Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Pico Garcez
Pico Garcez 'Black Ship, Bahia Brazil' - Black & White Photograph

2014

$3,150
$4,50030% Off
£2,391.87
£3,416.9630% Off
€2,735.28
€3,907.5530% Off
CA$4,401.01
CA$6,287.1530% Off
A$4,894.88
A$6,992.6930% Off
CHF 2,555.95
CHF 3,651.3630% Off
MX$59,565.49
MX$85,093.5530% Off
NOK 32,643.44
NOK 46,633.4830% Off
SEK 30,613.79
SEK 43,733.9830% Off
DKK 20,414.45
DKK 29,163.5130% Off
Shipping
Retrieving quote...
The 1stDibs Promise:
Authenticity Guarantee,
Money-Back Guarantee,
24-Hour Cancellation

About the Item

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart.” Black and White Ship Photography. Edition Print. This Photography work 22.5 inches by 45.5 inches.
  • Creator:
    Pico Garcez (1963, Brazilian)
  • Creation Year:
    2014
  • Dimensions:
    Height: 22.5 in (57.15 cm)Width: 43.5 in (110.49 cm)
  • More Editions & Sizes:
    22.5 x 43.5, Edition of 3Price: $4,500
  • Medium:
  • Movement & Style:
  • Period:
  • Framing:
    Framing Options Available
  • Condition:
  • Gallery Location:
    Brooklyn, NY
  • Reference Number:
    1stDibs: LU124727999702

More From This Seller

View All
Pico Garcez 'Black Ship, Bahia Brazil' - Black & White Photograph
By Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart.” Black and White...
Category

2010s Realist Landscape Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Ocean Force, Photography by Pico Garcez
By Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category

2010s Realist Landscape Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Big Sight, Large Scale Limited Photography by Pico Garcez
By Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category

2010s Realist Abstract Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Big Sight, Photography by Pico Garcez
By Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart...
Category

2010s Realist Abstract Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Big Sight, Photography by Pico Garcez
$2,450 Sale Price
30% Off
Free Shipping
Black and White Photography by Cuban Photographer René Peña, Self Portrait
By Rene Peña
Located in Brooklyn, NY
Limited Edition Series Photograph. Black and White Photography by Cuban Photographer René Peña, Self Portrait René Peña (Rene de Jesus Pena Gonzalez) is a self-taught photographer born in Havana, Cuba in 1957. His photography is characterized by stark contrasts, between black and white, subject and background, subject and object. His work often focuses on the duality between human inability to escape institutionalization and human desire for individualism. His interest in contrast is also reflected in his place of residence: Peña currently inhabits the Cerro neighborhood of Cuba which is home to a mostly poor African-Caribbean population, despite having been an enclave of Havana's richest families in the 19th century. René Peña graduated from the Higher pedagogic Institute of Foreign Languages, University of Havana with a specialization in English in 1983. In the late 1980s he entered the national world of photography and since 1990 became leader of the new trends of Cuban photography, first by handling interiors and domestic situations in modern-day Cuba and later making studies of his own body in aspects such as negritude, sexual ambiguity and the influence of consumerism through self-portraits. He conceives his series on the basis of a conceptual, formal and structurally different analysis of all the parameters established up to the present, going from a brutal expressionism to a distinct homoeroticism, with strong mystic elements, trends from experimental painting, and a certain theatrical dramatization. He has had important solo shows and participated in group exhibitions in Cuba, the United States, Venezuela, Canada, France and Germany. His work is part of important collections, not only national but also at world level, such as the National Museum of Fine Arts, Cuba; the Ludwig Foundation of Cuba; Reinhard Schultz Collection, Germany; photographic archive Tuscany, Italy; Southeast Museum of Photography, Daytona, USA; Houston Museum of Fine Arts, Houston, Texas, USA; collection of the province of Hainuat, Belgium; and Lehigh University Pennsylvania...
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Ink, Photographic Paper, Silver Gelatin

Black and White Photography by Cuban Photographer René Peña, Self Portrait
By Rene Peña
Located in Brooklyn, NY
Limited Edition Series Photograph. Black and White Photography by Cuban Photographer René Peña, Self Portrait René Peña (Rene de Jesus Pena Gonzalez) is a self-taught photographer born in Havana, Cuba in 1957. His photography is characterized by stark contrasts, between black and white, subject and background, subject and object. His work often focuses on the duality between human inability to escape institutionalization and human desire for individualism. His interest in contrast is also reflected in his place of residence: Peña currently inhabits the Cerro neighborhood of Cuba which is home to a mostly poor African-Caribbean population, despite having been an enclave of Havana's richest families in the 19th century. René Peña graduated from the Higher pedagogic Institute of Foreign Languages, University of Havana with a specialization in English in 1983. In the late 1980s he entered the national world of photography and since 1990 became leader of the new trends of Cuban photography, first by handling interiors and domestic situations in modern-day Cuba and later making studies of his own body in aspects such as negritude, sexual ambiguity and the influence of consumerism through self-portraits. He conceives his series on the basis of a conceptual, formal and structurally different analysis of all the parameters established up to the present, going from a brutal expressionism to a distinct homoeroticism, with strong mystic elements, trends from experimental painting, and a certain theatrical dramatization. He has had important solo shows and participated in group exhibitions in Cuba, the United States, Venezuela, Canada, France and Germany. His work is part of important collections, not only national but also at world level, such as the National Museum of Fine Arts, Cuba; the Ludwig Foundation of Cuba; Reinhard Schultz Collection, Germany; photographic archive Tuscany, Italy; Southeast Museum of Photography, Daytona, USA; Houston Museum of Fine Arts, Houston, Texas, USA; collection of the province of Hainuat, Belgium; and Lehigh University Pennsylvania...
Category

Early 2000s Contemporary Portrait Photography

Materials

Archival Ink, Photographic Paper, Silver Gelatin

You May Also Like

Meditative black and white photograph featuring a lone yacht on calm waters
By Drew Doggett
Located in US
Meditative black and white photograph featuring a lone yacht on calm waters The still, velvety-smooth water of the sea comes into stark contrast with the angles of the yacht in the ...
Category

2010s Minimalist Photography

Materials

Archival Pigment

Stranded Boat, long exposure, black and white, fine art, landscape, photography
By Gerald Berghammer
Located in Vienna, Vienna
Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...
Category

2010s Abstract Black and White Photography

Materials

Digital Pigment, Archival Ink, Archival Paper, Archival Pigment

Cumuruxatiba, Bahia, Brazil
By Araquém Alcântara
Located in New York City, NY
Araquém Alcântara Cumuruxatiba, Bahia, Brazil 2009 70 x 105 cm 27.5 x 41 inches Edition of 10 100 x 150cm 40 x 60 inches Edition of 10 120 x 180 cm 47 x 71 inches Edition of 10 A...
Category

2010s Contemporary Black and White Photography

Materials

Black and White, Archival Pigment

Watty Horizon - contemporary black & white landscape photograph with ocean
Located in Hamburg, DE
"Watty Horizon" is a black and white fine art photograph of Michael Götze. It is an Edition 5 (2/5), Giclée Print on Hahnemühle paper. 120 x 180 cm, signed on back, comes with certif...
Category

2010s Contemporary Black and White Photography

Materials

Black and White, Lambda

Rio sem cor #10, Geometria Carioca series, Rio de Janeiro
Located in New York City, NY
JOAQUIM NABUCO Geometria carioca, Rio sem cor#10, Rio de Janeiro, Brazil, 2018 40 x 60 inches Edition of 15 Archival Pigment Print UNFRAMED Limited edition print. Signed, numbered,...
Category

2010s Contemporary Black and White Photography

Materials

Archival Pigment

Signed limited edition seascape print, Black white, Oversize sea photo - Embruns
By Ian Sanderson
Located in Sant Cugat del Vallès, Barcelona
An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘ Embruns ‘ Sea sprays, wave on the Spa...
Category

Early 2000s Contemporary Black and White Photography

Materials

Archival Ink, Archival Paper, Photographic Paper, Black and White, Giclé...