Color Pencil Landscape Photography

This finely framed photograph captures the stunning beauty of Seitan Limania Beach in Crete, seen from the vantage point atop a hill. The beach stretches gracefully, running up the l...

Rare Original Photo of JFK Speaking on the Front Lawn 16.5 x 12.5” framed Circa 1960's Photographer Unknown This photograph comes framed in a white frame with a white matte under...

Landscape, Vintage Car, Palm Tree, Classic Porsche, Mid Century Modern, Limited Series. Archival Inkjet Print on Semi Gloss 100% Cotton Paper. Mid Century Design. Tom Blachford. Moonlight Classic Porsche in Palm Springs California. This is a limited edition print in a series of 10. Each pieces comes with a hand-signed certificate of authenticity. The latest and final release in Australian photographer Tom Blachford’s long-running project, Midnight Modern, will be exhibited for the first time at TOTH Gallery in New York. Loosening the shackles of Palm Springs and Mid Century, Blachford’s large scale works explores some of the outer reaches of the Modernist movement in Architecture, and captured using only the light of the full moon. Blachford's series is a surreal ode to the landscapes of California and its cache of pristine Modernist buildings. Shot entirely at night, bathed in moonlight, the homes, vintage cars, and foliage appear as they have been captured in another space and time. Recognizing the locations may be easy, but it is more difficult to identity when the image was actually taken, be this day or night, in the past, present, or future. The images act as portals in time where it seems these moments exist in all places at once. For Blachford these unique residences act as the sets for infinite narratives, both real and imagined, which the viewer is invited to script for themselves. Each image acts as a still frame for a story about to start and end simultaneously. California has a unique geography and climate, and this gives rise to a distinct deep blue sky: a hue of moonlight ideal for this approach to architectural photography. The long exposure allows the camera to capture a world just beyond our perception and distil it into a single moment. Midnight Modern has already included Palm Springs' most iconic properties; the Kaufman Desert House...

The latest and final release in Australian photographer Tom Blachford’s long-running project, Midnight Modern, will be exhibited for the first time at TOTH Gallery in New York. Loos...

St. Louis and the Arch Vintage Photograph St. Louis and the Arch: titled, initialed, dated 1981, copyright 1982, and editioned 4/20 to verso. Provenance: US Bank Visual Arts Department Images: 15 x 19 in. (16 X 20), frames: 22 1/2 x 28 1/2 in Meyerowitz first drew acclaim for his remarkable ability to capture subtle qualities of light with the 1978 publication of Cape Light, which went on to become a color photography classic. Joel Meyerowitz (born March 6, 1938) is a street photographer, and portrait and landscape photographer. He began photographing in color in 1962 and was an early advocate of the use of color during a time when there was significant resistance to the idea of color photography as serious art. In the early 1970s he taught the first color course at the Cooper Union in New York City where many of tod...

The latest and final release in Australian photographer Tom Blachford’s long-running project, Midnight Modern, will be exhibited for the first time at TOTH Gallery in New York. Loos...

'Lilies' is an Archival Inkjet Print by contemporary photographer Morgan Silk. Lilies by Morgan Silk is available in this size of 17" x 24" in a limited edition of 25. From the se...

alternative photo - done on assignment in Cape Hatteras Signed lower right, numbered, 3/15 dated

Signed and dated on lower right, numbered on verso, Edition 3 of 15, Printed later. Unframed

1981, Chromogenic Print. It is supposed to be signed lower right recto but has not been examined out of frame. Provenance: Bernice Steinbaum Gallery, New York; ARCO Chemical Company, Newtown Square, PA. Sonja Bullaty (October 17, 1923 - October 5, 2000) was a Jewish American photographer. Bullaty is known for her "lyrical composition" and strong use of color during her fifty-year collaboration with her husband, Angelo Lomeo. Bullaty and Lomeo's photographs appeared in LIFE, Time and Audubon magazines and journal.They have both exhibited at the Metropolitan Museum of Art, the International Center of Photography, the George Eastman House, UMPRUM Museum in Prague, in the Nikon House galleries and other venues. Bullaty was born in Prague to a Jewish banking family. Her family gave her a camera when she turned fourteen. Since Bullaty had been forced to leave school at the time, the camera was a "consolation gift." When Bullaty was eighteen, she was deported by the Nazis to Poland, where she was kept in the Lodz ghetto, and then later taken to Auschwitz and Gross-Rosen concentration camps. During a death march near Dresden, she and a friend successfully hid in a barn and were able to escape and return to Prague. When she got back to her home city, she discovered that no one else in her family had survived the Holocaust. Bullaty, "her head shaved," saw and answered an advertisement to be the helper to Czech photographer, Josef Sudek. As his assistant, she mixed chemicals for the darkroom, organized his negatives and learned from his sense of composition.[1] Sudek called her his "apprentice-martyr." Sudek's work often focused on the Czech landscape and windows, such as in the series The Windows of My Studio (1940-1954). Bullaty also photographed windows, but unlike Sudek, who photographed his own windows looking out, Bullaty photographed windows looking into buildings. Bullaty published a book, Sudek (1978), about her mentor, and it was the first publication of his work in the West. Bullaty found work with a photographer on her third day in New York. Also in 1947, she met Angelo Lomeo. They were brought together when she was inquiring about a darkroom in a building he managed. Lomeo was intrigued by Bullaty's accent and went to see her. They started photographing together a year later, traveling and sharing resources; during their time together, they became close. Bullaty and Lomeo were married in 1951. Later, when she was married, she and her husband would visit Sudek and bring him photography supplies. They visited him in Czechoslovakia "almost yearly." In 1971, she helped mount an exhibition of Sudek's work in New York. As photographers, Bullaty and Lomeo started using studio cameras...

Shipping should be around $100. New York Skyline in Blue Signed and dated on lower right, numbered LR Recto, Edition 3 of 15, Printed later. Unframed, other sizes available. Mitchel...

'Cape Football' is an Archival Inkjet Print by contemporary photographer Morgan Silk. Cape Football by Morgan Silk is available in this size of 16" x 20" in a limited edition of 25...