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Medium: Plastic
Miles Davis, Kind of Blue, Rekokut B12G, World Records (Photography)
By Kai Schäfer
Located in New York City, NY
Edition of 3
Mounted on Plexiglas
Framed
Kai Schäfer is an acclaimed German photographer with a passion for vinyl records and iconic turntables. The World Records series celebrates some of the very best and most distinctive albums in music history...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, C Print
Clouds 14
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Clouds
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
$13,800
I’ve Run Right Out Of World
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Contemporary Plastic Photography
Materials
Plexiglass, Digital
Clouds 9
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery museum acrylic...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Plage 105 - 21st Century, Contemporary, Beach Landscape Photography
By Marc Harrold
Located in Barcelona, Catalonia
C-print mounted on Plexiglass
Edition of 30
Category
21st Century and Contemporary Contemporary Plastic Photography
Materials
Plexiglass, C Print
Clouds 5
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Clouds 10
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Cloud project in 2022.
Paul-Emile Rioux’s series Cloud, like his other work, is a kind of aesthetic thought experiment. Each square image is bisected symmetrically, or nearly symmetrically, by a tidy horizon. The upper half display forms that appear as clouds, the bottom as an underwater seascape, yet at the same time mimics the cloudlike formations of above.
Formally these works reference hard-edged abstraction, minimalism and abstract expressionism, though juxtaposed with a sort of Instagram lifestyle sensibility. When shown as a gridded series, they recall the Instagram account @insta_repeat which curates gridded typologies of nearly identical influencer photos – for instance sunsets on a beach, or campfires with hiking boot clad feet visible in the foreground, transforming images, which individually are meant to signify the good life, into symbols of stifling homogeneity, cynically trying to capitalize on mass-produced sensations.
Unlike past movements in abstract or minimal art, however, Rioux is not striving to create self-contained objects, but windows into deeper currents that churn in the dark spaces where culture, technology and the subconscious flow together. Rioux’s digital works are not specifically images, but notes, ways of thinking. They connect to a larger discourse.
With Clouds, Rioux thinks aloud about what is hidden and what is revealed in our relationships to technology and nature. It is a meditation on “the cloud,” which, like real clouds, seem immaterial, but in fact are physical and have a material impact on the world. Rioux considers the juxtaposition between weight and weightlessness – the apparent weightlessness of virtual reality, against the mass, the inescapability of the material world. Technology promises a world of lightness, connectivity and the bounty of limitless growth, or if it cannot quite muster that illusion, at least the offer of escape into a simulated universe of carnivalesque distraction shepherding us away from the environmental catastrophe our economic system inflicts on the earth. In this series Rioux asks us to reflect on what the clouds hide.
There are 18 pieces in the Cloud collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 18
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Domum, Afresco, Horse Portrait
Located in New York City, NY
Raphael Macek
Domum, 2020 - Afresco series
60 x 40 inches
Archival Pigment Print
Edition of 7
Framed
Large-scale photograph from the Equine Beauty series.
The legendary and comple...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 15
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his expertise in photography cast him as pioneer in digital art and allow him to develop virtual matrix from which he extracts his images.
In his works he explores a universe that lies at the crossroad of abstraction and the figurative, inviting the viewer to determine if what he sees is a reflection of reality or imagination.
Through is truly unique approach RIOUX is one of the most innovative artists in digital creations and one of the few creative minds able to blend with such keenness aesthetics research and critical distance.
Whether they translate into a Dantesque urbanity or the infinite horizon of a turquoise ocean, the urban territory reflected by his creations offers a dystopian view of the world, challenging our attitude towards the environment and the future.
From the onset, RIOUX has no intention of matching IRL expectations of what digital art 'should' look like, but strives to play with our notions of what's real, what's not, how we remember, and how we infer meaning into imaginary visual constructs.
---
RIOUX started the Renaissance project in 2016.
Renaissance further develops themes explored by RIOUX in his earlier series Turquoise Default. It is not merely a progression however, but also a contrast. This new series poses questions about hope, which is perhaps now more relevant than ever.
“Renaissance invokes in us a sense of uncertainty and a self-awareness of our limits, of an infinity made apparent by the horizon line, the vanishing point, the moment in any spatial or temporal projection beyond which we can no longer see, but from which, nonetheless, we know the universe carries on. At the same time it poses a choice to us: do we accept the openness of abstraction or do we insist on imposing a (false) certainty of representation in what we see in these images. Hope is a faith made possible by uncertainty and the unknown, by an understanding that history and the future are creative acts, works of art in which we all participate.” Neal Rockwell
There are 18 pieces in the RENAISSANCE collection.
Each archival pigment print is produced under the supervision of the artist.
The print is mounted under a single piece of 1/4"/ 6 mm gallery...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Proprius, The Netherlands, Horse Portrait, Equine Beauty
Located in New York City, NY
Edition of 7
Large-scale photograph from the Equine Beauty series.
The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blen...
Category
2010s Contemporary Plastic Photography
Materials
Archival Pigment, Plexiglass
Partibus, UAE, United Arab Emirates
Located in New York City, NY
Large-scale photograph from the Equine Beauty series.
The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category
2010s Contemporary Plastic Photography
Materials
Archival Pigment, Plexiglass
Renaissance - Revival 12
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 8
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Digital Clift - Green Forest Aerial View
Located in Miami, FL
Size photography: 24 x 60 in.
Base: 18.5 x 18.5 x 12 in.
Total height: 74 in
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Ca...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Renaissance - Revival 1
Located in Miami, FL
Archival photo print under acrylic glass.
Dimensions: 48 x 48 in.
Depth: 1/4 in.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutti...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Beach Break Bliss / Nantucket Island Photography / Slurpee Waves
Located in Greenwich, CT
Beach Break Bliss
Limited edition of 19
30 x 45 in.
Pigment print face mounted to plexi
Acquired from artists studio
Nantucket island photography ...
Category
21st Century and Contemporary Contemporary Plastic Photography
Materials
Plexiglass, Pigment
Divers II A
Located in New York, NY
Mario Arroyave
Divers II A, 2013
C Print on plexiglass
39.50h x 39.50w in
100.33h x 100.33w cm
Edition 2/5 + 2 A.P.
Category
2010s Abstract Plastic Photography
Materials
Plexiglass, C Print
Untitled
Located in Fairfield, CT
chromogenic print mounted on aluminum with UV ultra non-glare plexiglass
editions of 10 available in:
16 x 16 in. $4,000
20 x 20 in. $5,000
24 x 24 in. $6,000
30 x 30 in. $8,000...
Category
Early 2000s Plastic Photography
Materials
Plexiglass
Coastal photography, DJ Leon, Beach photograph of San Sebastian, Spain
By DJ Leon
Located in White Plains, NY
'San Sebastian' by DJ Leon. Archival C-print photograph of San Sebastian, Spain's beach in summer, mounted on sintra, and facemounted in plexiglas. The photograph is measures 30 x...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, C Print
City Landcuts - Vision of a Urban Territory - Abstract Cityscapes
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Johnny Cash - The songs that made him famous - Garrard 209 (Photography DIASEC)
By Kai Schäfer
Located in New York City, NY
Edition of 3
Mounted in Plexiglas
Kai Schäfer is an acclaimed German photographer with a passion for vinyl records and iconic turntables. The "World Recor...
Category
2010s Pop Art Plastic Photography
Materials
Plexiglass, C Print
City Landcuts - Vision of a Urban Territory - Abstract Cityscapes
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Tuquoise 11
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Inspired
By Ejaz Khan
Located in Brooklyn, NY
Wild horses gone wild!
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Photographic Paper
$2,880 Sale Price
20% Off
Urban Expressionist Digital Photography on Plexiglass Titled "Night on Broadway"
Located in Plainview, NY
An inspiring digital photography on plexiglass art work by the contemporary artist Marc Vandermeer ( American, 1950's). The photography entitled " Night on Broadway...
Category
21st Century and Contemporary Modern Plastic Photography
Materials
Paper, Plexiglass
Domino, Afresco, Horse Portrait
Located in New York City, NY
Raphael Macek
Domino, 2020
Afresco series
Large-scale photograph from the Equine Beauty series.
The legendary and complex relationship between humans and horses is an enduring one....
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Dreams City - Ltd Ed
By Dinesh Boaz
Located in New York, NY
NYC. Shot from a helicopter. Mounted on plexiglass. Floats in white frame.
About the Artist
Dinesh Boaz creates a dynamic juxtaposition between the natural landscape and our ...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Digital Clift - Green Forest Aerial View
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Overcoming Fear
By Ejaz Khan
Located in Brooklyn, NY
Overcoming fear.
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Photographic Paper
Tuquoise 14
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Ephemeral Poetry #1
Located in New York City, NY
Fernanda Naman
Ephemeral Poetry #1, 2016
40 x 40 inches
100 x 100 cm
Edition of 9
C-Print - DIASEC
Category
2010s Contemporary Plastic Photography
Materials
C Print, Plexiglass
Ornate II, Afresco, Horse Portrait
Located in New York City, NY
Raphael Macek
Ornate II, 2020
Afresco series
Large-scale photograph from the Equine Beauty series.
The legendary and complex relationship between humans and horses is an enduring o...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Veasey Jet
By Nick Veasey
Located in Napa, CA
We live in a world obsessed with image, what we look like, what our clothes, houses, and cars look like etc. Nick Veasey counters this obsession with superficiality by using x-rays t...
Category
2010s Contemporary Plastic Photography
Materials
Digital, Plexiglass
$18,000
Raphael Macek - Afresco (Horse Portrait, Afresco series)
Located in New York City, NY
Raphael Macek
Domino, 2020
Afresco series
Large-scale photograph from the Equine Beauty series.
The legendary and complex relationship between humans and horses is an enduring one....
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Music, Afresco, Horse Portrait
Located in New York City, NY
Raphael Macek
Music, 2020
Afresco series
Large-scale photograph from the Equine Beauty series.
The legendary and complex relationship between humans and horses is an enduring one. ...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Turquoise 5
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Nature Abstraction #10, (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #10, 2018
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Turquoise 7
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Reverentia, Netherlands, Horse Portrait, Equine Beauty
Located in New York City, NY
Equestrian Beauty series:
The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and strength and its sleek beau...
Category
2010s Contemporary Plastic Photography
Materials
Archival Pigment, Plexiglass
City Landcuts - Vision of a Urban Territory - Abstract Cityscapes
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
City Landcuts - Vision of a Urban Territory - Abstract Cityscapes
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
City Landcuts Assemblage - Vision of a Urban Territory - Abstract Cityscapes
Located in Miami, FL
Archival pigment print under acrylic glass.
Numbered & signed by the artist.
9x 24x24 inches.
Can be diversely assembled.
If square, total of 72x72 inches (add 2 or 3 inches in be...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Ephemeral Poetry #3
Located in New York City, NY
Fernanda Naman
Ephemeral Poetry #3, 2017
40 x 40 inches
100 x 100 cm
Edition of 9
C-Print - DIASEC
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, C Print
City Landcuts - Vision of a Urban Territory - Abstract Cityscapes
Located in Miami, FL
Archival photo print under acrylic glass.
Artist and photographer Paul-Émile Rioux lives in Montréal, Canada.
His lifelong interest in cutting-edge media technology as well as his ...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
David Bowie, Luxman, PD-310
By Kai Schäfer
Located in New York City, NY
Edition of 5
Mounted in Plexiglas
Kai Schäfer is an acclaimed German photographer with a passion for vinyl records and iconic turntables. The World Records series celebrates some of...
Category
2010s Pop Art Plastic Photography
Materials
Plexiglass, C Print
Nature Abstraction #2, Cumulus Sunset (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #2, Cumulus Sunset
(Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Forma
Located in New York City, NY
Large-scale photograph from the Equine Beauty series.
The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
$17,600
Flat Iron II
By Tom Leighton
Located in Boca Raton, FL
Diasec mounted photo - face mounted to plexi with sintra backing
Also available in 48 x 48 inches.
Tom Leighton’s works are an exploration of environments, both natural and construc...
Category
21st Century and Contemporary Contemporary Plastic Photography
Materials
Plexiglass, Photographic Paper
Burned Out Series III Patria Vida
Located in West Palm Beach, FL
1/10 One out of a series of Ten signed and numbered Photos mounted on non glare Plexiglass with a wood frame on back to hang floated on wall.
Born in Tallahasee Fl, William started...
Category
2010s Street Art Plastic Photography
Materials
Plexiglass, Photographic Paper
Nature Abstraction #13, Heliodora (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #13, Heliodora (Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Timeline Underwater Rugby 1
Located in New York, NY
Timeline Underwater Rugby I
2015 C Print on plexiglass
27.50h x 79w in
Edition 4/5 + 2 A.P.
Mario Arroyave captures the innate elegance in seemingly ordinary and everyday actions. H...
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, C Print
Caribbean Sea I
Located in New York City, NY
Edition of 10
Unframed
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Photography of Three Boats in a Lake Titled "Magic Lake"
Located in Plainview, NY
This award winning photograph titled "Magic Lake" portrays three boats on a lake during early morning fog. Created by the contemporary artist Marc Vandermeer ( America, 1950's), the photograph features monochromatic tones of black & white softening an already ethereal visual thus relaxing the viewer and drawing them in.
This amazing art piece has won several awards in the annual Black & White exhibition hosted by The Art Room /Brooklyn, NY. (Second place) Grey Cube Gallery...
Category
21st Century and Contemporary Modern Plastic Photography
Materials
Paper, Plexiglass
"No title No 15" Ballet Photography 45 x 45 in Ed. of 18 by Yevgeniy Repiashenko
Located in Culver City, CA
"No title No 15" Ballet Photography 45 x 45 in Ed. of 18 by Yevgeniy Repiashenko
No title (No 15) by Yevgeniy Repiashenko
Year photo was taken: 2016
Limited Edition of 18
Picture s...
Category
21st Century and Contemporary Contemporary Plastic Photography
Materials
Pigment, Plexiglass
Ephemeral Poetry #2
Located in New York City, NY
Fernanda Naman
Ephemeral Poetry #2, 2017
40 x 40 inches
100 x 100 cm
Edition of 9
C-Print - DIASEC
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, C Print
Nature Abstraction #9, Ibicoara (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #9, Ibicoara (Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Pastiche
By Henri Venne
Located in Montreal, Quebec
My work emerges from research on memory and the remembrance of landscape, where vaporous atmospheres of evanescent recollections are illustrated. My work thus, contains ghostly and e...
Category
21st Century and Contemporary Post-Modern Plastic Photography
Materials
Plexiglass, Photographic Paper
Nature Abstraction #11, Canastra (Color Abstract Photography)
Located in New York City, NY
Rodrigo Katayama
Nature Abstraction #11, Canastra (Color Abstract Photography)
71 x 48 inches
Edition of 5
Archival Pigment Print
Framed
Category
2010s Contemporary Plastic Photography
Materials
Plexiglass, Archival Pigment
Plastic photography for sale on 1stDibs.
Find a wide variety of authentic Plastic photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, red, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Slim Aarons, Paul Snell, Paul-Émile Rioux, and Stefanie Schneider. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Plastic photography, so small editions measuring 0.1 inches across are also available
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The acclaimed lensman and the folk-rock phenomenon clicked, and a captivating portrait followed.