Miniature Nude Photography

Kindling - 2016 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2016-2002. N...

Always Sometimes - 2020 Original Polaroid - Unique Piece, signed and titled on back. 7.8 x 7,7cm (image area) 10.7 x 8.7 cm ( including white Polaroid frame) Artist inventory PL2...

Oui, mon Cul #09, 2015 [Les Foxy Femmes de Carmen De Vos] Edition of 7. Museum quality C-Print based on a Polaroid. Mounted on Dibond 4mm - 20 x 20 cm. Finished with a high-gloss e...

Popped out of nowhere #01, 2014 [From the series Need to be] 25x25cm, edition 2018, this is # 1 of 7 Archival color print based on original Polaroid on beautiful PHOTO RAG ULTRA SMO...

Series of 10 Vintage 1950s Gelatin Silver photographs by physique photographer BILL SEAY of Venice, California. The male physique model BERNIE ERNST. BERNIE ERNST was a young medic...

'Angie' (Heavenly Falls) - 2016 20x20cm, Edition of 10, Archival C-Print based on the Polaroid from the making of the documentary "instant dreams". Certificate and signature labe...

From a Portfolio with 26 exclusive works of Jeanloup Sieff, limited to 200 copies. The photograph of Jeanloup Sieff has been produced as Collotype under the direct commandment of the...

25 Hours #06, 2020 [Self-portrait in the series Need to be] 25x25cm, edition 2020, this is # 2 of 7 Archival color print based on original Polaroid on beau...

Beautiful dream like image. Taken in the early morning light, Big Sur California. Hand printed silver gelatin photograph. From film photography Archival. Dry mounted to mat board.

A Room with no View (Burned) - 1999 40x39cm, Edition 2/10, Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist Inventory No 21238.02. Not mo...

Noise - 2022 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2022-2008. Not mo...

The Eye of the Beholder - 2018 Edition of 7 plus 2 Artist Proofs. Archival C-print, based on the Polaroid, not mounted. Signed on the back and with certificate. Artist inventory...

Bruce of LA - Set of 2 Authentic Vintage 1950s Silver Gelatin Male Physique Photographs by famed 20th Century photographer Bruce Bellas also known as Bruce of Los Angeles of model Ro...

Flow - 2017 Edition 1/7 plus 2 Artist Proofs Based on a Polaroid - Archival C-print, Not mounted. Signed on the back and with certificate. Artist inventory PL2017-117 Kirsten Thys...

Narween (Saigon) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Certificate and Signature label. Artist Inventory Number 22722. Not mou...

Burned (Self Portrait), 1999 Edition of 2/10, 20x20cm Print on Velvet Watercolor, 310gsm, No OBAs, Bright White, Acid Free based on the Polaroid. Signature label and Certificate. N...

Eva Maria Lopez 1989 C-print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Eva Maria Lopez takes...

Eugène (Odd Stories) 1/25, 2013, 15x11,3cm Art Print mounted on black mdf hand signed by the artist on the back. Carmen De Vos' 'Odd Stories' The Belgian photographer Carmen De Vo...

Gelatin silver print (Edition of 25) Signed and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City.

The book “Mermaids” has the best of Alex Sher’s underwater photography for eight years (2010-2018). It blends human erotics with the beauty of the ocean wildlife - transforming the c...

Edition of 35 Signed, titled, dated and numbered. Keith Carter is an American photographer who is known for his dreamlike black and white photographs of the figure, animals, and mea...

Pull II - 2017 20x20cm, Edition 7 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, not mounted. Signature label and certificate. Artist inventory PL2017-487. Ki...

BRUCE OF LOS ANGELES - Classic mid 1950s gelatin silver photograph of popular physique model KEN ITTNER by celebrated 20th Century photographer BRUCE BELLAS also known as Bruce of Lo...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: For the last two years Mark and Kristen have collaborated using one of the earliest photographic methods, collodion wet plate to create ambrotypes on glass and tintypes on aluminum. They use a 1860 style view camera to create one-of-a-kind images, which become windows into an intimate, romantic, and beautiful world of faces, still lives, nudes, and landscapes. In this demanding process, the collodion coated tin or glass plates are immersed in a silver nitrate solution, and then they must be exposed in the camera and developed while still wet. Serendipitous flaws and beautiful imperfections are an inevitable part of this imprecise hands-on process. This show includes a combination of 24 tintypes and ambrotypes, which are 8x10 and smaller in size. Their intimate sizes ask the viewers to look closer and spend more time with these photographs to fully appreciate their power. — A welcome antidote to today's nonstop, ¬instantaneous imagery. Paradoxically, this intersection of past and present gives these pieces an unmistakably contemporary feel. The two collaborators deliberately play up the ambiguity of time. The nudes (some recalling E.J. Bellocq's alluring portraits of New Orleans prostitutes in 1912) are suffused with freshness and sensuality, even eroticism at times, with nearly all of them coming off as refined rather than crass. Fredrick Scott Archer developed the collodion process in 1851. Artists such as Julia Margaret Cameron, Lewis Carroll, William Henry Jackson and Civil War photographer Mathew Brady used the process, due to its cost and versatility advantages. In addition Sink and Hatgi’s work can also be seen revived in contemporary artists work...

#Girl Manoeuvres - 01 from the series Dunderwear - 2007 26x20cm edition of 7 . Archival C-print based on the Polaroid , on beautiful on Fine art bright white by Hahnemuhle framed in a shadow Frame (white oiled wood) Hand signed & numbered by the artist. Carmen De Vos - Artist Statement Flying Freelance Portrayer. Purveyor of Exquisite Photographic Peculiarities. Chroniqueur and Archiver. Founder and Editor-in-Chief of the late TicKL-Magazine. The Belgian artist Carmen De Vos is a slow photographer. She registers, portrays and thinks up odd stories. She shoots Polaroids to frame these mental escapades, they get so easily out of hand. She enormously longs for what she’s afraid to loose: real human contact, the slowness of being and creating, the tangibility of materials. Almost without exception she uses old Polaroid camera’s, long time expired film and self-made filters. Her tools and methods - such as film bleaching and deliberate film obstruction - are not precise and are not even geared towards a perfect representation. They often yield results - such as colorisation, deformation, unsharpness - which she could never have predicted on forehand with any certainty, because their flaws do not allow for calculation. She’s not in control. She fights the material. She plans, stages and directs but the decayed chemistry and off-focus lenses add their magic. All by themselves. Which merrily surprises her. Or ruins her image. This battle attracts her as much as it frustrates her. She loves to create within these limitations, to try to produce the best possible image within the narrow circumstances given. Luckily, she’s a sucker for imperfections. Once upon a time she found herself guilty of home-crafted mischiefs for TicKL, her English art porn Polaroid magazine. She never really got cured from naughtiness. She can’t help but traveling back to these blessed times of free-love photography...

11 x 14" vintage silver gelatin photograph of Artist/Warhol Superstar Ultra Violet, with friends Jason McCoy and Ron Caran, 1971, nude, with psychedelic multiple exposure effect, pho...

This limited-edition signed photograph by Ugnė Pouwell is a timeless exploration of light, shadow, and texture, capturing the themes explored in her debut photography book, Solace. E...

Fighting Back the Darkness - 2011 from the Daisy McCrackin Record Shoot 'God Willing' 30x40cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroi...

Underwater black and white photograph of a naked young woman in a pool. Original print on aluminum plate with solid black backboard. The artwork needs no additional framing: it can...

Sleepy Head (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Signature label and Certificate. Artist inventory Numbe...

Together (Till Death do us Part) - 2005 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Certificate and Signature label. Artist I...

Paree #03, 2011, Edition printed 2018, Edition 2/7 [From the series Goldenbogen & Zouzou] Digital color print based on original Polaroid on beautiful PHOTO RAG ULTRA SMOOTH 305gsm - ...

Untitled (Paradise) - 1999, 20x20cm. Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. Artist Inventory No. 363. Not mounted. Schneider harnesses the unpredictable chemical mutations of expired Polaroid film, where bursts of color erupt across the surface, destabilizing the photograph's traditional allegiance to reality. These vivid distortions draw her characters into ethereal, trance-like dreamscapes. Like fleeting sequences from a vintage road movie, Schneider’s images shimmer with a transitory quality, dissolving before any definitive conclusions can be drawn. Their ephemeral essence is conveyed through subtle gestures and enigmatic motives. Refusing to yield to the constraints of reality, Schneider’s work keeps alive a delicate interplay of dream, desire, fact, and fiction, blurring the boundaries between them with poetic ambiguity. Stefanie Schneider’s work echoes the heart of American art, channeling the cinematic nostalgia of Ed Ruscha’s roadscapes, the stark sensuality of Georgia O’Keeffe’s deserts, and the haunting solitude of Edward Hopper...

Charter Ketch, 1964 - Sailboat in Turquoise Waters off Island in Bahamas by Slim Aarons shows a sailboat also known as a ketch in the waters off Stocking Island, in the Bahamas 16 x...

Jack Mitchell mid-20th Century beautiful nude photograph of ballet and Broadway dancer Jeremy Blanton in 1972. Blanton was a spectacular dancer in numerous international ballet compa...

I cherish a the Dutch Old Masters. As a contemporary artist, I work with the female nude and portraiture, so I was enthusiastic when the Rembrandt House approached me to create a new series inspired by Rembrandt’s nudes. His incredible drawings and etchings show not only amazing technique and individuality, but also a sublime mastery of light, shadow and composition. His strong light-dark contrasts and his bold compositions, engaging costumes and draperies, resulted in powerful visual images. His models, portrayed from life, with their own personalities and bodies, not adjusted to fashion and ideals, were striking in their day, and have remained so into the present. Rembrandt’s nudes inspired me to create new works in which I have been able to capture magical moments in new works of art. The explosion of creativity has resulted in a large body of work which I call The Rembrandt Series...

SCENES #12G1 /2013, 40x30x2cm [From Carmen's photo novel His Good Right] Digital archival pigment print based on an original Polaroid on beautiful PHOTO RAG ® ULTRA SMOOTH paper, 305...

He holds her head (Sidewinder) - 2005 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and certificate. Artist Inventory 3299...

11 x 14" vintage silver gelatin photograph of American classical double bass virtuoso Gary Karr, photographed nude for After Dark magazine, 1974. Comes directly from the Jack Mitchel...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. This photograph was from a se...

'(This is not a) Lovesong' part of the series 'A girl called N.' - 2019 20x20cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid, not mounted. Signed ...

Coming from an earlier interest in portraits and street photography, my Nudes in Water are less about eroticism and more about body as the human vessel for our multi-faceted but brie...

Duffy - Pirelli Ice Cream Girl - banned - signed limited edition BANNED OUTTAKE - ICE CREAM ON BREASTS - PIRELLI 1973 Image size 18x12" signed Archival Pigment print limited edition size of 12 only On the 27th of October 1972 for the first time in Pirelli Calendar history, this image was banned. It was deemed too risqué even for a publication such as this. Derek Forsyth and Allen Jones were summoned to Pirelli’s head office in Chester square to explain themselves. The chairman of the company deemed the image too perverse and it was never published. Duffy was one of the few photographers who was commissioned for three Pirelli calendars. His first two calendars were in 1965 and 1973 and his last shoot for Pirelli was also in 1973 for the Cinturato truck tyre calendar. Duffy worked with the pop artist Allen Jones and the airbrush artist Philip Castle. The airbrushing techniques used producing this calendar were incorporated on the David Bowie Aladdin Sane album cover in 1973. More About Duffy : AT DUFFY’S MEMORIAL SERVICE LORD DAVID PUTTNAM ADDRESSED THE FAMILY AND FRIENDS OF DUFFY AND SAID ‘THE WORLD NEEDS MORE DUFFY’S.’ HE THEN WENT ON TO CALL HIM A MAVERICK, SOMEBODY WHO WAS PREPARED TO TAKE RISKS WITH HIS ART FORM AND DESCRIBED DUFFY AS A ‘SUPREMELY TALENTED AND ESOTERIC MAN.’ ‘A man who thrived on risks and challenges, who lived to create.’ In 2013 Duffy was voted as one of the top most 100 influential photographer’s of all time and he richly deserves that title. When Duffy felt he had pushed the boundaries as far as he could and was no longer satisfied with stills photography he abruptly shut his studio, attempted to burn all of his negatives and moved into commercials. Despite repeated requests to return to still photography, give interviews or discuss his career, he became reclusive and his remaining negatives would have stayed in boxes under the stairs had it not been for the persistence of his eldest son, Chris. Chris realised that Duffy’s name was slowly slipping into obscurity and regularly tried to persuade him to do something with his remaining archive. It wasn’t until 2006 when Duffy was diagnosed with the degenerative lung disease Pulmonary Fibrosis that he finally gave Chris the green light to start putting the archive together. The process was a labour of love for the first few years. Organising, scanning and databasing his negatives took many hours whilst Chris was running his own photographic studio. In 2009 the opportunity to exhibit at Chris Beetles Gallery in Mayfair London (now Beetles & Huxley) gave Duffy the platform for his first ever exhibition which was hailed with great critical acclaim. The exhibition ignited an incredible interest in his work and there were regular queues to see the show. During the process of putting the exhibition together, the BBC commissioned a documentary on Duffy’s life and work which aired in 2010. Chris then started on the first monograph but sadly Duffy was never to see this and passed away on 31st May 2010. Since 2010 Duffy’s work has been exhibited in numerous museums and galleries around the world. In 2012 the Victoria and Albert Museum requested use of the original Aladdin Sane record cover ‘dye transfer’ print for their British Design 1948-2012 cultural exhibition. In 2013 the V&A approached the archive for use of the newly released ‘Eyes Open’ version as the lead image for the ‘David Bowie is’ exhibition. This exhibition has achieved record breaking numbers in several venues and has been seen by over 1.5 million visitors. Duffy’s name has now become recognised by an international audience and is now firmly back on the map. In 2014 Duffy’s second book was released – Duffy Bowie: Five Sessions which covers his work with David Bowie. Written by Chris Duffy and Kevin Cann the book explores the chemistry and creation of these five iconic sets of images illustrated with interviews from people who were directly involved. The book is also available in French and Italian. The archive is made up of negatives and contact sheets that have been retrieved from numerous UK and international publications; Vogue, French Elle, Glamour, The Sunday Times, The Telegraph to name but a few in addition to work held by independent archives. The process of exhibiting Duffy’s work continues and the future holds several more book projects illuminating Duffy’s eclectic and influential work. ice cream pirelli calendar girls sex sexy erotic erotica nudes boobs...

Back up - 2020 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label and certificate. Artist inventory PL2020-965. Not mou...

A black and white nude photograph of a young woman diving in a pool. The woman is coming from the depth up toward the surface and her body reflects in the internal water surface. Or...

I wanna be sedated from The crazy Adventures of David C.' - 2019 Original Polaroid - Unique Piece 1/1, signed and titled on back. 7.8 x 7,7cm (image area) 10.7 x 8.7 cm ( includ...

Hand printed by artist, dry mounted on board. Signed in pencil on recto. Effect on print is from film development and is not digitally altered.

"Pola Girls 12" Nude Polaroid Photography - Unique piece by Larsen Sotelo 4.2" x 3.5" inch - including white Polaroid frame 3.1" x 3,1" inch - image area ...

Reality (The Princess and her Lover) - 2009 including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024. ...

'Daydream Believer' (Bombay Beach) 2019, 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist ...

Underwater black and white photograph of a naked young woman in a pool. Original print on aluminum plate with solid black backboard. The artwork needs no additional framing: it can...

Letters from Madame - Pinch, from the series mme.xposed, 2006, digital print based on a Polaroid, beautiful on Fine art Bright white by Hahnemuhle, mounted on Dibond - uncoated in ...

Underwater black and white photograph of a naked young woman in a pool. Original print on aluminum plate with solid black backboard. The artwork needs no additional framing: it can...

'Bath Time Story III' 2016, Edition 2/7 plus 2 Artist Proofs Based on a Polaroid, digital C-Print, not mounted. Signed on the back and with certificate. Artist inventory PL2016-164 ...

Untitled (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature label and Certificate. Artist inventory N...

Polaroid, 2007 / 2018 Edition, 30x30cm from the series mme.xposed, Digital color print based on an original Polaroid, mounted on dilite 2mm - with gloss UV-Protection Alu profiles on...

Alter Ego, 2017, Edition 2/7 Based on an original Impossible film Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2...

11 x 14" vintage silver gelatin photograph, signed by Jack Mitchell. Multiple exposure of nude and closeup of his hair. Comes directly from the Jack Mitchell Archives with a certific...

Untitled (Paradise) - 1999, 20x20cm. Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 20452. ...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Printed later by Cole Weston. Negative Code 24...