RODRIGO ETEM

Untitled Aspy-Thor III, From the series Ser Cosa, Color Photograph

2012

David, 2017 by Hunter & Gatti From the series of Nothing Stays Still Acrylic and encaustic wax on burned on glicée print. Image size: 29.5 cm H x 21.7 cm W Signed front and signed ba...

Nymphs Empty Spaces, 2017 From the series of Nothing Stays Still Acrylic on acetate print. Image size: 29.5 cm H x 21.7 cm W Signed front and signed back with the date. UNFRAMED Thi...

Kaaling Pharrell, 2017 by Hunter & Gatti From the series of Nothing Stays Still Acrylic on gliceée print. Image size: 29.5 cm H x 21.7 cm W Signed front and signed back with a date. ...

Kouros Triptych 01, by Michael James O’Brien Color fiber paper Tryptich Overall size 24 H x 60 W inches. Individual Paper size image: 24 H x 20 W inches. Ed of 5 + 2AP Unframed M...

Benno Thoma's color image of a Vietnamese woman on her bike was taken in Hanoi. It is a painterly image created through photographic technique. This impression is #1 of an edition of...

Shot from a helicopter in South Beach, Miami. Beach. People taking in the sun. Mounted on Acrylic. Floats in white frame. About the Artist Dinesh Boaz creates a dynamic juxt...

"The Turn" represents a pivotal moment in contemporary underwater fine art photography, where sculptural form meets fluid dynamics. In this arresting composition, a figure in vibrant crimson appears suspended between sitting and floating, enveloped by an explosive array of crystalline bubbles against a deep azure backdrop. The photograph masterfully captures the intersection of intentional pose and aquatic spontaneity, while the interplay of light through the ascending bubbles creates an ethereal atmosphere. This innovative piece transcends traditional portraiture, exploring themes of weightlessness and transformation that characterize modern submersible art, while the technical precision in capturing split-second motion elevates it to a meditation on human buoyancy. This photograph is a part of the series "Blue Fall...

A fan of photography since her early childhood, Mizrakli graduated from Yeditepe University in Istanbul, Interior Decoration Department, and continued her higher education in London, where she started out her work as a photographer. Later on, she moved to New York to further develop her career as a photographer and enrolled in classes at the Photography Department of the New York Film Academy. She received a Master’s Degree in photography in Los Angeles, where she is currently based. Mizrakli has conducted many shooting sessions for Mica Studios and Bullet Magazine in New York and had two solo exhibitions in Los Angeles. She has recently participated in the Contemporary Istanbul Exhibition (November 2013). In some of her black and white works she uses the human body only as a pictorial sign in order to create almost abstract works. First made anonymous, the female model is then cloned and circularly multiplied. The result is a kind of wheel in which the repeated human body gives birth to a new, seemingly vegetal or mineral structure. Thus, the human element seems to be transformed into different other natural...