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Stefanie SchneiderGasoline, Contemporary, 21st Century, Polaroid, Figurative, Photograph, triptych1999
1999
$17,000
£12,908.50
€14,761.84
CA$23,751.47
A$26,416.81
CHF 13,794.04
MX$321,464.53
NOK 176,170.93
SEK 165,217.25
DKK 110,173.24
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About the Item
Gasoline I (Stranger than Paradise) - 1999
3 pieces, each 120x120cm plus 10 cm in between each print together 120x380cm,
Edition 1/5 (only Edition 1 and 2 are still available)
Analog C-Prints, hand-printed by the artist, based on the 3 Polaroids,
Not mounted,
Certificate and Signature label
artist Inventory No. 269.01
Interior photos of the Stefanie Schneider analog 'labudio' created and dedicated to the post production of instant film situated in former 'east' Berlin. Closed as of June 2020 and being rebuilt in Southern California.
The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century?
Stefanie Schneider's Polaroid photography and Andy Warhol's Polaroid photography both hold significance in the realm of instant photography, but they exhibit distinct approaches and contributions to the medium.
While Andy Warhol is renowned for his experimentation with Polaroids, particularly through his exploration of celebrity portraits and his innovative use of color, Stefanie Schneider's work takes the medium even further in terms of depth and narrative.
Schneider's Polaroids go beyond capturing surface aesthetics. She delves into the realm of storytelling and evokes a strong sense of emotion through her compositions. By utilizing expired film and embracing its inherent imperfections, Schneider creates a dreamy and nostalgic quality in her images. Her work often explores themes of longing, loneliness, and the passage of time, inviting viewers to engage with the narratives she presents. In this sense, Schneider's Polaroid photography transcends the medium itself and becomes a vehicle for introspection and contemplation.
Warhol's Polaroids have their own artistic merit, often capturing iconic figures and embracing the pop art aesthetic, they tend to emphasize the surface and the iconic status of the subjects. Warhol's approach is more focused on the immediate visual impact rather than delving into deeper narratives or emotions.
In terms of pushing the boundaries of Polaroid photography, Stefanie Schneider's work can be seen as a more significant progression. Her use of expired film, combined with her attention to composition, lighting, and vintage aesthetics, creates a distinct and immersive experience for viewers. She expands the possibilities of Polaroid photography by infusing it with a poetic and introspective quality, going beyond the instant capture to explore the realms of memory, time, and personal connection.
In summary, Andy Warhol's Polaroid photography is notable for its iconic subject matter and exploration of color, Stefanie Schneider's work takes Polaroid photography to new depths. Her emphasis on storytelling, emotion, and the transformative power of expired film sets her work apart and showcases her ability to elevate the medium into a realm of contemplation and artistic expression.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen, Bombay Beach Biennale 2018.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:1999
- Dimensions:Height: 47.25 in (120 cm)Width: 149.61 in (380 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652315474362
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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By Stefanie Schneider
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Signed and signature brand on verso.
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