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Stefanie Schneider
Untitled #04 (Beachshoot) - 21st Century, Contemporary, Polaroid, Women, Color

2005

About the Item

Untitled #04 (Beachshoot) - 2005 50x50cm, Edition of 10, Archival C-Print, Printed on Fuji Crystal Archive Paper, matte finish, based on the Polaroid, Certificate and signature label, artist Inventory No. 1445. Not mounted “I never remember the details of a Stefanie Schneider image, just the whole. She treads a third path between reality and dream that connects the two and truly sparks my artistic, visual freedom.” Marc Forster Stefanie Schneider: A German view of the American West The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. Schneider's Polaroid photography is often described as "timeless," "nostalgic," and "dreamlike." Her use of expired Polaroid film, with its unpredictable colors and textures, creates a sense of unreality in her images and creating a sense of fragmentation and ambiguity that blurs the boundaries between past and present, and it creates a sense of memory as a fluid, shifting concept. Schneider's interest in Americana motifs, particularly those associated with the 1950s and 1960s, speaks to a sense of longing for a bygone era. Her images of motels, diners, and vintage cars evoke a sense of nostalgia for a time that may never have existed in reality. At the same time, these motifs are often paired with images of decay and abandonment, which suggest a darker, more complex interpretation of the American dream. Schneider's depictions of women are also a significant aspect of her art. Her female subjects are often depicted in states of undress, but the images are not intended to be exploitative or objectifying. Rather, they are intended to explore the complexity of human relationships and emotions. Schneider's women are often depicted in moments of vulnerability, suggesting a sense of shared humanity and a challenge to traditional notions of female beauty and perfection. Overall, Schneider's Polaroid photography is a deeply evocative exploration of memory, nostalgia, and the human experience. Her art challenges viewers to question their own perceptions of reality and to consider the complex, shifting nature of time and memory.

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Located in Morongo Valley, CA
Like Tears in the Rain (Beachshoot) - 2005 80x80cm, Edition 3/5, analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, matte finish, based on a Polaroid. Certif...
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Untitled (Beachshoot) - with Radha Mitchell, analog, Polaroid, Contemporary
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Untitled (Beachshoot) - 2005 128x125cm, Edition 4/5. Analog C-Print, hand-Printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Signature label and Certifi...
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Archival Paper, Photographic Paper, C Print, Color, Polaroid

Shotgun Wedding (Haley and the Birds) - Contemporary, Polaroid, analog
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Shotgun Wedding (Haley and the Birds) - 2013, 60x70cm, Edition 2/5, Analog C-Print, hand-printed by the artist on Crystal Fuji Archive Paper (matte), based on the Polaroid. Sign...
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Drive to Russian River (My own private travel Diary) - 20x24cm
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Drive to Russian River (My own private travel Diary) - 1991 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate...
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The Games we played (Till Death do us Part) - Contemporary, Polaroid, Women
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Located in Morongo Valley, CA
The Games we played (Till Death do us Part) - 2005 20x20cm, Edition of 10, plus 2 artist proofs. Archival C-Print print, based on the Polaroid. Certificate and Signature label, a...
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Back Alley (Last Picture Show) - 21st Century, Polaroid, Color
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Back Alley (Last Picture Show) - 2005 Edition 1/10, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the Polaroid. Artist inventory nu...
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