John Mazlish

"Sag Harbor Autumn Pond"- Colorful Autumn Foliage Reflection, Sag Harbor, NY

2016

A distant hurricane combined with a full blue moon created a massive storm surge, contrasted by the peaceful early fall dusk. Printed on high quality fine art paper mounted on dibo...

A magical evening, shot in the early autumn at Flying Point Beach in Southampton NY. Printed on archival fine art paper, mounted on dibond aluminum with a float mount backing. Avai...

Shot at Trout Pond outside of Sag Harbor, for me this photo embodies the fresh promise of spring. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing option...

The beach at dusk in Tulum is an endlessly changing palette of pastels. Fine art photo mounted on di-bond aluminum. Custom printing/mounting/framing options available upon request.

Mojave Airfields (The Last Picture Show) - 2005 - 128x126cm, Edition 1/5 Analog C-Print, hand-printed by the artist, based on the Polaroid. Mounted on Aluminum with matte UV-Pro...

A Vision you can't Capture (29 Palms, CA) - 2007 125x172cm, Edition 2/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid, signature label and certificate, artist inventory number: 4048. Mounted on Aluminum with matte UV-Protection. Schneider harnesses the unpredictable chemical mutations of expired Polaroid film, where bursts of color erupt across the surface, destabilizing the photograph's traditional allegiance to reality. These vivid distortions draw her characters into ethereal, trance-like dreamscapes. Like fleeting sequences from a vintage road movie, Schneider’s images shimmer with a transitory quality, dissolving before any definitive conclusions can be drawn. Their ephemeral essence is conveyed through subtle gestures and enigmatic motives. Refusing to yield to the constraints of reality, Schneider’s work keeps alive a delicate interplay of dream, desire, fact, and fiction, blurring the boundaries between them with poetic ambiguity. Stefanie Schneider’s work echoes the heart of American art, channeling the cinematic nostalgia of Ed Ruscha’s roadscapes, the stark sensuality of Georgia O’Keeffe’s deserts, and the haunting solitude of Edward Hopper...

A line of fiery orange splits a dark road in two in this dramatic image by Mark Bartkiw. The sun sets on the horizon. This C-print is sealed between dibond and plexiglass. This work...

Three color photographs railroad train cars are presented in a 10"x 96" installation. Each of the six 10"x30" photographs is signed on the reverse and is a limited edition of 10, mou...