment Color Photography

Materials

Carbon Pigment

Frida in N.Y.
H 14.75 in W 11 in D 0.1 in
Frida Kahlo in Blue Silk Dress
Located in Denton, TX
Edition of 30 Titled, dated, numbered, and signed by Nickolas Muray's Estate Nickolas Muray Photo Archives Paper size: 22 x 18 in. Image size: 13 x 10 in.
Category

20th Century Modern Carbon Pigment Color Photography

Materials

Carbon Pigment

Frida by Organ Cactus Fence
Located in Denton, TX
Edition of 30 Titled, dated, numbered and signed by Nickolas Muray's Estate Nickolas Muray Photo Archives. Paper size: 22 x 18 in. Image size: 15 3/4 x 11 in. "Muray and Kahlo were...
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20th Century Modern Carbon Pigment Color Photography

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Carbon Pigment

Carbon Pigment color photography for sale on 1stDibs.

Find a wide variety of authentic Carbon Pigment color photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add color photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, orange, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Tyler Shields, Nickolas Muray, John Dolan, and Patricia Heal. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Carbon Pigment color photography, so small editions measuring 0.1 inches across are also available

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