Unknown

Tortoise - Photograph - 1960s

1960s

Animals Vintage Photograph was realized in the 1960s. Good conditions. Stamped on the rear.

The hunting safari is a black and white vintage photo, realized in 1964. Good conditions and aged. It belongs to a historical and nostalgic album including historical moments, plac...

Historical Photo  is a black and white vintage photo, realized in the mid-20th century.  It belongs to a historical album including historical moments, royal families, and political...

Old Days  - Historical Photo is a vintage black and white photograph realized in the Early 20th Century. Good conditions.

Hanna Seidel (1925 to 2005) lived and worked in Argentina for many years. She was a world traveller, journeying to South America in the 1950s and to Central America, Japan, India, an...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose ...

Patrick Lichfield (1939-2005) Officially Thomas Patrick John Anson, 5th Earl of Lichfield Guard and Tortoise, c. 1960 Gelatin silver print 38.2 x 26.5 cm. Provenance: Patrick Lichfield, who gifted to Hugh Myddelton Biddulph (1995-2021); Passed to Gaia Servadio (1938-2021); By descent to Orlando Mostyn-Owen (b. 1973); Private Collection, United Kingdom. A young man crouches on a rocky outcrop, approached by a small tortoise. He wears an archetypal service uniform, his jacket cuffs with bands of gold braiding, and polished brass buttons. His banded cap is of a sort later appropriated from the military for use in private service, and his loose socks and mud-spattered brogues remind of British schoolboys. A distant arched structure can be seen beyond, perhaps a small bridge over water. The photograph was taken by Lichfield on a visit to the Empty Quarter with his lifelong friend Hugh Myddelton Biddulph, of Chirk Castle, Wales. The visit was one of Lichfield’s earliest to the Middle East, which he would revisit throughout his career. The pair travelled through the region on a Mini Moke, carrying basic supplies and sleeping in a teepee. The photograph was left after Myddelton’s death to his second wife Gaia Servadio, the eccentric Italian journalist, writer, and first mother-in-law to Boris Johnson. After her death in 2021, it passed to her artist son Orlando Mostyn-Owen, and later into a private British collection. Patrick Lichfield was born in 1939, the son of Thomas Anson, Viscount Anson, and Anne Bowes-Lyon, later Princess Anne of Denmark. After seven years in the Grenadier Guards, Lichfield began his career as a photographer’s assistant in 1962 to Kasterine and Michael Wallis, after which he earned a five-year contract with American Vogue. He benefited greatly from his access to the royal family, since Queen Elizabeth was his maternal first cousin. In 1981 he took the official photograph for the wedding of the Prince and Princess of Wales. Although best known for his portraits of the royal family, Lichfield’s celebrity portraits included Yves Saint Laurent, Jane Birkin, Cecil Beaton, David Hockney, Kate Bush, Ian McKellen, Joan Collins, Joanna Lumley...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 21. CURRENT EXHIBITION - runs through September 11th, 2016. Any framed photographs purchased during the show will be available after September 11th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: In the hazy, warm New York summer, little is more refreshing than reclining on the beach in the mist of the icy ocean waves or enjoying a family trip to the country house. Each summer, Rice curates her favorite show, the Summertime Salon, which reminds us of this exact seasonal sentiment. The two, long walls of the gallery become mosaicked, top to bottom, side to side, in photographs that evoke all the preeminent feelings and memories of summer. Each year, the Summertime Salon matures and Rice’s annual masterpiece comes into fruition. This year is no exception. The show is a haven of what the Robin Rice Gallery stands for, a community of art and experience. As the largest annual exhibition, the Summertime Salon is carefully pieced together, the results are staggering. The works of the 53 gallery artists come together communally, reinforcing the overall sense of unity that the show creates as a whole. In knowing the photographs so fluently, Rice strategically places them together in a way that will enhance the individual stories contained in each. Details from one image flow from into the next, elevating every photograph in a distinctly unique way. This year’s invitational image, “Surf Club” by Silvia Lareo-Vasquez, features a woman in a vintage sun hat reclining in the pool with a drink. The black and white image evokes an extreme sense of nostalgia in its cinematic portraiture and supple texture. Though the figure of the woman is tauntingly beautiful, the drink is the darkest tone, nearing black, and is centered in the frame. With this, we are reminded of the refreshing notes of summer and the utter serenity of taking the day off to relax. The show’s imagery is evocative of all eras of summer, thus any viewer can relate or connect to one of the images. As Rice likes to say, “There’s something for everyone.” One image by Benjamin Heller details a strong owl flying...