Kamal Mitra

Figurative, Engraving & Woodcut on paper, Blue, Grey by Indian Artist "In Stock"

2019

Kamal Mitra - Untitled - 21.2 x 14 inches (unframed size) A/P Etching and Lithograph on paper. Inclusive of shipment in ready to hang condition. About Kamal Mitra’s Works : While...

Kamal Mitra - Folk Singer - 12 x 10 inches (unframed size) Etching & Cyanotype on paper Inclusive of shipment in a roll form. About Kamal Mitra’s Works : While pursuing his Bachelo...

Atin Basak - Untitled - 19 x 17 inches (unframed size) Etching on paper Inclusive of shipment in a roll form. Style : Atin Basak says that his recent body of work represents the bel...

Dipak Banerjee - Untitled AP - 25/32, Etching on Paper 11 x 10.5 inches, 1985 ( Unframed & Delivered ) Dipak Banerjee is today the undisputed leader and ‘creator’ of what was earlie...

Bruce Onobrakpeya, Nigerian (1932) Titled: Ubiebi Fude (Blue Base), Lagos, Executed in 1988 Edition 5/45 Plastograph Deep Etching, framed, signed, titled and numbered Dimensions: F...

Antonio Diaz Cortes (Mexico, 1935) 'Ocelotl', 2006 engraving on paper Velin Arches 300 g. 19.7 x 27.6 in. (50 x 70 cm.) Edition of 99 ID: DIA-102 Unframed

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Eco of Passion X, Lino-cut chin-coll’e on German Ivory paper Edition: 3 of 5, 2005 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'This is life liberated, sometimes ordinary, with small gestures and everyday objects transformed by colour, context and composition and sometimes adorned, wreathed in pomp, pageantry, and glory' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...