Wildlife Figurative Photography

David Yarrow Space for Giants, 2020 Digital Dye Coupler Print on Fujicolor Archival Paper 61.8 × 76.2 cm 80 x 95 - framed Edition of 599 David Yarrow is a renowned British photogra...

NICK BRANDT (*1966, England) Elephants Walking Through Grass, Amboseli 2008 Platinum print Image 58.42 x 106.68 cm (23 x 42 in.) Sheet 76 x 111.2 cm (29 7/8 x 43 3/4 in.) Edition of ...

Savannah Cat Vintage Photograph was realized in the 1960s. Good conditions. Stamped on the rear.

NICK BRANDT (*1966, England) Elephant on Bare Earth, Amboseli 2011 Archival pigment print Sheet 177,8 x 142,24 cm (70 x 56 in.) Edition of 10, p...

"Twinkle Toes" North Pole (Russia), 2017 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50 x 75 in / Ed...

All available sizes & editions for each size of this photograph: 90 cm. x 120 cm. Edition AP 1 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award twice before with my previous series for both Earth and Power themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

Human and Animal Locomotion. Plate 733. Elephant; walking. 14 x 20 inch original vintage collotype print from 1887 (image size 8.125 x 14.875 inches)

Elephant's Embryo, Uganda Aributed to Peter Beard/Unsigned The original photograph "unsigned" but documented by its inclusion in "Peter Beard - Fifty Years of Portraits, The End of the Game...

Indien - Nepal, Cattani Camp is a vintage black and white photograph. It is part of a journey to Asia performed by prince Franz Ferdinand von Osterreich Este (1863-1914) , heir to t...

This elephant portrait was done on assignment for Life Magazine. It was for a story about a group of three elephants who stomped to death their trainer. In an attempt to save the ele...

"The Scout" Maasai Mara National Reserve, Kenya, 2018 20 x 30 in / Edition of 6 - $4,500 Also available: 32 x 48 in / Edition of 6 - $7,500 40 x 60 in / Edition of 6 - $10,500 50...

"Savannah Sanctuary" Maasai Mara National Reserve, Kenya - 2018 20 x 30 in / Edition of 3 - $5,500 Also available: 32 x 48 in / Edition of 3 - $8,500 Silver gelatin print Prices...

Signed and numbered limited edition photograph of a polar bear by Thomas Mangelsen (American, b. 1945). Signed "Thomas Mangelsen" in the lower right corner and numbered "794/950" in the lower left corner. This particular image is no longer produced. Presented in a double mat of light grey and tan, in a wood frame. Image size: approx. 21"H x 31"W Renowned American nature and wildlife photographer Thomas D. Mangelsen (American, b. 1945) has traveled throughout the natural world for over 40 years observing and photographing the Earth’s last great wild places. A Nebraska native, Mangelsen’s love of nature, his life outdoors and business success were heavily influenced by his father. An avid sportsman, Harold Mangelsen took his sons to favorite blinds along the Platte River in Nebraska to observe the great flocks of ducks, geese and cranes that migrate through the valley. From these adventures, Mangelsen learned important lessons for photographing in the field, most notably patience and understanding animal behavior. In 1965, Mangelsen began studying business at the University of Nebraska. In 1967, Tom transferred to Doane College in Crete, Nebraska, where he changed his major and graduated with a bachelor’s degree in biology. Tom continued postgraduate study in zoology and wildlife biology at the University of Nebraska and Colorado State University. In 1970 Mangelsen moved to Nederland, Colorado. He spent two years living in the Rocky Mountains in an old mining shack without electricity or running water with his English setter, black lab and raccoon. Tom continued to work on his photography and studied arctic alpine ecology at the University of Colorado’s Mountain Research Station near Nederland. There he met Bert Kempers, a CU film producer, who later hired Tom as cinematographer and film editor for his company Westwind Productions, making educational and nature documentaries. Tom longed...

Beth Moon is an American-born photographer. She has gained international recognition for her large-scale, richly toned platinum prints. This portfolio focuses on totem-like beliefs ...

Old days Photo -Southern Rhinoceros is a black and white vintage photo, realized in the early 20th century. Good conditions and aged. It belongs to a historical and Nostalgic album...

Elephant - Ceylon Photo Reportage is a Vintage b/w Photo realized in the 1960s by Folco Quilici. Good conditions. Stamped on the rear.

U. S. Information Agency- Vintage Photograph is an original black and white photograph realized in the U.S in the Mid-20th Century in a series on American life in the 20th Century. ...

Archival pigment print Signed and titled, verso 18 x 12 inches, image (Edition of 10) This artwork is offered by ClampArt, located in New York City.

Untitled, from the series "Every Other Day" from the essay "Zoo-Logos" by Eduardo Muñoz is a black and white photograph depicting a bear in the water, lunging at the camera while bar...

Human and Animal Locomotion. Plate 564. Hauling; broken leg chain; dark-gray Belgian horse Dusel. 14 x 20 inch original vintage collotype print from 1887 Image size 9.5 x 12.25 inch...

Old Days  - Pigs is a black and white vintage photo, realized in the early 20th century.  It belongs to a historical album including historical moments, royal families, and politica...

Elk is a Vintage Photograph was realized in the 1960s. Good conditions. Stamped on the rear.

Human and Animal Locomotion. Plate 693. Elk; galloping. 14 x 20 inch original vintage collotype print from 1887 Image size 9 1/4 x 12 1/8 inches Muybridge copyright imprint below i...

`Zebra 2` Oslo, 2019- from the series `Residence of Impermanence` 120 x 170 cm Edition 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, ...

90 x 120 cm Edition 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the...

Available Sizes: 18 x 18 Edition of 3 30 x 30 Edition of 3 45 x 45 Edition of 3 60 x 60 Edition of 3 Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing...

Tiger Morse in Blue on Elephant, 1962. Image size is 13.75" x 20" (for 17" x 22" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper...

"BWM-F1" (FRAMED) Photography 23" x 49" inch Edition 1/4 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Series: Buccellati Wis...

Available Sizes: 18 x 18 Edition of 3 30 x 30 Edition of 3 45 x 45 Edition of 3 60 x 60 Edition of 3 Los Angeles-based photographer Tyler Shields seeks “beauty in chaos,” capturing ...

Critically acclaimed image of wildlife art photography - Zebras in flight, this photograph captures the feeling and visual intensity of a scene of beauty, motion and excitement at Ke...

Sydney #1 by Kevin Horan presents a portrait of a curly haired white goat with a long goatee. This photograph is listed as a 14 x 11 inch archival pigment print, with the paper size measuring 17 x 13 inches. It is available in an edition of 15. This photograph is signed, titled, dated, numbered, print date and copyright in pencil on print verso. Sydney #1 is from Kevin Horan's series, Chattel. This photograph is also available in a larger size. Kevin Horan photographs goats in a very regal manner in his series, Chattel. A variety of domestic goats and sheep get their close-ups, allowing us to explore the detail of their beards, wattels, eyes, horns and hair. Horan's interest in exploring the exchange between people and animals lead to these dramatic, yet humorous portraits...

Edition of 15 Signed, titled, numbered and print type in pencil on print verso by David Johndrow Series: Terrestrials Platinum Palladium print While integrating photography and his ...

Close up nature shot of elephant. Black and white. About the artist: Mital Patel is an internationally recognized nature and wildlife photographer who focuses on capturing beaut...

Beautiful nature shot of zebra running. Black and white. About the artist: Mital Patel is an internationally recognized nature and wildlife photographer who focuses on capturin...

`Residence of Impermanence` 2017-2019 90x120 cm. Edition 7 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature. Through the element of fire, I have found a way to express myself in totemic ritualistic performance by burning decaying trophy animals. The element of fire is very symbolic. It represents both destruction and creation. Animals and fire have, in many ways, formed our culture since the dawn of Mankind. They have also served as essential symbols in myth, spirituality, art and religion. Fire has protected us and given us hope. Given us a means to evolve in all culture. In Greek mythology, remember Prometheus. In the hand of Man, fire can be anything. It is our ethics that define it. We have always mirrored ourselves in Nature. What we see staring back at us may not be the image we were hoping for. This series is a reminder to where we have come regarding our relation to Nature and the huge effects of climatechange in the Anthropocene. My work often juxtaposes the visually aesthetic and uneasiness. An underlying feeling of that which is lost often plays an important role. I like to explore work themes that emanate a cognitive dissonance in the viewer to reveal more profound truths. I regard trophy animals as symbols of Man´s vanity and presumed victory over Nature. To me, they also serve as symbols of our general attitude towards Nature. The flames gives each animal a last breath of life as it creates a new portrait. The animal is set free again, ending a symbolic circle of life. A closure if you will, both physically and existentially. The English-inspired wallpapers represent imperialism and a colonial idea from a time when we were obsessed by conquering Nature and other lands. These too are burned with the animals symbolizing a protest toward our autocracy towards Nature itself. The repetitive performance of burning each animal serves as both an offering and a liberation. This is a violent act, but also a meaningful and beautiful act to me. The animals` personality changes dramatically throughout the burning process. This cannot be planned and therefore the animals give off a sense of further individuality. In the process of burning animals, I am also taking an object of desire off the market for further sales. An act that hopefully will spark dialog our use of Nature, as well as where we want to be heading in the near future. Dialog foments change and action. I spent seven years collecting old trophy animals and taxidermy of different sorts. Many were bought through auctions, while others were given to me by hunters` or the widows of hunters for this specific project. During the following three years, I went through a somewhat cathartic process of burning and obsessively exploring the symbolism of fire and our relation to animals with my performance. The intention with my series is to connect the public to the crucial matters at hand through something tangible, personal, and symbolic. These three years of working with this series has made me so much more conscious of how delicate nature is and how we have taken it for granted for too long. A reminder of how crucial both animals, fire and nature, for our so-called progress in survival and progress. Through this process, exploring new questions and inviting a larger audience to ask their own crucial questions in the massive global changes we all are witnessing, is what I strive for. Loss of animal diversity, poaching and massive forest fires are increasing so rapidly that Nature itself is at a major turning point. A call for action is needed. Working so close to the animals in my project has been as uplifting as it has been obsessive and heartbreaking, as the animal's eye connects with you on a personal level as a human does in non-verbal communication. In 2016, the government in Kenya burned poached ivory worth an estimated 130 million dollars, making a clear statement that these tusks should only belong to a living animal. This dramatic action created meaningful dialog around the world beyond news and statistics. Fires are destroying critical areas of much-needed land vegetation, thus creating considerable effects on climate change. The meeting between Nature`s fragility and Mans` ego has shown that forests disappear, glaciers are melting, sea levels are rising and species become extinct. Humans have too easily exploited all parts of nature with our own culture and growth. In this short process, we have lost the very essence of what we are a part, and thus forget the very nature in ourselves. What can photography do to create questions regarding climate change, and help us move towards a sustainable future? In photography, we can ask important questions about changes in our surroundings and who we are—Man’s condition. Background: `Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` This exhibition explores the ever-worsening Californian forest fires due to climate change. My previous environmental work has been nominated for the Prix Pictet Award on several occasions with my previous series for both Earth, Power and Fire themes. In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London). My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice` and a China tour on environmental issues with Three Shadows Photography...

Abstract Nature shot. Beautiful shot of zebras. About the artist: Mital Patel is an internationally recognized nature and wildlife photographer who focuses on capturing beauty ...

Beautiful Nature shot of Zebra. Black n white. About the artist: Mital Patel is an internationally recognized nature and wildlife photographer who focuses on capturing beauty in...

Printed on Acrylic Jean-Charles Mandou is a French photographer born in 1962 who lives between France & Brazil. He studied at Ecole du Louve in Paris. He works also in theater & cin...

Tiger Morse in Blue on Elephant, 1962. Image size is 10" x 15" (for 11" x 17" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. E...

Tiger Morse in Blue on Elephant, 1962. Image size is 22" x 32" (for 24" x 36" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. E...

Tiger Morse in Blue on Elephant, 1962. Image size is 40" x 59" (for 44" x 63" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. E...

Tiger Morse in Blue on Elephant, 1962. Image size is 32" x 48" (for 36" x 52" paper size). All Mark Shaw prints are made to order in limited editions on Hahnemuhle photo rag paper. E...

Award winning photographer, based in Asia, artistically captures the essence of the flair and magnificence of one of Nature's great beasts. Exclusively from gallery in Los Angeles. ...

This is a black and white abstract contemporary photography of wildlife curated by Modern Art Etc Los Angeles. We curated this series of of "Wildlife", together with "Water", to r...

Done on assignment for Life Magazine, It was photographed outside Tampico Mexico. Elephants were transported to Mexico from for rehab after training in Oregon. The photographer and h...

Edition of 8 Signed, titled, dated and numbered. Paper size: 30 x 24 in. Image size: 28 x 22 in. From the Chattel series. Kevin Horan photographs goats in a very regal manner in his series, Chattel. A variety of domestic goats and sheep get their close-ups, allowing us to explore the detail of their beards, wattels, eyes, horns and hair. Horan's interest in exploring the exchange between people and animals lead to these dramatic, yet humorous portraits...

Abstract Nature shot of rhinos. Black and white. About the artist: Mital Patel is an internationally recognized nature and wildlife photographer who focuses on capturing beauty...

Beautiful Nature shot of Lion. About the artist: Mital Patel is an internationally recognized nature and wildlife photographer who focuses on capturing beauty in all its forms—wh...

`Zebra`, Oslo, 2018 Edition 6 of 7 `Residence of Impermanence` 2017-2019 My performance series, `Residence of Impermanence`, explores our relationship to animals, fire and Nature...

Running Dog with Long Shadows is an image filled with moving forms and patterns frozen in time. The flatness of the image is accentuated by the dog and his enlarged cast shadow, whi...

Done on assignment for Life Magazine, It was photographed outside Tampico Mexico. Elephants were transported to Mexico from for rehab after training in Oregon. The photographer and ...

All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and signed by the artist. The collector receives an additional certific...

Black and White Photograph of Wild Cheetah in the Savannah, Tanzania, photographed by Joachim Schmeisser in 2022. All prints are limited edition. Available in multiple sizes. High-e...

A majestic hippo coming out of the water, covered in petals photographed by David Yarrow. All prints are limited edition. Available in multiple sizes. High-end framing on request. ...

A rhino looking straight into the camera, photographed by Joachim Schmeisser in 2022. All prints are limited edition. Available in multiple sizes. High-end framing on request. All ...

From the series Beauty and the Beast for L´Uomo Vogue, woman walking with a monkey, photographed by Michel Comte in 1996. All prints are limited edition. Available in multiple siz...

The Ice Monster, Closeup Bison in the Snow, photographed by David Yarrow. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are ...

Monkey with a Wizzard Hat, photographed by Albert Watson in 1992. All prints are limited edition. Available in multiple sizes. High-end framing on request. All prints are done and ...