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Stefanie SchneiderCyndi Lauper, Contemporary, Figurative, woman, expired, Polaroid, photograph,2009
2009
$350
£265.31
€309.77
CA$490.25
A$551.86
CHF 291.96
MX$6,845.18
NOK 3,607.43
SEK 3,450.19
DKK 2,311.08
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About the Item
'True Colors' (Cyndi Lauper) from the 'Bring Ya to the Brink' record Album) - 2009
20x20cm,
Edition of 5,
Archival C-Print based on the Polaroid,
Not mounted,
Certificate and signature label,
artist inventory number: 11069.09
Born in Germany in 1968, photographer Schneider lives and works in the American West, in locations such as the planes and deserts of Southern California, where she photographs her subjects. Schneider develops and enlarges her works by hand embracing the analog method.
This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.''
Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work,'' explained Schneider.
(Barnebys UK, May 3, 2017
Stefanie Schneider's new photographic works tell fantastic stories about her adopted Californian home. She seeks out faded American myths and distills a charged reality in a very personal and surprising way. She uses out-of-date Polaroid film, and the blemishes caused by the degenerated film stock, - are included in the composition in a painterly way. Exposure mistakes and low budget movie effects are combined to alienating effect. Everything shimmers and flickers before our eyes. The artist plays with the authentic poetry of the amateur, mixing strangely dreamy staging with random photochemical events. In the 16-part work Frozen, which is characterized by a strangely transcendent mood in the lighting, film-still-like pictorial clusters come together to form a mysterious story, with the artist herself as the lonely protagonist. the aesthetic is reminiscent of early Lynch films. The components of the elliptically choreographed events are scenes from an enchanted, gleaming winter landscape, together with "staged snapshots" of a pale young woman in her underskirts, who radiates the troubled reality of a mirage with her sleep walking presence. The story is presented in the manner of cinematic flashbacks or dream sequences. Stage blood and a knife are used to evoke a crime of passion whose surreal attractiveness is derived from the scenic openness of what is shown. The deliberate use of old instant picture stock establishes in a richly faceted way the ephemeral quality of vulnerability and transience within a reality that is brittle from the outset. The American Stars and Stripes, recently updated as the absolute epitome of a patriotic signifier, is the subject of the 9-part work Primary Colors (2001). Schneider's reassuringly European view, free of undue emotion, presents the Stars and Stripes motif in a strangely alienated form: she shows stills with phases of fluttering violently in the wind, even torn in some cases, and the poor film stock emphasizes the fragility of the icon even more.
FlashART - Sabine Dorothee Lehner (translated from German by Michael Robinson)
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2009
- Dimensions:Height: 7.88 in (20 cm)Width: 7.88 in (20 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652310718402
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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My Girl (Till Death do us Part) Contemporary, Woman, Polaroid
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Await (The Girl behind the White Picket Fence) - Polaroid
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Archival C-Print, based on the Polaroid.
Certificate and Signature label.
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