Carlos Blanchard

Land III - Landscape Art Photography

2018

Hailing from the picturesque city of Zaragoza, nestled near the Pyrenees, Carlos Blanchard's journey into the realm of photography was influenced by the rich tapestry of his upbringing. Surrounded by the majesty of mountains and instilled with the traditions of his ancestors, Blanchard's childhood was imbued with a profound appreciation for nature and its wonders. Despite his familial roots not being native to Zaragoza, Blanchard's formative years were shaped by the deep connection his family had with the mountains. They instilled in him a reverence for the environment and a love for capturing its beauty through the lens of a camera. Blanchard's formal education led him to pursue studies in Business Administration at university, providing him with a diverse skill set that would later complement his passion for photography. However, it was the blend of spontaneity and organization in his approach to photography that truly defined his work. His methodology encompasses both planned and unplanned shoots, allowing room for creativity and serendipity to intertwine seamlessly. Blanchard finds that the best results often emerge when expectations are kept in check, although occasionally, high expectations can yield unexpectedly exceptional outcomes. Reflecting on his proudest accomplishments, Blanchard finds solace in the realization that his journey as a photographer mirrors his personal growth and triumphs. His photography serves as a reflection of his life's experiences, capturing moments infused with emotion, challenges, and rewards. While Blanchard acknowledges the role of post-photo manipulation in modern photography, he strives to maintain a balance, ensuring that his edits enhance rather than overshadow the authenticity of his work. Armed with his cameras and a keen eye for natural light, Blanchard's minimalist approach underscores the essence of his craft. His affinity for film photography sets him apart, offering a distinctive perspective that digital mediums cannot replicate. Blanchard finds that shooting with analog cameras evokes a deeper connection to his subjects, infusing his images with tangible emotions and memories.