Olaf Otto Becker

Bushfire Lit to Clear Land, Australia, 2008 - Olaf Otto Becker

Ilulissat Icefjord 6, 07/2003 69° 11'58" N, 51° 07'08" W - Olaf Otto Becker Signed on reverse Archival pigment print Available in two sizes: 25 x 29.5 inches, from an edition of six...

Ilulissat Icefjord 05, 07/2003 - Olaf Otto Becker (Landscape Colour Photography) Signed on reverse Archival pigment print Available in four sizes: 25 x 29 1/2 inches, from an editio...

Ilulissat 03, 07/2014 - Olaf Otto Becker (Landscape Colour Photography) Signed on reverse Archival pigment print Available in four sizes: 25 x 29.5 inches, from an edition of four 4...

After Deforestation, Central Kalimantan 03/2012 Olaf Otto Becker Signed on reverse Archival pigment print Available in three sizes: 24 3/4 x 29 1/2 i...

Chrysler Building at Manhattanhenge exemplifies how to take boilerplate tourist subject matter and make into an original visual. Veteran street photographer Mitchell Funk creates an ...

Listing includes free shipping for unframed prints in the continental U.S. and a 14 day return policy. Jim Krantz Epic Western No. 38, 2020 40 x 60 inch chromogenic print Edition 5 of 7 Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...

Listing includes framing with UV plexiglas (a $1,500 value) and a 14-day return policy. Shipping charged at a discounted rate worldwide via white glove delivery service. Please inquire if you would like to purchase an unframed print for a reduced rate. Available for local pick up at our Los Angeles gallery. Jim Krantz Epic Western III, 2019 40 x 68 inch chromogenic print Edition 3 of 5 Signed on signature label. Artist Biography - Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...

The Gapstow Bridge in a snow blizzard in Central Park. This archival color photograph by fine art photographer Mitchell Funk is signed, dated and numbered 2/15, lower right recto. Ot...