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Duck - Vintage Photograph - 1960s

1960s

Animals Vintage Photograph was realized in the 1960s. Good conditions. Stamped on the rear.

The Old Days  Photo - Animals is a black and white vintage photo, realized in the early 20th century.  It belongs to a historical album including historical moments, royal families,...

Richard Bach- Vintage Photo is a black-and-white photograph that was realized in the 1970s. Good conditions.

The Old Days  Photo - Hen  is a black and white vintage photo, realized in the early 20th century.  It belongs to a historical album including historical moments, royal families, an...

Available Sizes: 37.5" x 30" Edition of 15 50" x 40" Edition of 10 60" x 48" Edition of 5 Luna: Luna was adorable. I mean c’mon look at her, only 2 weeks old when I photographed her...

Name: Silly "No surprise here, but this girl was one silly goose. She honked her way through our entire session and had everyone in tears laughing. Geese are often known for their p...

Archival pigment print (Edition of 15) Signed in pencil, verso 9 x 9 inches, image From the series, "Allowed to Grow Old" This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Isa Leshko writes: “For nearly a decade, I have visited farm animal sanctuaries across America to create photographic portraits of geriatric animals. I began this series shortly after caring for my mom who had Alzheimer’s disease. The experience had a profound effect on me and forced me to confront my own mortality. I am terrified of growing old and I started photographing geriatric animals in order to take an unflinching look at this fear. As I met rescued farm animals and heard their stories, though, my motivation for creating this work changed. I became a passionate advocate for these animals and I wanted to use my images to speak on their behalf. “For each image, I strive to reveal the unique personality of the animal I photograph. Rescued farm animals are often wary of strangers, and it can take several days to develop a comfortable rapport with the animals I photograph. I often spend a few hours lying on the ground next to an animal before taking a single picture. This helps the animal acclimate to my presence and allows me to be fully present as I get to know her. I also work only with natural light to minimize the amount of gear I am carrying in order to be as unobtrusive as possible. “For this series I have also photographed elderly companion animals. I juxtapose these images with my farm animal portraits...

A farm stands before you on the horizon. A windmill majestically slices the blue sky. A bird, painted in taut brushstrokes, struts on a branch. These are tranquil images; horizon far...