Skip to main content
Video Loading
Want more images or videos?
Request additional images or videos from the seller
1 of 13

Peter Brown
West Texas: Full Moon over the Chisos Mountain, Big Bend National Park

2006

You May Also Like

Randal Ford - El Capitan Guadalupe Mountains National Park, 2023, Printed After

Randal Ford - El Capitan Guadalupe Mountains National Park, 2023, Printed After

By Randal Ford

Located in Greenwich, CT

Available Sizes: 30" x 45" - Edition of 15 40" x 60" - Edition of 10 48" x 72" - Edition of 5 This photograph will be printed once payment has been received and will ship directly ...

Category

2010s Contemporary Color Photography

Materials

C Print

West Texas Moon

West Texas Moon

By Kristin Moore

Located in New Orleans, LA

Archival pigment ink print on Hahnemuhle cotton paper. Each print is uniquely hand embellished by the artist with acrylic paint and prismacolor. Edition 2 of 5. Kristin Moore says o...

Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Acrylic, Rag Paper, Archival Pigment

Marfa Moonrise

Marfa Moonrise

By Kristin Moore

Located in New Orleans, LA

Archival pigment ink print on Hahnemuhle cotton paper, edition 7 of 30. In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, t...

Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Rag Paper, Archival Pigment

Interspersed Field Realization, Big Bend, TX

Interspersed Field Realization, Big Bend, TX

By Jim Woodson

Located in Dallas, TX

"Interspersed Field Realization, Big Bend, Texas," by artist Jim Woodson is oil on canvas. The unframed dimensions are 24 x 48 inches. The artist signed and titled the painting on ve...

Category

21st Century and Contemporary Contemporary Paintings

Materials

Canvas, Oil

She Disappeared into Complete Silence (AD6754) - monochromatic desert photograph

She Disappeared into Complete Silence (AD6754) - monochromatic desert photograph

By Mona Kuhn

Located in San Francisco, CA

In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction. She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms. AD6754 (She Disappeared into Complete Silence) 45" x 60" / 114cm x 152cm edition of 8 + 2AP 30" x 40" / 76cm x 102cm edition of 8 + 2AP limited edition photograph printed under artist supervision + accompanied by signed artist certificate: artist signature labels are 8x10 in size signed, editioned, dated and titled by the artist, and stamped for authenticity label __________________ About the artist Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art. For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia. Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena. Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes and Succulents (2018) with a debut at Musee Jeu de Paume in Paris in 2019. Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road with Steidl accompanies a multi-dimensional museum exhibition in Germany and the US. Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, the Los Angeles County Museum of Art, The Hammer Museum, the Perez Art Museum in Miami, the Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris, The Whitechapel Gallery and Royal Academy of Arts in London, Musée de l’Elysée in Switzerland, Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Australian Centre for Photography and Taipei Fine Arts Museum in Taiwan. Mona Kuhn currently lives and works in Los Angeles. __________________ Solo Exhibitions 2024 Mona Kuhn: Between Modernism and Surrealism, Houk Gallery, New York, NY 2023 Mona Kuhn: Kings Road, Galerie XII, Paris, France Mona Kuhn: Kings Road, Kunsthaus-Göttingen, Germany Mona Kuhn: Kings Road, Jackson Fine Art...

Category

21st Century and Contemporary Contemporary Color Photography

Materials

Photographic Film, Photographic Paper, Silver Gelatin

Davis Mountains (Marfa)

Davis Mountains (Marfa)

By Kristin Moore

Located in New Orleans, LA

Kristin Moore says of her work… My work explores architectural landscapes through an atmospheric and cinematic lens. Through painting, I create interpretive renderings of recognizab...

Category

21st Century and Contemporary Contemporary Landscape Paintings

Materials

Acrylic, Wood Panel

Teton Moonset Landscape Photography Print on Photographic Paper, 2010+

Teton Moonset Landscape Photography Print on Photographic Paper, 2010+

By Tom Ferderbar

Located in Milwaukee, WI

Alternative sizes and media available: 16 x 16 16 x 20 16 x 24 20 x 20 20 x 30 28 x 28 28 x 35 30 x 45 40 x 40 40 x 50 40 x 60 Matte photo paper or canvas available on...

Category

2010s Landscape Photography

Materials

Photographic Paper

More From This Seller

View All
West Texas: Full Moon over the Chisos Mountain, Big Bend National Park

West Texas: Full Moon over the Chisos Mountain, Big Bend National Park

By Peter Brown

Located in Denton, TX

West Texas: Full Moon over the Chisos Mountain depicts a desert landscape at dusk, with a full moon rising over the mountains. The last light of the setting sun hits the distant mountain range, and wispy clouds...

Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Pigment

Moonrise from Santa Elena Road

Moonrise from Santa Elena Road

By Jack Ridley

Located in Denton, TX

Signed and titled in pencil on print margin. Jack Ridley was born in Dayton, Ohio in 1948. He spent his earliest years at Edwards Air Force in California where he first developed an appreciation of high desert landscapes. His family eventually settled in Ft. Worth, TX, and later Dallas, where Ridley currently lives and works. Ridley has been photographing Texas landscapes in black and white with large format cameras for over thirty years. Traveling to the far ridges of Texas, Ridley sets up camp for weeks at a time, thoughtfully composing and creating timeless images of Texas’ most beautiful natural spaces such as Big Bend National Park, Rio Grande National Park and The Guadalupe Mountains...

Category

2010s Contemporary Landscape Photography

Materials

Archival Pigment

West Texas: Ocotillo in Bloom, Mule Ears Peaks, Big Bend National Park

West Texas: Ocotillo in Bloom, Mule Ears Peaks, Big Bend National Park

By Peter Brown

Located in Denton, TX

Archival Pigment Print Image size: 13 1/2 x 20 in. Paper size: 18 x 22 in. Signed and numbered in black ink on print margin by Peter Brown Available in an edition of 25, with more sizes available From the series, Hometown Texas. West Texas: Ocotillo in Bloom by Peter Brown depicts a desert landscape lit by the setting sun, with the Mule Ears Peaks at Big Bend National Park in the background. Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Pigment

Punta de la Sierra and Rio Grande, Loop Camp, Big Bend

Punta de la Sierra and Rio Grande, Loop Camp, Big Bend

By Jack Ridley

Located in Denton, TX

Signed, titled, dated, and print date. Paper size: 20 x 24 in. Image size: 16 x 20 in. "At least twice a year, Ridley ventures to Big Bend with his 8 x 10 view camera capturing stunning, expansive black and white images of the Rio Grande River, including the Chisos Mountain range, Dog Canyon, Emory Peak, Pine Canyon, Cattail Falls, and Punta de la Sierra...

Category

20th Century Contemporary Landscape Photography

Materials

Archival Pigment

Looking South into Mexico, Big Bend

Looking South into Mexico, Big Bend

By Jack Ridley

Located in Denton, TX

Signed and titled in pencil on print margin. 20 x 25 in. Jack Ridley was born in Dayton, Ohio in 1948. He spent his earliest years at Edwards Air Force in California where he first developed an appreciation of high desert landscapes. His family eventually settled in Ft. Worth, TX, and later Dallas, where Ridley currently lives and works. Ridley has been photographing Texas landscapes in black and white with large format cameras for over thirty years. Traveling to the far ridges of Texas, Ridley sets up camp for weeks at a time, thoughtfully composing and creating timeless images of Texas’ most beautiful natural spaces such as Big Bend...

Category

2010s Contemporary Landscape Photography

Materials

Archival Pigment

Window View, Big Bend

Window View, Big Bend

By Jack Ridley

Located in Denton, TX

Signed, and titled in pencil on margin by Jack Ridley Archival pigment print, 32 x 40 in. Jack Ridley was born in Dayton, Ohio in 1948. He spent his earliest years at Edwards Air Force in California where he first developed an appreciation of high desert landscapes. His family eventually settled in Ft. Worth, TX, and later Dallas, where Ridley currently lives and works. Ridley has been photographing Texas landscapes in black and white with large format cameras for over thirty years. Traveling to the far ridges of Texas, Ridley sets up camp for weeks at a time, thoughtfully composing and creating timeless images of Texas’ most beautiful natural spaces such as Big Bend National Park, Rio Grande National Park and The Guadalupe Mountains...

Category

1980s Contemporary Landscape Photography

Materials

Archival Pigment