Acrylic Landscape Photography

He refers to the history of art, particularly to pop culture and the social circumstances of its local environment as well as its universal confrontation. Humor and irony with a crit...

Malinalco 2017, Is a piece that belongs to a larger series of photo paintings consisting of about 52 total. This piece is made with; ink, and enamel ...

"A Perkiomen October" Hand-Colored Photograph Brightly oil paints colored black and white photograph of a pond by Wallace Nutting (American, 1861 - 1941). The viewer looks out across a glass pond, reflecting the scenery above. The pond is surrounded by trees that have been tinted in various shades of yellow, red, and green. Beyond the trees, puffy white clouds hang in a soft blue sky. Signed in the lower right, below the photograph, on the backing mat: Wallace Nutting Titled in the lower left, below the photograph, on the backing mat: A Perkiomen October Tag on verso from the artist. Presented in a wood frame with a tan backing mat. Frame size: 18.5"H x 22.5"W Image size: 10.5"H x 13"W Wallace Nutting (American, 1861-1941) was an American minister, photographer, artist, and antiquarian, who is most famous for his landscape photos of New England. He also was an accomplished author, lecturer, furniture maker, antiques expert and collector. His atmospheric photographs helped spur the Colonial Revival style. Nutting graduated from high school in Augusta, Maine. He studied at Phillips Exeter Academy, Harvard University, Hartford Theological Seminary and Union Theological Seminary. He graduated from Harvard with the class of 1887. Nutting earned a Doctor of Divinity degree from Whitman College in 1893. He received an honorary doctor of Humanities from Washington & Jefferson College in 1938. Nutting began his career as a Congregational minister in several towns including Minneapolis, Seattle, and Providence and Fryeburg, Maine, but he was forced to retire at age 43 because of poor health. He suffered from neurasthenia, and turned to bicycling as a means of relaxation and improving his health. It was on these bicycle rides in the countryside that Nutting started taking photographs. In 1904 he opened the Wallace Nutting Art Prints Studio on East 23rd Street in New York. After a year he moved his business to a farm in Southbury, Connecticut. He called this place "Nuttinghame". In 1912 he moved the photography studio to Framingham, Massachusetts, in a home he called "Nuttingholme". That year he published a catalog of prints that was 97 pages and included about 900 images. By 1915, Nutting claimed to be earning $1,000 per day. Nutting's photographs ranged in subject and price to suit a variety of tastes. His catalog included pastoral scenes such as views of abbeys, cathedrals, bridges, mountains, flowers, and winding roads. One of his most common themes was "Colonials", which were photos of women...

Finely detailed hand tinted color landscape photograph of Stanford Memorial Church produced by Bear Photo Service (American, 1930s). Photographer is unknown. Numbered 904 bottom right. Displayed in a rustic gilt-toned wood frame with antique glass. Image size: 7"H x 11"W. Stanford Memorial Church is located on the Main Quad at the center of the Stanford University...

This depicts civil rights icon MLK, the Statue of Liberty, Iwo Jima, an assemblage of mixed media photographic images and painted collaged elements. A powerful, moving work, an ode to the black civil rights movement. John M. Mitchell is originally from North Carolina, and as an art student at North Carolina Central University, he was involved with the Civil Rights movement including participating and getting arrested at a sit-in protest in Durham in 1963. After graduating, he was one of the first art teachers to take a position at the newly integrated schools in his home state. Mitchell continued his education in the 1990s and earned an MFA in painting from the Savannah College of Art and Design in 1993. He later served as a professor there from 1998-2006. Of his inspiration to create, Mitchell says: "A lot of my work is based on my experiences during the Civil Rights movement," he says. "I see art making as a 'record' of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus and narrative of my work." Savannah-based artist John Mitchell believes that a home is more than a simple edifice. Rather, he argues that the sociological, psychological, architectural, and historical associations embedded in the structure “tell us about our culture, our lives. It tells us about where we come from.” Mitchell's signature shotgun house constructions, crafted from found materials and scraps of newspaper headlines, reference his childhood in North Carolina, where such modest architectural structures were once commonplace. In "ALA 1963," he uses the shotgun shape to create a heartfelt memorial to a group of African-American girls killed in a racially motivated church bombing in Alabama nearly 50 years ago. He also incorporates the shotgun symbol in "Victims," a powerful reflection upon crime in Savannah in the early 1990s, which reveals how little has changed over the past two decades. Mitchell's mixed media constructions operate, in many ways, like memory itself. Scraps, fragments and pieces loosely cohere around a central idea, making symbolic and metaphorical connections. In these richly narrative and boldly stream-of-conscious assemblages, the whole truly is greater than the sum of its parts. Mitchell's jazz collages - carefully crafted from scraps of newspaper, sheet music, magazines and tissue paper - celebrate key players in Savannah's jazz scene, from sultry female vocalists to wiry male saxophone players. A tribute to the late jazz bassist Ben Tucker, a true Savannah legend, is especially moving, incorporating a pencil sketch of the standing bass player as well as newspaper clippings of other Savannah jazz musicians. Mitchell grew up in a shotgun house in North Carolina, a style of vernacular architecture that is particularly prevalent in the South. Mitchell fills his sculptural homes with objects of metaphorical and symbolic, iconic, importance. In Home Sweet Home he includes the American flag, a photograph of Martin Luther King Jr. and Malcolm X, and a china plate depicting The Last Supper, among other items that convey a personal and historical narrative. He notes that making art acts “as a ‘record’ of experiences. My bittersweet past, growing up in the segregated South, inspires the content, focus, and narrative of my work.” While this contains elements reminiscent of folk art and outsider art this is a quite sophisticated tour de force. He was included in the show Complex Uncertainties, Telfair Museum: Modern and contemporary art comprise painting, prints, drawing, photograph, sculpture, and works in new media, representing American artistic achievement from 1945 to the present day. The exhibition includes works by artists such as Bruce Davidson, Elaine de Kooning, Carrie Mae Weems, Sam Gilliam, Ethel Schwabacher, Radcliffe Bailey...

"Abstract 64," is a contemporary Abstract painting by San Jose-based artist Helen Bellaver. In this work, Helen layers a medium onto her canvas or paper to create a subtle texture, which she then layers her acrylic paint on to create depth and detail. This work creates a sense of energy as the eye is drawn to the rich black and relieved by golden tones of cream as it intertwines itself into the foreground of the painting. Helen Bellaver is an abstract expressionist living in the San Francisco Bay Area, where she has been practicing for the last thirty years. Her work has evolved into expressions of black. To the artist, black brings her a sense of calm and is at the forefront of her works. She uses it as her foreground, and in the background, she has layers of creams, whites, blues, ochres, browns, reds, etc. The mark-making on her works comes directly from the genre of Abstract Expressionism...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

1. TÍTULO PUENTE DE TRIANA Sevilla, 2023 MEDIDAS: 167X80 CM Papel Hahnemuhle Photo Rag Sangre 2 cm 1/7 + COPIA DE AUTOR

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

"Paradox" is a wildly colorful, abstract painting layered on top of a black and white photographic print. This is a wonderful bold abstract urban New York inspired scene. The piece ...

A rhythm exists here on the farm, beginning with the sunrise and the sounds of nature awakening. My art is a reaction to this sense of place. Whether I’m in the studio, tending to th...

Hand-Painted photograph, Archival pigment print on fine art paper, mounted on diabond, resin coated. ALBERTO SANCHEZ Born 1971, Spain Alberto Sánchez is a photographer and multi-me...