Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 4

Stephen Mallon
"Armn 110418" Graffiti painted railroad train car, limited edition photograph

2019

$3,500
£2,675.94
€3,082.14
CA$4,904.57
A$5,475.49
CHF 2,869.08
MX$67,025.43
NOK 36,437.30
SEK 34,355.75
DKK 23,002.31
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

20"x60" c-print photograph, limited edition of 10 signed upon reverse, depicting a freight train car from the Union Pacific railroad, coated in colorful graffiti. The tagger team collaborated in a writing session on the train car using the same colors, in gradient colors of yellow, orange and pink letters, outlined in blue. The cream white metal sides of the train car are the perfect 'canvas' for the tags some recognized as "Trigz" "Betor" "Croox" "ICR". The photographer, Stephen Mallon, captures this moving train car and its tagged graffiti sides as it travels through the landscape of America, with a bucolic blue clouded sky just behind the railroad freight train car. This is a limited edition, large scale, color photograph by the New York artist, Stephen Mallon, capturing moving freight trains in the United States. This series tracks the still active railroad lines and their rail cars in America, featured in "Passing West". Front Room Gallery is pleased to present, “Passing West” a solo exhibition of photographs by Stephen Mallon. “Passing West” is a continuation of Mallon’s “Passing Freight” series, a visual celebration of the unique beauty and function of freight train cars in United States. This series of photographs captures the still active rail lines that carry freight to destinations across the country. Mallon’s industrial landscape photographs isolate freight cars within this iconic transportation system, which has played a critical role in supply infrastructure across the continent for hundreds of years. The photos in “Passing West” are framed against the open plains, mountain ranges, and the salt flats— mostly taken during a residency at the Montello Foundation in 2020, in which Mallon travelled the countryside of Utah and Nevada. Poised against the rugged western landscape Mallon’s photographs of train cars often appear to carry the weight of the mountains themselves. Whether they are covered in graffitti or smartly displaying the rail lines iconic logos, each of these cars are brimming with it’s own individual personality. In one “Hopper” car, the tan car stands in front of the dusty desert mountains, and on it graffitti states “confront my toxic masculinty”. Another car, a yellow caboose with the crimson “Union Pacific” logo on it, would be as comfortable in an episode of “Thomas the Tank Engine” as on the set of “East of Eden”. Some of the open Box cars actually frame the mountains and flats themselves with their rectilinear shapes. These trains are all moving, quite literally. And while they might appear to be stopped in the photograph, it is only for that split second as they pass Stephen Mallon, his camera, and his tripod. Mallon’s procedure involves many elements including the perfect location, light, the individual personality of each car, the trickiness of getting exactly the right moment, and patience. The intersection of mechanical and natural worlds, singular encounters where the trains activate the landscape are hard to predict. About Stephen Mallon Stephen Mallon is a photographer and filmmaker who specializes in the industrial-scale creations of mankind at unusual moments of their life cycles. Mallon’s work blurs the line between documentary and fine art, revealing the industrial landscape to be unnatural, desolate and functional yet simultaneously also human, surprising and inspiring. It has been featured in publications and by broadcasters including The New York Times, National Geographic, NBC, The Wall Street Journal, The Daily Mail, MSNBC, The Atlantic, GQ, CBS, the London Times and Vanity Fair. Mallon has exhibited in cities including Miami, Los Angeles, Philadelphia, St. Louis and New York, as well is in England and Italy. In 2009, Mallon produced Brace for Impact: The Salvage of Flight 1549, a series of photographs recorded the salvaging of the passenger aircraft which captain Chesley “Sully” Sullenberger landed on the Hudson River. In 2010, his solo exhibition Next Stop Atlantic documented the disposal of New York subway trains at sea to form artificial coral reefs. He was commissioned by the New York Times Magazine to shoot the film Behind The Curtain, a time lapse movie documenting two days behind the scenes of the Metropolitan Opera in 2013. Mallon’s projects often require months or years of production. His short film about the transportation and installation of the new Willis Avenue Bridge was created from over 30,000 still images. The film, “A Bridge Delivered,” was reviewed by the Wall St Journal, New York Magazine, GQ, PDN, andWIRED. It was then screened in five festivals in New York, Los Angeles and Bristol, England. Stephen’s project following the MTA’a artificial reef project where over 2000 subway cars were placed in the Atlantic was recently at The New York Transit Museum’s Grand Central Terminal Gallery. Over 60,000 people experienced the exhibition and was featured by Gothamist, Artnet, Yahoo, Fox News, and numerous other outlets. As David Schonauer wrote in Pro Photo Daily, “Mallon’s word harkens back to the heroic industrial landscapes of Margaret Bourke-White and Charles Sheeler, who glorified American steel and found art in its industrial muscle and smoke during the Great Depression.” He has also been compared to photographers including Edward Burtynsky, Thomas Struth and Chris Jordan. Mallon served as a board member of the New York chapter of the American Society of Media Photographers from 2002 until 2020 and served as president from 2006 to 2009. He is represented by Front Room Gallery in New York.
  • Creator:
    Stephen Mallon (American)
  • Creation Year:
    2019
  • Dimensions:
    Height: 20 in (50.8 cm)Width: 60 in (152.4 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU6929801522

More From This Seller

View All
"Armn 110418" Graffiti painted railroad train car, limited edition photo 10"x30"
By Stephen Mallon
Located in New York, NY
10"x30" c-print photograph, limited edition of 10 signed upon reverse, depicting a freight train car from the Union Pacific railroad, coated in colorful graffiti. The tagger team collaborated in a writing session on the train car using the same colors, in gradient colors of yellow, orange and pink letters, outlined in blue. The cream white metal sides of the train car are the perfect 'canvas' for the tags some recognized as "Trigz" "Betor" "Croox" "ICR". The photographer, Stephen Mallon, captures this moving train car and its tagged graffiti sides as it travels through the landscape of America, with a bucolic blue clouded sky just behind the railroad freight train car. This is a limited edition, color photograph by the New York artist, Stephen Mallon, capturing moving freight trains in the United States. This series tracks the still active railroad lines and their rail cars in America, featured in "Passing West". Front Room Gallery is pleased to present, “Passing West” a solo exhibition of photographs by Stephen Mallon. “Passing West” is a continuation of Mallon’s “Passing Freight” series, a visual celebration of the unique beauty and function of freight train cars in United States. This series of photographs captures the still active rail lines that carry freight to destinations across the country. Mallon’s industrial landscape photographs isolate freight cars within this iconic transportation system, which has played a critical role in supply infrastructure across the continent for hundreds of years. The photos in “Passing West” are framed against the open plains, mountain ranges, and the salt flats— mostly taken during a residency at the Montello Foundation in 2020, in which Mallon travelled the countryside of Utah and Nevada. Poised against the rugged western landscape Mallon’s photographs of train cars often appear to carry the weight of the mountains themselves. Whether they are covered in graffitti or smartly displaying the rail lines iconic logos, each of these cars are brimming with it’s own individual personality. In one “Hopper” car, the tan car stands in front of the dusty desert mountains, and on it graffitti states “confront my toxic masculinty”. Another car, a yellow caboose with the crimson “Union Pacific” logo on it, would be as comfortable in an episode of “Thomas the Tank Engine” as on the set of “East of Eden”. Some of the open Box cars actually frame the mountains and flats themselves with their rectilinear shapes. These trains are all moving, quite literally. And while they might appear to be stopped in the photograph, it is only for that split second as they pass Stephen Mallon, his camera, and his tripod. Mallon’s procedure involves many elements including the perfect location, light, the individual personality of each car, the trickiness of getting exactly the right moment, and patience. The intersection of mechanical and natural worlds, singular encounters where the trains activate the landscape are hard to predict. About Stephen Mallon Stephen Mallon is a photographer and filmmaker who specializes in the industrial-scale creations of mankind at unusual moments of their life cycles. Mallon’s work blurs the line between documentary and fine art, revealing the industrial landscape to be unnatural, desolate and functional yet simultaneously also human, surprising and inspiring. It has been featured in publications and by broadcasters including The New York Times, National Geographic, NBC, The Wall Street Journal, The Daily Mail, MSNBC, The Atlantic, GQ, CBS, the London Times...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper

"Armn 110418" Graffiti painted railroad train car, limited edition photo 15"x45"
By Stephen Mallon
Located in New York, NY
15"x45" c-print photograph, limited edition of 10 signed upon reverse, depicting a freight train car from the Union Pacific railroad, coated in colorful graffiti. The tagger team collaborated in a writing session on the train car using the same colors, in gradient colors of yellow, orange and pink letters, outlined in blue. The cream white metal sides of the train car are the perfect 'canvas' for the tags some recognized as "Trigz" "Betor" "Croox" "ICR". The photographer, Stephen Mallon, captures this moving train car and its tagged graffiti sides as it travels through the landscape of America, with a bucolic blue clouded sky just behind the railroad freight train car. This is a limited edition, color photograph by the New York artist, Stephen Mallon, capturing moving freight trains in the United States. This series tracks the still active railroad lines and their rail cars in America, featured in "Passing West". Front Room Gallery is pleased to present, “Passing West” a solo exhibition of photographs by Stephen Mallon. “Passing West” is a continuation of Mallon’s “Passing Freight” series, a visual celebration of the unique beauty and function of freight train cars in United States. This series of photographs captures the still active rail lines that carry freight to destinations across the country. Mallon’s industrial landscape photographs isolate freight cars within this iconic transportation system, which has played a critical role in supply infrastructure across the continent for hundreds of years. The photos in “Passing West” are framed against the open plains, mountain ranges, and the salt flats— mostly taken during a residency at the Montello Foundation in 2020, in which Mallon travelled the countryside of Utah and Nevada. Poised against the rugged western landscape Mallon’s photographs of train cars often appear to carry the weight of the mountains themselves. Whether they are covered in graffitti or smartly displaying the rail lines iconic logos, each of these cars are brimming with it’s own individual personality. In one “Hopper” car, the tan car stands in front of the dusty desert mountains, and on it graffitti states “confront my toxic masculinty”. Another car, a yellow caboose with the crimson “Union Pacific” logo on it, would be as comfortable in an episode of “Thomas the Tank Engine” as on the set of “East of Eden”. Some of the open Box cars actually frame the mountains and flats themselves with their rectilinear shapes. These trains are all moving, quite literally. And while they might appear to be stopped in the photograph, it is only for that split second as they pass Stephen Mallon, his camera, and his tripod. Mallon’s procedure involves many elements including the perfect location, light, the individual personality of each car, the trickiness of getting exactly the right moment, and patience. The intersection of mechanical and natural worlds, singular encounters where the trains activate the landscape are hard to predict. About Stephen Mallon Stephen Mallon is a photographer and filmmaker who specializes in the industrial-scale creations of mankind at unusual moments of their life cycles. Mallon’s work blurs the line between documentary and fine art, revealing the industrial landscape to be unnatural, desolate and functional yet simultaneously also human, surprising and inspiring. It has been featured in publications and by broadcasters including The New York Times, National Geographic, NBC, The Wall Street Journal, The Daily Mail, MSNBC, The Atlantic, GQ, CBS, the London Times...
Category

2010s Contemporary Color Photography

Materials

Photographic Paper

Passing Freight -Contemporary color photograph "RBOX 33863" freight train series
By Stephen Mallon
Located in New York, NY
20"x60" c-print photograph, limited edition 2/10 signed upon reverse This is a limited edition, large scale, color photograph by the New York artist, Stephen Mallon, capturing moving freight trains...
Category

2010s Contemporary Landscape Photography

Materials

Photographic Paper

Passing Freight -Contemporary color photograph "BKTY 15325" freight train series
By Stephen Mallon
Located in New York, NY
15"x45" c-print photograph, limited edition 2/10 signed upon reverse (unframed- please inquire about framing options) This is a limited edition, large scale, color photograph by the ...
Category

2010s Contemporary Landscape Photography

Materials

Photographic Paper

"Caboose UP 25807" Contemporary photograph of railroad train car limited ediiton
By Stephen Mallon
Located in New York, NY
20"x60" c-print photograph, limited edition of 10 signed upon reverse, depicting a caboose from the Union Pacific railroad, taken in Great Salt Lake, UT- the dust and dirt from use ...
Category

2010s Contemporary Landscape Photography

Materials

Photographic Paper

"Locomotive UP462" Contemporary photograph of railroad train car limited ediiton
By Stephen Mallon
Located in New York, NY
20"x60" c-print photograph, limited edition of 10 signed upon reverse, depicting a yellow locomotive from the Union Pacific railroad, taken in Wendover, UT You can see the This is...
Category

2010s Contemporary Landscape Photography

Materials

Photographic Paper

You May Also Like

"Graffiti Yard", Contemporary, Trolley, Landscape, Rusty, Train, Photograph
By Rebecca Skinner
Located in Natick, MA
Rebecca Skinner’s “Graffiti Yard” is part of her "End of the Line" series taking us back to the days of riding the rails. The 20 x 30 inch color photo is of an abandoned, rusty, graf...
Category

2010s Contemporary Color Photography

Materials

Metal

Train -Signed limited edition fine art print, Contemporary still life photo
By Ian Sanderson
Located in Sant Cugat del Vallès, Barcelona
' Train ' by Ian Sanderson - Talgo, Spain Signed limited edition archival pigment print, 2013 - Edition 1/5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Ph...
Category

2010s Contemporary Color Photography

Materials

Archival Paper, Color, Giclée, Pigment, Archival Pigment

Train-Signed limited edition fine art print, Color photo, Oversize, Contemporary
By Ian Sanderson
Located in Sant Cugat del Vallès, Barcelona
' Train ' by Ian Sanderson - Talgo, Spain Signed limited edition archival pigment print, 2013 - Edition 1/5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Ph...
Category

2010s Contemporary Color Photography

Materials

Archival Paper, Pigment, Archival Pigment, Color, Giclée, Photographic P...

Signed Limited edition Fine art, Aesthetic photo by Ian Sanderson, Luxury Style
By Ian Sanderson
Located in Sant Cugat del Vallès, Barcelona
' Train ' by Ian Sanderson - Talgo, Spain Signed limited edition archival pigment print, 2013 - Edition 1/5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Ph...
Category

2010s Contemporary Color Photography

Materials

Archival Paper, Photographic Paper, Color, Giclée, Pigment, Archival Pig...

Trains (Stranger than Paradise)
By Stefanie Schneider
Located in Morongo Valley, CA
Trains (Stranger than Paradise) - 1999 43x59cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature Labe...
Category

1990s Contemporary Landscape Photography

Materials

Archival Paper, Photographic Paper, C Print, Color, Polaroid

Graffiti 3 B, Belmont Park, Los Angleles
Located in Carmel-by-the-Sea, CA
Signed and edition on the front of the print. Edition of 15. Approximately 10 x 27 inches.
Category

21st Century and Contemporary Color Photography

Materials

Archival Pigment