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Stan GazCradle 7 (Gosses Bluff), Northern Territory, Australia2007
2007
$6,000
£4,587.32
€5,283.67
CA$8,407.84
A$9,386.56
CHF 4,918.42
MX$114,900.74
NOK 62,463.95
SEK 58,895.58
DKK 39,432.54
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About the Item
Gelatin silver print with Selenium toning
Signed, dated and numbered, verso
55.5 x 55.5 inches
(Edition of 5)
30 x 30 inches
(Edition of 10)
This photograph is offered by ClampArt, located in New York City.
During his youth, artist Stan Gaz was fascinated by the notion of meteorites. Thus, as an adult he began to photograph meteorite impact structures and their surrounding landscapes. Many of these locations are sacred to various tribal communities and have a variety of stories and beliefs attributed to them. Although many versions exist, most relate to the notion of the craters possessing secrets of mankind’s origin.
Craters are simultaneously destruction, creation, life, and death. They are examples of life both environmentally and visually. The “Impact” series is not only an exploration of these landscapes, but it also serves a metaphor for our world’s tenuous position in the larger universe.
- Creator:Stan Gaz (1961, American)
- Creation Year:2007
- Dimensions:Height: 55.5 in (140.97 cm)Width: 55.5 in (140.97 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU93232939203
Stan Gaz
Stan Gaz was fascinated by the notion of meteorites. Thus, as an adult, he began to photograph meteorite impact structures and their surrounding landscapes. Many of these locations are sacred to various tribal communities and have a variety of stories and beliefs attributed to them. Although many versions exist, most relate to the notion of the craters possessing secrets of mankind’s origin. Craters are simultaneously destruction, creation, life and death. They are examples of life both environmentally and visually. The “Impact” series is not only an exploration of these landscapes, but it also serves a metaphor for our world’s tenuous position in the larger universe.
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