Rembrandt Etchings

Glenn Brown's "Half-Life #3 (after Rembrandt)," is an etching on paper from 2017. This print is from the series inspired and appropriated from works by the old master Rembrandt.

This framed Glenn Brown print, titled "Half Life #2 (Rembrandt)" is from the series inspired and appropriated from works by the old master Rembrandt.

Nowell-Usticke in his 1967 catalogue Rembrandt’s Etchings: States and Values, as “a rather uncommon print."

He is widely regarded as one of the greatest painters and etchers in European art, and as the most important Dutch master of the 17th century. Rembrandt was not yet twenty when he s...

Rembrandt self portrait oil on canvas Rembrandt Harmenszoon van Rijn (15 July 1606[1] – 4 October 1669), was a master Dutch Golden Age painter, printmaker (creating etchings) and dr...

It is significant that Rembrandt first made an etching of a far shorter obelisk, the tip of which, crowned with a ball, reached to the edge of the paper.

Etching on paper Created on 31 January 1934, plate 36 from the Vollard Suite, etching on large format Montval laid paper, with the "Galatea" watermark at lower right, an unsigned im...

Etching, aquatint, scraper and drypoint on Rives wove From the 156 Series (Plate 10), edition of 50 Stamped with the artist's signature, lower right Printed by Crommelynck, 1975-197...

This is a truly stunning work by contemporary great, Glenn Brown. This work is an Artist Proof, one of only 12 created. The frame is handmade by famous London framers, Darbyshire. I...

This stately portrait depicts Jan Antonides van der Linden, Professor of Medicine, standing with book in hand. Van der Linden appears as a mild-mannered individual, gazing out at the...

etching 1651 printed on rib paper 17th-century impression with minimal margins some steins very rare print literature B370 Haarlem

Original etching printed in black ink on laid paper. Signed and dated in the plate lower left Rembrandt f. 1642.

Peasant family on the tramp c.1652 etching, state II 11.3 x 9.3 cm plus margins printed on rib paper listed in A.Bartsch #131 E.Ornstein-Van Slooyen p.90 G.Schwartz

Original etching printed in black ink on laid paper bearing a “Foolscap with Five-Pointed Collar” watermark (Ash/Fletcher 19.I.b; Hinterding 2006 I.a.a). Signed in the plate with ...

17th Century Dutch Master painter and engraver. This is a posthumous print.

Description: Rare copy after the famous etching by Rembrandt. Ref: NH 172, copy A Artists and Engravers: Made by 'Jan van der Bruggen' after 'Rembrandt van Rijn'.

Self Portrait of Rembrandt is an original etching on ivory-colored paper realized after an etching by Rembrandt dated 1639.

Plate number 23 from "Rembrandt: Etchings and Drawings" book, 1968 second edition.

Some repairs to the head and tail of spine, internally an excellent copy, a clear, sharp impression of the Rembrandt etching. Hinterding, Rembrandt Etchings 93.

Catalogue Number 272. In A Catalogue of Rembrandt’s Etchings. Nowell-Usticke, G. W. C1. In A Descriptive Catalogue of Rembrandt’s Etchings. 1967.

Rembrandt van Rijn 1606-1669 Dutch Jan Uytenbogaert, the Goldweigher Etching on paper The New Hollstein Dutch 172 second state (of three) Signed and dated "Rembrandt f. 1639" (low...

Hind, A Catalogue of Rembrandt's Etchings, London: Methuen and Co. Ltd., 1923, Christopher White and Karel G.

A third state print is featured in Rembrandt by Mariët Westermann, page 221. This extraordinary and highly important etching was created by the revered Dutch Old Master, Rembrandt...

Rembrandt van Rijn 1606-1669 Dutch Beggar Seated on a Bank Etching on paper New Hollstein's first state of two Signed and dated in plate "RHL 1630" (lower center) This remarkable...

No. 99 Hind, Arthur M. A Catalogue of Rembrandt’s Etchings. London: Methuen, 1923. No. 161, Third State (of V) New Hollstein Dutch & Flemish Etchings, Engravings and Woodcuts 1450–17...

Rembrandt van Rijn 1606-1669 Dutch The Blindness of Tobit: The Larger Plate Etching on paper The New Hollstein Dutch 265 first state (of II) Signed and dated "Rembrandt f. 1651" (...

Seated Beggar is an etching on ivory-colored paper realized after an etching by Rembrandt dated 1630.

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Windmill, Year: Of Original 1641, Medium: Etching, Image Size: 6 x 8 inches, Size: 13 x 14 in. (33.02 x 35.56 ...

The Aquatica Monochromaticus series is deeply informed by Hannah Hanlon’s lifelong connection to the ecology of Virginia’s York River and her early study of etching at Boston Univers...

The Aquatica Monochromaticus series is deeply informed by Hannah Hanlon’s lifelong connection to the ecology of Virginia’s York River and her early study of etching at Boston Univers...

The Aquatica Monochromaticus series is deeply informed by Hannah Hanlon’s lifelong connection to the ecology of Virginia’s York River and her early study of etching at Boston Univers...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Adam and Eve (B28), Year: Of Original 1638, Medium: Etching, Image Size: 6.5 x 4.5 inches, Size: 14 x 11 in. (35.56...

Excellent proof in unique state, signed in plate and dated 1635. Printed on paper with countermark "Letter VD" Holland 17th Century. In very good state of conservation, with some m...

The Reader II is an original etching on ivory-colored paper realized after an etching by Rembrandt dated 1634.

Lifetime impression, realized around 1652. Original etching. Splendid proof in the final state with three short vertical lines added to the peasant's travel backpack. At the botto...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Christ presented to the people, Year: of Original 1655, Medium: Etching, Image Size: 15.5 x 18 inches, Size: 22 x 2...

"Self Portrait Drawing at a Window" is an original etching by Rembrandt van Rijn. It depicts the artist sitting at a window, but otherwise obscured by darkness.

The Death of the Virgin is an etching with drypoint tweaks on wire rod double filigree paper, realized in 1639 by Rembrandt Harmenszoon van Rijn (Leiden, 1606 - Amsterdam, 1669).

Old Man with Long White Beard is an etching on ivory-colored paper realized after an etching by Rembrandt dated 1630.

Etching, drypoint and buring realized by Rembrandt in 1652 ca.

Rembrandt van Rijn, After, Dutch (1606 - 1669) - Raising of Lazarus, Medium: Heliogravure on Wove Paper, Image Size: 14 x 10 inches, Frame Size: 22 x 18.25 inches

The Arminia Pastor Johannes Uytenbogaert is an original etching on ivory-colored paper realized after Rembrandt, after etching of 1635.This specimen belongs to a late edition of the ...

Self-Portrait In Heavy Fur Cap is an etching on ivory-colored paper realized after an etching by Rembrandt dated 1631.

Young Man in a Velvet Cap (Ferdinand Bol?) is an etching on ivory-colored paper realized after an etching by Rembrandt dated 1637.

The Pharmacist Abraham Francen is an etching on ivory-colored paper realized after an etching by Rembrandt dated 1657.

Study Of A Man Sitting On The Ground is an etching on ivory-colored paper realized after an etching by Rembrandt dated 1646.

Rembrandt van Rijn 1606-1669 Dutch Jan Lutma, The Goldsmith Etching, engraving, and drypoint on paper New Hollstein’s second state of five Signed and dated “Rembrandt / F. 1656” (...

Rembrandt van Rijn 1606-1669 Dutch Joseph Telling His Dreams Etching on laid paper New Hollstein’s third state This highly important etching was created by the revered Dutch Old ...

Rembrandt van Rijn 1606-1669 Dutch Circumcision in the Stable Etching on paper New Hollstein's 280, first state of II Signed and dated "Rembrandt f. 1654" (upper left and center l...

Though known today primarily for his paintings, Rembrandt's fame spread outside the Netherlands thanks to his etchings.

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - The Artist's Mother (B343), Year: 1878 (of original 1631), Medium: Heliogravure, Size: 5.75 x 5 in. (14.61 x 12.7...

Rembrandt van Rijn 1606-1669 Dutch Jan Uytenbogaert, Preacher of the Remonstrants New Hollstein Dutch and Flemish (Rembrandt) 153, state 5/9 Bartsch 279, state 5/6 Printed by Remb...

Though known today primarily for his paintings, Rembrandt’s fame spread outside of the Netherlands thanks to his etchings.

Grand Tête, Portrait of Jacqueline with sleek hair Color linocut printed in beige, yellow, red, blue, and black on cream wove paper with Arches watermark Numbered 14/50 from the edit...

L'hymne du Roi David (King David's Dream) Oil on wood by Marc Chagall c late 70's Comes with Numbered and Verified Certificate of Authenticity from Comite Chagall in Paris signed and...

Groupe avec vieillard à la torche sur un âne amoureux, femme et arlequin (Ref: Bloch 1484 ) etching on Rives wove paper, Edited in 1968 Limited edition of 50 copies Current copy num...

Pablo Picasso Maternité, (1924) Etching on Arches paper Hand signed and numbered 15/50 from the edition of 50 Published by Galerie Louise Leiris, Paris, 1955 Paper: 22 5/8 x 28 inche...

Pierre-Auguste Renoir (French 1841-1919) Le Chapeau Épinglé, 2e planche (Delteil 30) Lithograph in colours on laid paper. Signed in stone. From the edition of 200 59.9 x 49.6cm (shee...

Albrecht Dürer 1471-1528 German The Penance of St. Chrysostom Monogrammed in the plate lower center "AD" Copper engraving on laid paper “Whatever was mortal in Albrecht Dürer li...

A Peasant Calling Out: "tis vinnich kout" (It's biting cold) is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This w...

Etching on cream laid paper laid down to a wove paper support, 4 x 2 5/8 inches (101 x 67 mm) (sheet). In good condition with scattered light areas of discoloration. Printed early 19...

Beggar with a stick is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This piece of art belongs to a late edition of ...

The Leper is an engraving on ivory-colored paper realized by Charles Amand Durand (1831-1905) after an etching by Rembrandt. This wonderful piece of art belongs to a late edition of ...

Etching on cream laid paper, 4 5/8 x 3 1/2 inches (118 x 89 mm), thread margins. Laid down to a medium weight laid support, scattered nicks and corner wear. The top and bottom corner...

Beggar in a High Cap, Standing and Leaning on a Stick is an engraving on ivory-colored paper realized bu Charles Amand Durand after an etching by Rembrandt dated 1630. This wonderful...