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Miles Aldridge
Untitled (after Cattelan) #1 – Miles Aldridge, Woman, Fashion, Erotic, Nude, Art

2016

$22,544.56
£16,770.88
€18,800
CA$30,871.22
A$34,324.59
CHF 17,922.41
MX$417,813.89
NOK 228,682.13
SEK 214,264.23
DKK 143,114.02
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About the Item

Miles ALDRIDGE (*1964, Great Britain) Untitled (after Cattelan) #1, 2016 Chromogenic print Image 152.5 x 116.5 cm (60 x 45 3/4 in.) Sheet 164.4 x 128.4 cm (64 3/4 x 50 1/2 in.) Edition of 6, plus 2 AP; Ed. no. 1/6 Print only A fiercely original photographer, Miles Aldridge (*1964, Great Britain) is best known for the technicolor dream-like worlds he creates and the glamorous, beautiful women who inhabit them. Aldridge creates ultra-cinematic images, drawing inspiration from film directors such as David Lynch and Federico Fellini as well as the psychedelic graphic design of his father, Alan Aldridge. Staged to perfection the stars of Aldridge’s surrealistic stories and technicolour dream-like worlds are glamorous, beautiful women. He captures his subjects in a state of dramatic contemplation, making them more complicated and intriguing than simply beautiful. The women’s immaculate appearance and blank expression leave room for interpretation and, like a mirror for Aldridge’s works at large, hint with a touch of dark humour at the perfected façade of fashion’s glamour and the need for idealised beauty. Moreover, his works are characterized by vivid, fluorescent colours as well as the Hollywood lighting and perfectionist attention to detail. His works are part of renowned museum collections, such as the National Portrait Gallery in London, the Victoria and Albert Museum in London, and the International Center of Photography in New York. – (after Cattelan) In his work with Maurizio Cattelan, the artist invited Aldridge to respond to his retrospective exhibition in Paris by allowing him to shoot his own responses to Cattelan's work after the museum closed at night. The phenomenal images to emerge from Aldridge's night at the museum must be witnessed at first hand. (After Cattelan): proposes instantly compelling narratives–and most invitingly, several different narratives, potentially, simultaneously. It is as though each image can be comprised of various distinct and individual stories–just as Marcel Proust referred to himself as 'the many gentleman of whom I am comprised.' The iconography of historic and moral meaning, of good and evil, becomes an absurdist boudoir. The image exemplifies postmodern Romanticism, and the reclamation of romantic irony – the palette of a neo-Gothic fantasy: an urgent and persistent need for spectacle and sensation, ritual, the bizarre, unhinged and uncanny, disruption, heightened style, games seduction, exaggerated emotion, fear, poetry, elegy, wonder, perversity, awe, violence, irreverence, myth, voyeurism, intellectual imagination and wit, the beckoning unknown and unknowable–in the fact of technology and time, the world shrunk and the universe explained. – Woman, Contemporary, Photography, Fashion, Woman, People, Posing, Model, Colour, Glamour, Nude
  • Creator:
    Miles Aldridge (1964, British)
  • Creation Year:
    2016
  • Dimensions:
    Height: 64.73 in (164.4 cm)Width: 50.56 in (128.4 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Zurich, CH
  • Reference Number:
    1stDibs: LU128017195242

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