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Style: Contemporary
Medium: Ceramic
Stefanie Schneider's Coupe Plate 'Haley and the Birds' (29 Palms, CA)
Located in Morongo Valley, CA
Stefanie Schneider's Coupe Plate 'Haley and the Birds' - 2021 with 24-carat hand painted golden rim. Screen print based on the Polaroid. Edition of 500. Plate size 26.67 cm / 10....
Category

Early 2000s Contemporary Ceramic Color Photography

Materials

Gold

Concrete Scaffolding 02 by Bruno Fontana - Urban photography, architecture
Located in Paris, FR
Concrete Scaffolding 02 is a limited-edition photograph by contemporary artist Bruno Fontana. This photograph is a screen printing with gold ink on concrete stoneware. Dimensions are...
Category

2010s Contemporary Ceramic Color Photography

Materials

Concrete

Randal Ford - Mountain Lion No. 2, Photography 2018, Printed After
Located in Greenwich, CT
Available Sizes: 37.5 x 30 in Edition of 15 50 x 40 in Edition of 10 60 x 48 in Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, ...
Category

2010s Contemporary Ceramic Color Photography

Materials

Luster, Archival Ink, Archival Paper, Photographic Paper, Color, Digital...

Foxes
Located in New York, NY
17"x22" Inkjet on aluminum, found objects (Big Red Fox, Little Red Fox), ceramic, vinyl Melissa Pokorny's work focuses on the sense of space, and its role in structuring memory and identity. Her larger-scale sculptures, mixed media tableaus, and installations incorporate fragmented images of landscape and nature that highlight contested spaces, borders and boundaries between the natural world and our presence in it. Pokorny's recent work explores literal and metaphorical attachments , in a call-and-response between people, places, and things. The sense of absence prevails, emphasized by situations that illicit awareness of loss -- of losing one's was, or the loss of memory to time and distance. People go missing, and things are left behind. Mellissa Pokorny has been an exhibiting artist for over twenty years. Her large scale, assemblage-based sculptural works have been widely exhibited at venues across the US. Recent solo shows at Platform Gallery in Seattle and Front Room Gallery in New York augment a long career of solo exhibitions, beginning with Gallery Paule Anglim, in San Francisco and continuing with Bodybuilder and Sportsman in Chicago. Selected group exhibitions include venues such as Yerba Buena Gardens, Southern Exposure, Victoria Room, and New Langton Arts in San Francisco, Foodhouse Gallery in Los Angeles, Gallery 400, Columbia College,The James Hotel, and Devening Projects +Editions in Chicago, and The Richard Peeler...
Category

21st Century and Contemporary Contemporary Ceramic Color Photography

Materials

Mixed Media, Ceramic, Found Objects, Vinyl, Inkjet

Tyler Shields - Helicopter, Photography 2021, Printed After
Located in Greenwich, CT
Series: Provocateur Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 15" x 20" 22.5" x 30" 30" x 40" 45" x 60" 56" x 72" 63" x 84" Editions of 3 + 2 A...
Category

2010s Contemporary Ceramic Color Photography

Materials

Luster, Archival Paper, Photographic Paper, C Print, Pigment, Archival P...

Jeanne On the Road
Located in Saint Louis, MO
Heather Bennett Jeanne On the Road, 2013 Digital print on premium luster 28 x 42 inches (71.1 x 106.7 cm) Edition of 3
Category

2010s Contemporary Ceramic Color Photography

Materials

Luster, Digital Pigment

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Previously Available Items
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Orust Rooster No. 1 (37.5" x 30")
Located in Greenwich, CT
Available Sizes: 37.5 x 30 in Edition of 15 50 x 40 in Edition of 10 60 x 48 in Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, mankind’s consistent portrayal of animals in art is a testament to the importance of our connection with the animal kingdom. As mankind evolved, so did our artwork. We began to not only depict but personify animals. We began to see our human emotions in animals. This anthropomorphism or personification connected us to animals on a deeper and more emotional level. This collection of work is my perspective and portrayal of the animal kingdom. As a portrait photographer, my intention is for these animal portraits to speak to us. What they say depends on the conscious and subconscious feelings we embody. By photographing each animal in-studio on a neutral background, I am creating a portrait that is focused on the animal only and often the eyes are the focal point. This deconstructive approach to portraiture allows us to experience the creature in a way otherwise not possible. Through this language of simplistic portraiture, these photographs are aimed to elicit an emotion in the viewer. Whether it’s beauty, power, or humor, I want to give animals the opportunity to tell their story and to connect with you us an emotional level. A portrait is a collaboration between subject and artist. These are no different. I am working with the animal itself and typically the animal’s owner or trainer. Without collaboration from subjects on both sides of the camera, it would be impossible to create these unique portraits. My process starts with photographing the animal in-studio and crafting lighting that is simple but executed exceptionally well. The backgrounds in my portraits are a neutral color that compliments the animal without being distracting. During the shooting process, it’s not uncommon that an animal gives you just a glimpse of its personality. My need to stay on point and focused is imperative in capturing that split second when an animal reveals itself. To finish the process, I apply a simple treatment of dodging and burning to the image in post-production (retouching). These subtle adjustments to color and contrast allow me to further push the image to a place that is tactile while at the same time soft and aesthetically pleasing. And of course, these are animals. We love them, we respect them, but we cannot control them. It’s up to them to decide the story being told. And at the end of the day, if the photo gods shine down upon us, we get to see just a brief glimpse into their soul. Hugo: Originally from Sweden, the gregarious Hugo had swagger. O’Rusts are a rare breed with less than 1000 known living in the world and typically a more wild chicken by appearance. You can see from Hugo’s profile that he is leaner and more muscular than a typical rooster. He also wears a beautiful black and white feathery coat, has spotted legs, and his ear lobes are white. Seriously cool, seriously unique. Pair Hugo up with these other roosters.
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Located in Greenwich, CT
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Ceramic color photography for sale on 1stDibs.

Find a wide variety of authentic Ceramic color photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add color photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, red, orange, purple and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Tyler Shields, Randal Ford, Susan Daboll, and Christos J. Palios. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Ceramic color photography, so small editions measuring 0.1 inches across are also available

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