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Stefanie Schneider
Memories of Love - 21st Century, Polaroid, Figurative, Women, Color
2013

Name: Memories of Love - 21st Century, Polaroid, Figurative, Women, Color
Brand: Stefanie Schneider
Price: 1242.38 AUD
Availability: InStock
Rating: 4.9 (37 reviews)

$800

£607.02

€694.07

CA$1,117.38

A$1,242.38

CHF 648.70

MX$15,122.76

NOK 8,277.14

SEK 7,755.29

DKK 5,180.01

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About the Item

'Memories of Love' (The Girl behind the White Picket Fence) - 2013 50x50cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and signature label. Artist Inventory Number 16507. Not mounted. featuring Heather Megan Christie Offered is a piece from the movie: The Girl behind the White Picket Fence Alchemist of Light, Architect of Dreams Some artists document the world as it is; Stefanie Schneider reveals the world as it feels. Her work is not merely a collection of images but a sensory landscape, a cinematic excavation of longing, memory, and the quiet beauty of imperfection. In an era obsessed with digital precision, she has built an empire on the unpredictable grace of expired Polaroid film—where chemistry and fate conspire to blur the edges between past and present, dream and reality. Schneider’s artistry is a rebellion wrapped in tenderness. Born at the very moment Polaroid was gasping its last breath, she embraced its fragility, turning chemical distortions into portals of nostalgia and poetic dissonance. Yet, her art is not just about the medium—it is a philosophy. Each faded hue and melting silhouette speaks to the ephemeral nature of existence, echoing the lost highways of Wim Wenders, the quiet devastation of a faded love letter, the cinematic stillness before a storm. From the sun-drenched desolation of the California desert to the spectral glow of half-remembered motels, her work captures a world teetering between illusion and truth. A place where time lingers, where stories are suspended in soft-focus light, refusing to resolve into simple conclusions. The figures in her images—lovers, wanderers, ghosts of a golden-hour past—exist on the margins, caught in an unspoken dialogue with the viewer. We do not just see them; we recognize them. Schneider has not merely preserved a dying medium—she has elevated it to something mythic, something wholly her own. Her work is at once contemporary and timeless, evoking the ghosts of Warhol’s silkscreens, the quiet grandeur of Edward Hopper, the melancholic resonance of a half-forgotten song playing on an old jukebox. In a world consumed by the relentless march of progress, she reminds us that beauty often lives in the flaws, in the spaces between moments, in the whispers of the past. Some artists capture history. Stefanie Schneider captures memory itself—before it fades, before it slips through our fingers like dust illuminated by desert light. And in doing so, she has changed not just how we see photography, but how we see ourselves. Stefanie Schneider earned her MFA in Communication Design from the renowned Folkwang Schule in Essen, Germany, an institution known for its interdisciplinary approach to art and design. Her work has been widely exhibited in prestigious museums and art institutions across Europe and beyond, underscoring her significant impact on contemporary visual culture. Notable exhibitions include the Museum für Photographie in Braunschweig, the Museum für Kommunikation in Berlin, and the Institut für Neue Medien in Frankfurt. Her cinematic and dreamlike imagery has also been featured at the Nassauischer Kunstverein in Wiesbaden, Kunstverein Bielefeld, and the Museum für Moderne Kunst in Passau. Internationally, Schneider’s work has been recognized at Les Rencontres d'Arles—one of the most esteemed photography festivals in the world— and the Foto-Triennale in Esslingen. Her artistic vision extends beyond traditional gallery spaces, as seen in her participation in the Bombay Beach Biennale in 2018, an avant-garde art festival redefining creative expression in the California desert.

Creator:

Stefanie Schneider (1968, German)

Creation Year:

2013

Dimensions:

Height: 19.69 in (50 cm)Width: 19.69 in (50 cm)Depth: 0.04 in (1 mm)

Medium:

Archival Paper,Photographic Paper,C Print,Polaroid

Movement & Style:

Contemporary

Period:

2010-

Condition:

Gallery Location:

Morongo Valley, CA

Reference Number:

Materials

Photographic Film, Archival Paper, C Print, Color, Polaroid

Stefanie Schneider
One Day I'll Fly (Stage of Consciousness) - Polaroid, 2006

$380

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Materials

Photographic Film, Photographic Paper, Polaroid

Pia Clodi
Classic Beauty into The Blue - Contemporary Polaroid Art Photography, 2020

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Untitled, from the series 'Coexistence' – Stephen Gill, Colour, Woman, Summer

By Stephen Gill

Located in Zurich, CH

Stephen GILL (*1971, Great Britain) Untitled, from the series 'Coexistence‘, 2012 Canson Platine Fibre Rag 310 gsm Image 54.6 x 36.5 cm (21 1/2 x 14 3/8 in.) Sheet 60.9 x 45.4 cm (24...

Category

2010s Contemporary Color Photography

Materials

Archival Pigment

Stephen Gill
Untitled, from the series 'Coexistence' – Stephen Gill, Colour, Woman, Summer, 2012

$43,170

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Daydreams

By Sarah Hadley

Located in Los Angeles, CA

Archival pigment print Hand printed by Sarah Hadley on Canson Baryta Photo paper From the series In Between Days Sarah Hadley is a Los Angeles based artist whose narrative work focuses on issues of female identity and memory. Hadley's photographs have been exhibited at the Milan Photo...

Category

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Materials

Archival Ink, Archival Paper, Photographic Paper

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Stefanie SchneiderMemories of Love - 21st Century, Polaroid, Figurative, Women, Color2013

About the Item