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Richard PrinceAngie Dickinson, hand Signed/N, Barbara Gladsone, Sothebys & Estate of Vera List1986
1986
About the Item
Richard Prince
Angie Dickinson (Angie from Untitled Portfolio) from the estate of Vera G. List, 1986
Large Color Polaroid (w/Barbara Gladstone & Sotheby's Gallery Labels)
Signed and numbered 5/5 on front.
Bears Barbara Gladstone Gallery label
Bears Sotheby's stickers on the back of the frame
Frame included: elegantly framed in a museum quality white wood frame with UV plexiglass
This work has impressive provenance as it was acquired from a sale of the Estate of Vera G. List, the art collector and philanthropist and founder of the legendary Vera G. List print program at Lincoln Center. It bears the original Barbara Gladstone Gallery label on the verso of the frame, as well as the Sotheby's sale stickers from 2001. Richard Prince’s Untitled (Angie Dickinson) belongs to a series of pictures created in the mid-1980s in which the artist appropriated images from erotic movies, subsequently adding text based elements. Gleaned from Brian De Palma’s Dress to Kill (1980), the image in Angie Dickinson refers to the brutal murder of the actress – slashed in an elevator – as elucidated by the printed text above (‘Angie Dickinson pays for her sins in Dress to Kill’). Prince’s attention in Misty Regan is transferred to the actress’s expression of sexual excitement in a close-up from one of Regan’s erotic scenes from the eighties. It was during this decade that the artist focused on cinema as a ready-made source for his art and a subject for his writings. In this regard, in 1985 Prince wrote Anyone Who is Anyone, a short fictional story in which the main character is obsessed with cinema: ‘For one year he rented movies – VCR videos - and watched them on a twenty-five-inch colour Sony monitor at her apartment. He watched the movies alone, late at night after she had gone to bed. He watched two-hundred-and-seventy-five movies that year’ (R. Prince, ‘Anyone Who Is Anyone’, reproduced in R. Brooks, J. Rian and L. Sante, Richard Prince, London 2003, p. 122).
This work is matted and framed and in excellent condition. In original hand made wood frame with Barbara Gladstone Gallery label on the back, as well as original Sotheby's stickers.
Dimensions:
Framed: 30.5 x 24.5 x 1 inches
Sheet: 30 x 22 inches
PROVENANCE:
Estate of Vera List, New York
Barbara Gladstone Gallery, New York
Sotheby's Inc., New York:
Thursday, November 15, 2001 [Lot 00299]
Contemporary Art: Part Two (Afternoon)
- Creator:Richard Prince (1949, American)
- Creation Year:1986
- Dimensions:Height: 30.5 in (77.47 cm)Width: 24.5 in (62.23 cm)Depth: 1 in (2.54 cm)
- Medium:Permanent Marker,Polaroid
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745215783582
Richard Prince
Richard Prince (American, b.1949) is a painter and photographer, best known as a pioneer of Appropriation Art. Born in the Panama Canal Zone, Prince grew up in Massachusetts and moved to New York in 1977, where he prepared magazine clippings for Time-Life, spurring his interest in advertising and consumer imagery. He began creating works based on various pop culture images taken from magazines and newspapers, often re-photographing and manipulating the images in his own works. Considered by many the father of Appropriation Art, the majority of his works includes scandalous subject matter and has provoked controversy around issues of copyright in the art world. His famous Cowboys series of 1980s photographs, for example, was taken from Marlboro ad campaigns. In the mid-1980s, Prince shifted his interest from images to text, evident in his Jokes series, displaying appropriated jokes in ironic works. From his home in Upstate New York, Prince created his late Nurse Paintings series, inspired by pulp romance novels, as well as his own photographs of everyday rural and suburban life. He acquired an abandoned farmhouse near his home in 2001, which he turned into an installation site he called Second House, installing the interior with his sculptures, paintings, and his own books; the structure has been purchased by the Guggenheim Museum in New York, but was struck by lightning and destroyed in 2007. In the fall of that year, Prince’s work was the subject of a major retrospective at the Guggenheim Museum. Prince currently lives and works in Upstate New York.
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