Pigment Figurative Photography

'Underwater Drink' A woman drinking from a coconut underwater in the pool at Las Brisas Hotel in Acapulco, Mexico, February 1972. 24 x 20" inches / 61 x 51 cm paper size Estate...

Autumn Light - 2017, 40 x 30 cm, Edition 4 of 10. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on a Hand painted Fuji Instant Film original (not mounted). Signe...

Cooking the Goose is a limited edition color photograph depicting a chaotic kitchen scene. A woman is stuck in an oven, her arms reaching out from th...

'By The Pool In Acapulco' A tanned man surrounded by young women in bikinis by the pool at Warren Avis's villa in Acapulco, Mexico, January 1978. 4...

In this evocative underwater photograph, a crimson dress billows like a delicate flower petal beneath the surface, creating a powerful contrast against a serene aqua backdrop. The mi...

Spoonbills at the Lagoon by Cheryl Medow is a 16 x 20 inch archival pigment print. This photograph features a large spoonbill bird walking on a log in front of a body of water. The paper size is 21 x 24 inches, the image size is 16 x 20 inches. This photograph is signed and numbered in pencil, and blind stamp on print margin. It's also signed, titled, dated, and print type in pencil on print verso. This photograph is available in multiple sizes. Cheryl Medow's background in the arts is diverse, but interconnected. Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico. With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives. There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan along with National Geographics Sunday Stills, Sunday, July 12, 2015 and an article in Inspire Adobe Photoshop For The Birds by Alyssa Coppelman in August. In 2016, Medow was included in the SLIDESHOW Night at the Annenberg Space for Photography in Century City, California. She received the Juror's Award at PhotoPlace Gallery in Middlebury Vermont for Great Blue Heron With Chicks Revisited and her print will be exhibited from March 23 through April 22 and White Ibis With Fish will be part of the Online Gallery Annex at PhotoPlace. Medow was a finalist in the 89th Annual International Competition at The Print Center in Philadelphia given the Olcott Family Award. She is also a finalist at the LensCulture Earth Awards 2015. In 2015, Medow's images were exhibited at The G2 Gallery in Venice, CA and at Flock: Birds On The Brink / Ganna Walksa Lotusland, curated by Nancy Gifford...

"Butterfly 14" Abstract Photography 24" x 24" in Edition 1/24 by Giuliano Bekor Title: Butterfly B12 Year: 2018 Print size: 24" x 24" Inch Edition: 1/24 Artist proof: 2 Medium: A...

Earth, Moon and Water by Keith Carter presents a tranquil scene. The full, shining moon reflects in the still water, accompanied by reflections of trees and brush. The hazy edges of ...

Hand Signed by Lynn Goldsmith Limited Edition of 20 ...

Edition #1/10 The listed print is a framed price . It is also is available in 2 additional paper sizes, unframed. In her new collection of photographs, British born photographer H...

27 x 36 inches - Edition 1 of 3 with 2 APs framing is an additional $525. Shot in New Orleans in 2011, background illustrated by Marco Ventura Inspired by Manet’s Olympia...

A monumental Fifth Avenue billboard depicting three nude models from the waist down and only wearing shoes soars above passing pedestrians. The scene is characterized by a deeply imp...

Romantic Couple - Signed limited edition archival pigment print 1988, Edition of 10 Paris,Montmartre This image was captured on film in Paris in...

"Window 1" is a photograph featuring hues of orange, blue and black, edition of 10. 19 by 13 inches (framed) Mark Caceres is inspired by the work of Jeff Jacobson, Alex Webb...

Underwater photograph of a young woman in red dress dancing underwater in a pool. A very bright photograph with plenty of sun and positivity. The m...

"Butterfly 19" (FRAMED) Photography 50" x 40" in Edition 1/8 by Giuliano Bekor Title: Butterfly B19 Year: 2018 Print size: 50" x 40" Inch Framed size: 52" x 42" Inch Edition: 1/8 A...

No title (No 90) Photography Edition of 25 32" x 32" inch by Yevgeniy Repiashenko No title (No 90) Photography Edition of 25 32 x 32 inch Year photo was taken: 2019 This picture ...

'Pool By The Sea' A swimming pool and lounge deck over the sea at Angra Dos Reis, Brazil, 1985. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition to 1...

edition 2/7 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Doug Rickard (American b.1968) Limited Edition Archival Pigment Print. Features the work titled; A New American Picture - Detroit. Signed on verso and numbered 4/5. Work: 26 in. x 41 1/2 in. Frame: 26 1/2 in. x 42 in. Doug Rickard’s A New American Picture offers a startling and fresh perspective on American street photography. All of the images are appropriated from Google Street View; over a period of two years, Rickard took advantage of the technology platform’s comprehensive image archive to virtually drive the unseen and overlooked roads of America, bleak places that are forgotten, economically devastated, and abandoned. With an informed and deliberate eye, Rickard finds and decodes these previously photographed scenes of urban and rural decay. A New American Picture depicts American street scenes, located using the internet platform Google Street View. Over a four-year period, Rickard took advantage of Google’s massive image archive to virtually explore the roads of America looking for forgotten, economically devastated, and largely abandoned places. After locating and composing scenes of urban and rural decay, Rickard re-photographed the images on his computer screen with a tripod- mounted camera, freeing the image from its technological origins and re-presenting them on a new documentary plane. The low-resolution images that Rickard favors have a dissolved, painterly effect, and are occasionally populated with figures who acknowledge the camera, but whose faces are blurred, masking their identity. The photographs are thus imbued with an added surrealism and anonymity, which reinforces the isolation of the subjects and emphasizes the effects of an increasingly stratified American social structure. Rickard’s work evokes a connection to the tradition of American street photography, with knowing references to Walker Evans, Robert Frank and Stephen Shore. He both follows and advances that tradition, with a documentary strategy that acknowledges an increasingly technological world—a world in which a camera mounted on a moving car can generate evidence of the people and places it is leaving behind. Collectively, these images present a photographic portrait of the socially disenfranchised and economically powerless, those living an inversion of the American Dream.Doug Rickard (born 1968) is an American artist and photographer. He uses technologies such as Google Street View and YouTube to find images, which he then photographs on his computer monitor. His photography has been published in books, exhibited in galleries and held in the permanent collection of the San Francisco Museum of Modern Art. Rickard is best known for his book A New American Picture (2010). He is founder and publisher of the website on contemporary photography, American Suburb X, and the website These Americans which publishes some of his collection of found photographs. This work features a black, African American man in the foreground walking in a bleak neighborhood in Detroit, Michigan. Rickard was born in San Jose, California and brought up in Los Gatos in the San Francisco Bay Area. His father was a prominent pastor and many family members were preachers and missionaries, with a "very Reaganesque, patriotic view of America", a country "special and unique". Rickard studied United States history—slavery, civil rights—and sociology, at University of California, San Diego, and "lost his faith in this family vision. His adult view of America was a land not just of great achievement but also of massive injustice." At age 12 he witnessed his father having a secret extramarital affair, that years later in 1988 he confessed to his congregation. Rickard says this experience prompted him "to look for the fault lines in the American dream." He lives in Shingle Springs, near Sacramento, California. For his series A New American Picture, Rickard "wanted to look at the state of the country in these areas where opportunity is non-existent and where everything is broken down", where "the American dream was shattered or impossible to achieve". It is said that this work comments on United States politics, poverty, racial equality and the socioeconomic climate, class; the use of technology in art, privacy, surveillance, and the large quantity of images on the web. He cites as influences the photobooks American Photographs (1938) by Walker Evans, The Americans (1958) by Robert Frank, Uncommon Places (1982) by Stephen Shore and American Night (2003) by Paul Graham. The work was first exhibited as part of Anonymes: Unnamed American in Photography and Film, curated by David Campany and Diane Dufour at Le Bal, Paris, in 2010. To mark that occasion Rickard produced the first edition of the book, with the publisher White Press. Its first American museum show was at New York's Museum of Modern Art. Select Publications: Aperture Remix. New York: Aperture, 2012. A series of books made in homage to another Aperture publication, each in an edition of 5 copies. Rickard's was a response to Uncommon Places by Stephen Shore. The other publications were by Rinko Kawauchi, Vik Muniz, Alec Soth, Taiyo Onorato & Nico Krebs, Martin Parr, Viviane Sassen, Penelope Umbrico and James Welling. Produced in conjunction with the exhibition Aperture Remix. A New American Picture. Nazraeli Press Six by Six, set 4 v. 5. Portland, OR: Nazraeli, 2012. Edition of 100 copies. The other volumes are by Robert and Kerstin Adams, Edward Burtynsky, Kenro Izu, Catherine Opie and Issei Suda. Staking Claim: a California Invitational. San Francisco: Modernbook, 2013. Photographs by Rickard as well as Matthew Brandt, Susan Burnstine, Eric William Carroll, John Chiara, Chris Engman, Robbert Flick, Todd Hido, Siri Kaur, Mona Kuhn, Matt Lipps, David Maisel, Klea McKenna, Mark Ruwedel, Paul Schiek and Christina Seely. Catalogue of an exhibition held at the Museum of Photographic Arts, San Diego, CA. Select Exhibitions: Solo exhibition 2012: Yossi Milo Gallery, New York, October–November 2012. Group Exhibitions 2010: Anonymes: L’Amérique sans nom: Photographie et Cinéma (Anonymous: Unnamed America in Photography and Film), Le Bal, Paris, September–December 2010. A thematic exhibition with works by Rickard as well as Jeff Wall, Walker Evans, Chauncey Hare, Lewis Baltz, Standish Lawder, Sharon Lockhart...

A determined, lone, sexy nude male is about to sprint down an endless road in New Mexico and, in a quest for meaning, meet his destiny. The image exudes a sense of primal instincts...

'Cold Song III' exemplifies the avant-garde evolution of underwater fine art photography, merging contemporary conceptual art with technical mastery. This ethereal composition captur...

"Inside" Black & White Photography Ed. of 18 36 x 36 in by Yevgeniy Repiashenko Inside Photography Edition of 18 (36 x 36 inch) by Yevgeniy Repiashenko Year photo was taken: 2016 ...

19 x 11.25 inches - 2Edition 4 of 7 with 2 APs Available framing $265 Shot in 2012 in New Orleans, Louisiana Inspired by Jacques Guillaume Lucien Amans’ Creole with a Red...

'Boats At Hotel Du Cap-Eden-Roc' Motorboats moored off the Hotel du Cap-Eden-Roc in Antibes on the French Riviera, 1969. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped...

No title (No 36) Photography Edition of 18 45" x 45" in by Yevgeniy Repiashenko No title (No 36) Photography Edition of 18 45 x 45 inch Year photo was taken: 2017 This picture is ...

'Tullio Abbate' Tullio Abbate, of Abbate Boats, at the back of yacht as it is moored at a property on the shores of Lake Como, Italy, in June 1983. 40 x 30" inches / 101 x 76 cm ...

Franci - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1986. The negative was scanned creating a digital file which was then prin...

Encuentro, 2023 by Ricky Cohete From The Blanco - Sepia Series Archival Pigment print Size: 30 x 20 in. Ed of 13. Unframed For this series, he used elements such as water (emotions...

edition 1/5 TRENITY THOMAS is a self-taught photographer who has also experimented with painting and sketching since grade school. As a photographer, he has worked in a myriad of ge...

Instincto, 2023 by Ricky Cohete From The Blanco - Sepia Series Archival Pigment print Size: 30 x 20 in. Ed of 13. Unframed For this series, he used elements such as water (emotions...

"No Title Nr. 15" Photography Edition of 28 36" x 36" in by Yevgeniy Repiashenko Photography Edition of 28 (36 x 36 inch) by Yevgeniy Repiashenko Year photo was taken: 2016 This ...

Bare-throated Tiger Heron by Cheryl Medow is an archival pigment print, available in an edition of 10. This photograph features a bare-throated tiger heron perched on a branch, overlooking a river with lush vegetation. The paper size is 25 x 20 in., and the image size is 20 x 16 in. This photograph is signed and numbered in pencil, and blind stamp on print margin. It's also signed, titled, dated, and print type in pencil on print verso. This photograph is available in multiple sizes. Cheryl Medow's background in the arts is diverse, but interconnected. Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico. With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives. There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan along with National Geographics Sunday Stills, Sunday, July 12, 2015 and an article in Inspire Adobe Photoshop For The Birds by Alyssa Coppelman in August. In 2016, Medow was included in the SLIDESHOW Night at the Annenberg Space for Photography in Century City, California. She received the Juror's Award at PhotoPlace Gallery in Middlebury Vermont for Great Blue Heron With Chicks Revisited and her print will be exhibited from March 23 through April 22 and White Ibis With Fish will be part of the Online Gallery Annex at PhotoPlace. Medow was a finalist in the 89th Annual International Competition at The Print Center in Philadelphia given the Olcott Family Award. She is also a finalist at the LensCulture Earth Awards 2015. In 2015, Medow's images were exhibited at The G2 Gallery in Venice, CA and at Flock: Birds On The Brink / Ganna Walksa Lotusland, curated by Nancy Gifford...

Impression fine art sur papier mat, tirage réalisé par l'artiste Taille de l'image : 30 x 40 cm Tirage signé, numéroté et titré au verso Non encadré, sans passe-partout Cette photog...

Archival inkjet print Signed, titled, dated, and numbered, verso 24 x 18 inches (Edition of 10) 40 x 32 inches (Edition of 5) 50 x 40 inches (Edition of 5) This artwork is offere...

Atchafalaya Study #1 by Keith Carter presents three cypress trees standing tall amidst swampy waters. More trees are seen in the distant horizon, obscured by fog and dwarfed by the t...

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition 7 126 cm. x 170 cm. Edition 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award on several occasions with my previous series for both Earth, Power and Fire themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Ariane Signed by Ian Sanderson lower ri...

"Fluidity Nr 6" Nude Abstract Photography Edition of 10 40x30 in by Lika Brutyan "Fluidity Nr 6" 40" x 30" inch Original photography by Lika Brutyan from the ""Fluidity" series L...

L' Amour - Signed limited edition archival pigment print , 1993 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was the...

'Bahamas Speed Week' The Bahamas Speed Week in Nassau, 1963. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition to 15...

Edition of 12 Signed, titled, dated, print date, numbered and series in black ink on print margin. Jeffrey Silverthorne was an American photographer known for photographing the dead...

36 x 26 inches - Edition 1 of 3 with 2 APs Framing an additional $525 Shot in 2012 in Amsterdam Inspired by Van Eyck’s Arnolfini Marriage, 1434 Photography and acting are kindre...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Sofa ‘ Nude and masked model on a lea...

Hand Signed by Lynn Goldsmith Limited Edition of 20 ...

In this evocative underwater photograph, a crimson dress billows like a delicate flower petal beneath the surface, creating a powerful contrast against a serene aqua backdrop. The mi...

Inspired by Pablo Picasso's "Portrait of Dora Maar", 1937 Edition 2 of 7 with 2 APs “Ode to Picasso’s 'Dora Maar’' is a self-portrait of E2 artist Elizabeth Kleinveld as the photographer and artist Dora Maar. Kleinveld was drawn to this particular image of Maar while grieving the death of her father in 2021; she was captivated by the sadness that seems to ooze from the canvas, how the sitter’s melancholia is obscured by the playful color contrast. For E2’s remake, artist E.Paul Julien painted directly over the photographic print of Kleinveld, emphasizing the masking of grief. The artists say of their work... "Everything Changes, the latest phase of our ongoing series In Empathy We Trust, presents odes to iconic images from the Modern and Contemporary art periods. Our artistic process during Everything Changes was heavily influenced by the COVID-19 pandemic and the inescapable upheaval brought about by this once-in-a-lifetime event. This major societal shift alongside ongoing social unrest compelled us to further explore the distorted realities permeating American culture and, consequently, veiling oppression of marginalized communities. With lockdown restrictions disrupting our usual process of gathering for photoshoots, we also began playing with new approaches for our work. As a result, our latest iteration marks a new technique exploration, with completely over-painting atop of select prints, adding an additional layer of distortion to an already-altered reality. The title for this show takes inspiration from one of our favorite Frida Kahlo quotes: “Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.” The pandemic fostered a collective understanding of just how malleable and fragile our reality is. Our perceptions, our personal routines, and our culture as a whole – these realities are never guaranteed stasis, and the only way to move forward is to evolve, both as artists and individuals. The pieces in this show invite viewers to embrace the inevitability of change and the natural discomfort of re-examining their expectations of how a work of art – and by extension, a culture – should look. The process of creating an e2 image has always involved intense collaboration, and the images here would not be possible without stellar teamwork. We would especially like to thank Cameron Wood for his extensive digital post-production and our wonderful models." ⎯⎯⎯⎯⎯ As the photographic duo E2, New Orleans natives Elizabeth Kleinveld and Epaul Julien seek to remake images from art history to reflect their own experience of the contemporary world. Tackling icons from the great masters like Botticelli, Manet, Rembrandt, and Van Eyck, they recast instantly familiar images in a distinctly modern manner, breaking them free from centuries of historical context and placing them firmly in the present. Kleinveld and Julien...

'Poolside Backgammon' Guests at the Villa Nirvana, owned by Oscar Obregon, in Las Brisas, Acapulco, Mexico, 1972. 20 x 16" inches / 51 x 41 cm paper size Estate Stamped Collec...

"Red for Love 2" Photography 18" x 28" inch Edition of 24 by Tetiana Kalivoshko "The Red One - That Is Love" "The Red One - That Is Love" is a thought-provoking art series by Tetian...

An insipid notion (The astonished world) is a collection of unreal experiences caused by the feeling of late and inexperienced love, and the inability to fully know the experience of...

"No Title Nr. 78" Photography Edition of 28 36" x 36" in by Yevgeniy Repiashenko Photography Edition of 28 (36 x 36 inch) by Yevgeniy Repiashenko Year photo was taken: 2017 This p...

No Title (No 62) Photography Edition of 38 20 x 20 inch by Yevgeniy Repiashenko Photography Year photo was taken: 2021 Unframed - ships in a tube This picture is a part of Spir...

Cutting the Cord by Patty Carroll is a 22 x 22 inch archival pigment print, available in an edition of 15 This sheet size of this photograph is 30 x 30 inches, and the image size is ...

12.25 x 16 inches - Edition 1 of 7 with 2 APs STATEMENT: e2, a collaboration between New Orleans artists Elizabeth Kleinveld and Epaul Julien, re-imagines iconic images from the his...

Archival pigment print Signed and numbered, verso 12 x 18 inches, image (Edition of 8 + 1 AP) 20 x 30 inches, image (Edition of 5 + 2 APs) This photograph is offered by ClampArt, ...

Godley & creme - Signed limited edition archival pigment print - Edition of 5 London, 1983 Tinted Black & White Art print This is an Archival Pigment print on fiber based paper...

Untitled, 2024 by Ricky Cohete From The Leather ands Skin Series Archival pigment print Image size: 36 in H x 24 in W. Edition of 10 Unframed The artist explores the intersection b...

Underwater photograph of a naked young woman caught in fishing net. Original gallery quality archival pigment print signed by the artist, furnished with certificate of authenticity...

An underwater photograph of a naked young woman sitting on pool steps. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper with ...

"M51" (FRAMED) Photography 60" x 60" inch Edition of 10 by Giuliano Bekor Print size 60x60 Inches trim bleed Artwork finished size 62x62 Inches Limited edition 1 of 10 Artist proo...