Pigment Figurative Photography

'Skiing At St. Moritz' Skiers on a slope in St Moritz, Switzerland, March 1978. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition to 150 Photo by Sl...

'Marbella Birds' A woman wearing a headscarf on a porch in Marbella, Spain, 1963 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition to 150 Photo by Sli...

'CZ's Dogs' Premium Rates Apply. circa 1955: Mrs. F C Winston Guest (1920 - 2003) (aka Cee Zee Guest) with her dogs in front of the Grecian temple pool on her ocean-front estate, V...

'Bahamas Speed Week' The Bahamas Speed Week in Nassau, 1963. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition to 15...

'Catching The Sun In Cortina' Giuliana Gerolinetto, Maria Cristina Giaconelli, Marina Aletti and Cristina Gerolinetto bask in the sun of an open terrace at El Toula, overlooking Co...

'On The Slopes Of Sugarbush' A group of people relaxing at the chalet of stockbroker A Albert Sack Jr, at the Sugarbush Mountain ski resort in Warren, Vermont, circa 1960. 40 x 3...

'Poolside Socialites' Italian artist and actress Domiziana Giordano, Italian author Francesca Sanvitale (1928 - 2011), Dino Trappetti and Umberto...

'Sailing In Anguilla' A couple adjusting the sail on their dinghy at a luxury resort on the island of Anguilla in the West Indies, January 1992. 40 x 30" inches / 101 x 76 cm pape...

'Poolside In Kenya' A woman sits at the edge of a swimming pool in Kenya, December 1958. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition to 150 Phot...

'Lounging In Gstaad' Holidaymakers in sun loungers on the slopes at Gstaad, Switzerland, March 1961. 40 x 30" inches / 101 x 76 cm paper size Estate Stamped Collection Edition ...

'Hugh Hefner' American publisher Hugh Hefner, founder of 'Playboy' magazine, surrounded by erotica at the Playboy Club in Chicago, 1961. 60 x 40" inch...

Beloved Color Archival Pigment print Large 40" x 60" Ed of 6 + 2AP Unframed The artist uses a vivid contrast of color to add an extra dimension in the movement and shadows of each p...

Bridge Traffic on Delancey Street, 1986 From a 35mm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Artist Proofs P...

Cute kids gaze out into the rain. Observed in primary colors, these primary schoolers are framed by the bold yellow and purple of a streetcar window. Mitchell Funk brings the comp...

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition 7 126 cm. x 170 cm. Edition 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award on several occasions with my previous series for both Earth, Power and Fire themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

Folding man Two by Ricky Cohete From Motion series Black and White Photograph Archival pigment print Size 36" x 24" Ed of 10 + 1AP Unframed Throughout his exploration of the moveme...

"Anna" Photography 29.5" x 24" in Edition of 15 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x 31" in...

"Contract" Photography 39" x 31" in Edition of 7 by Kseniya Vashchenko Not framed. Ships rolled in tube. Available sizes: Edition of 15: 29.5" x 24" in Edition of 7: 39" x 31" i...

An underwater photograph of a naked young woman wrapped in golden tulle. Her body position, her beautiful face, and golden reflection remind Ancient Greek myth of Zeus and Danae. O...

Army Of Caine by B A T I K Pop art work featuring multiples of Michael Caine in Get Carter mode - possibly his most iconic movie role. Archival pigment pop art print signed & limi...

Slim Aarons Estate Print - Leisure In Antibes 1969 A woman sunbathing in a motorboat as it tows a waterskier, in the sea off the Hotel du Cap-Eden-Roc in Antibes on the French Rivi...

Lord Fauntleroy Alfa (Americana, Rusty, Legendary, Italian) 2024 Archival Pigment Print on Hahnemuehle Baryta Rag 315gsm Size: 24 x 24 inches (60.96 x...

Fragmented-Untitled 3, 2021 by Ying Chen From the Fragmented series Archival pigment print Image size: 80 in. H x 60 in. W Edition of 5 + 1AP Unframed This series' title is “Fragme...

U2 On Tour U2 in their tour van at Leeds University 1980 Photo by Martyn Goddard Printed 2024. Signed limited edition photograph; edition of 25 in this size. Oversize 20×20 inche...

Rachael - Signed limited edition archival pigment print - Edition of 5 This image was captured on film in 1983. The negative was scanned creating a digital file which was then...

"Alisma Plantago Aquatica" by artist Paul Cava is a one-of-a-kind (unique) Iris print of a nude female figure from a historical glass plate on an 18th-c bota...

"Panther Play" Photography 47" x 47" inch Ed. of 15 by Yevgeniy Repiashenko "Panther Play" by Yevgeniy Repiashenko Year photo was taken: 2016 Limited Edition of 18 Picture size: He...

Set of 2 Photographs, by Michael James O’Brien Color fiber paper Overall size: Paper size: 24 H x 40 W inches. Frame size: 33.5 H x 49 W x 1 D inches. Individual size: Image size: 2...

9-1-1 by Frank Schott 28 x 39 inches / 74cm x 102cm framed signed edition of 25 archival fine art pigment print artist signed + numbered certificate of authenticity framed "Moder...

Two Rabbits (2018) - 40 x 50 cm, Edition of 10 + 2 Artist Proofs. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on a Fuji Instant Film original (not mounted). S...

JOHN Yuyi (*1991, Taiwan) People on the beach 2, 2019 Archival Pigment Print Sheet 120 x 90 cm (48 x 36 in.) Edition of 3, plus 1 AP; Ed. no. 1/3 ...

The contemporary color photograph is printed on Baryta paper, 13” x 19" (sheet size), an archival pigment print signed, dated, titled on recto (front of photo) by the artist. Edition of 5. 2- a/p's. Double Helix...

Last Dance 3 - Signed limited edition archival pigment print, 2011 - Edition of 5 Formula 1 , Preseason test, 2011 , Barcelona, Spain. Michael Schumacher's last appearance in th...

Corner of Clinton and Stanton Streets, 1989 From a 6cm x 4.5 cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 Arti...

Matthew Barney, Cremaster 5, Gellert Bath House, Budapest, 1996, by Michael James O’Brien Archival Inkjet Print on fine art paper Paper size: 24 H x 17 W inches. Image size. 17 H x 1...

Leather Man, 2023 by Ricky Cohete Archival pigment print Image size: 30 in H x 20 in W. Edition of 13 Unframed _________________________ Ricky Cohete was...

Archival Pigment print 36 x 24 in. Ed of 10. Unframed Channeling the energy of “water signs” in astrology, he captures these mysterious men through a romantic lens. The bosom of the...

Lord Fauntleroy Melanie Sherman 240522-129 Pigment Print Year: 2024 Visible Size: 13 x 13 inches Framed: 20.5 x 20.5 inches Signed: On Label Edition: 7 COA provided *White frame wit...

Pop And Society 1968 From left to right; singer Marianne Faithfull, the Honorable Desmond Guinness and Mick Jagger (of the Rolling Stones) sit on a sofa under a large gilt framed pa...

An underwater black and white photograph of a female dancer in the pool. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper with ...

Beautiful white horse against white background. Diasec. Face mounted on acrylic. About the Artist: Known for his large format prints of equestrian portraits - commissioned by R...

Johnny At Home Johnny Depp in a relaxed state at his home. Archival pigment print Edition size: 25 (in each size) Available in 3 print sizes: 16" x 20" 20" x 24" 30" x 40...

An underwater photograph of two naked young women in the pool. The minimalistic photograph partially depicts bodies in blue color schema. Original gallery quality print signed by th...

DIALOGUE 06 is a work by contemporary French photographer Matthieu Venot. In this series, he roams the city of Miami looking for deco architecture. With his camera, he cuts up the ur...

1892, 2022 by Salvatore Arnone From the ONE series Photographic print on Hahnemuhle paper Dimensions: Frame size: 31 H x 24 W in Printed area: 23 H x 16 W in Edition of 3 Wood frame ...

'Melody' (Bombay Beach), Edition 1/10, 30x20cm, 2018, C-Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. About Tao Ruspoli (bor...

Kali as The Queen of Earth (2020) Edition of 5 plus 2 Artist Proofs. Photograph printed in Canson Barita Fiber Rag 340gr, based on a reclaimed Fuji Instant Film Negative. (not mo...

Friendly Paris Policeman from the Paris In Colour Series 1956-61 By Peter Cornelius 20 x 16 inches / 51 x 31 cm paper size Printed 2022 Archival pigment print Framing and size opt...

Siren (2016) - 40x51 cm, Edition of 10 plus 2 Artist Proofs. Giclée Print on Hahnemühle Fine Art Baryta, based on the original Fuji Instant Film (not mounted). Signed on back wit...

Blondie Close Up Close up of Debbie Harry of Blondie photographed in New York 1978 Photo by Martyn Goddard Printed 2024. Signed limited edition photograph; edition of 25 in this s...

No title (No 40) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 40) by Yevgeniy Repiashenko Year photo was taken: 2016 Limited Edition of 18 Picture size...

Gaelle With Broken Arm - 2021 60 x 50 cm, Edition of 10 + 2 Artist Proofs. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on the original reclaimed Fuji Instant F...

ABOUT After 30 years of only exhibiting fine art photography, the Robin Rice Gallery is pleased to present a group exhibition featuring a selection of her gallery photographers and t...

Autumn Days - 2020 60 x 50 cm, Edition of 10 + 2 Artist Proofs. Photograph printed in Hanemühle Baryta Photo Rag 340gr, based on the original reclaimed Fuji Instant Film Negativ...

An underwater photograph of a beautiful topless model dancing in the pool. Original gallery quality print signed by the artist. Digital archival pigment print on archival paper wit...

No title (No 92) Photography 36" x 36" inch Ed. of 28 by Yevgeniy Repiashenko No title (No 92) by Yevgeniy Repiashenko Year photo was taken: 2022 Limited Edition of 28 Picture size...

No title (No 5) Photography 47" x 47" inch Ed. of 18 by Yevgeniy Repiashenko No title (No 5) by Yevgeniy Repiashenko Year photo was taken: 2016 Limited Edition of 18 Picture size: ...

An archival pigment print on Hahnemühle Photo Rag® Baryta 315 g/m² paper, a photography of a delivery of foodstuffs from a shop of seeds, flour and provisions in Montreal cerca 1920 ...