Benno Thoma

Carlos, Cuba

1998

THIS VINTAGE SILVER GELATIN PRINT IS FROM AN EDITION OF 3, Bryce was taken in Osaka, Japan at Abeno Harukas, Japan’s tallest building. The photograph was shot on 35mm film on a Contax T3 Sebastian...

In the famous story of the great 19th century photographer Julia Margaret Cameron, it is said she was given her first camera by her daughter as a way to occupy her time while her husband was away. In my case, as with so many others, the beginning of the story was equally fortuitous: Knowing I was about to spend a year abroad as an exchange student, my mother gave me my first camera, saying I would probably want to take pictures while I was away. Neither of us realized how important that little Instamatic camera would turn out to be, and now, 47 years and over a hundred thousand images later, I present the different portfolios shown here as a reflection of the work I have made since back then in 1970. One by one, my favorite films and papers have been driven from the market by digital media, but I remain loyal to this day to analog photography, and the originals of all of these images were made with real film, either color slides...

The photograph, Jay in a Ray of Light, in this size is in an edition of only 5. This impression is #1 Born in Moscow in 1986, Alex Avgud is a Russian born p...

Eric Kellerman created this sensual nude photograph of a young nude woman with a large zinc vessel under her arm. It is pencil signed, titled and numbered 1 from an edition of 20. The photographer has stamped a red monogram next to his signature. Eric Kellerman is a Briton who has lived near Nijmegen in the Netherlands for just over half his life. In 2008, he retired from academic life to spend more time on photography. Kellerman works almost entirely in the studio and uses digital equipment from camera to print, although image manipulation is limited to darkroom-like processes. Specializing in the nude, he has a regular team of female collaborators, most of whom have a serious interest in movement (dance, drama therapy, athletics, martial arts). Kellerman used to consider his work to be distant, abstract, melancholic, ‘unerotic’, despite its subject matter. Now he's not so sure. He emphasizes line, geometrical form, texture, implicit movement, and above all, chiaroscuro. He likes to create ambiguity in his photos, so that the viewer is sometimes unsure what part of the body is being looked at. In this way, he attempts to free the female body of its conventional associations. He has been influenced by surrealism...

Contemporary figurative sepia toned photograph of nude male model Sepia toned silver gelatin print, edition 3 of 25 Image size: 8 x 8 inches 17.5 x 16.5 x 1 inches framed with 8-ply white mat and non reflective glass. Signed and dated below image with atelier stamp This contemporary figurative photograph was taken by David Halliday in 1998. The sepia toned silver gelatin print beautifully captures a standing male model on a simple monotone background. The nude model's flawless skin complements the similarly toned sepia backdrop, while contrasts in light and shadow accentuate his toned back and shoulder muscles. The figure's casual pose lends a serene atmosphere to the image. This print, 3rd in the edition of 25, is framed in a custom brown wood Larson Juhl frame with an 8 ply white mat and non reflective glass. The print is signed with an atelier stamp on the lower right. About the Artist: David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way, and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing. More about the work: A master of light, David Halliday produces lush and elegant images that are both classical and modern. Celebrated for his ‘purist’ eye, he poetically captures the nude male body in a selection of sepia-toned prints from 1996. Rarely revealing the model's face, Halliday prefers to focus on the natural drape of limbs, soft folds of flawless skin, and curvature of the spine. Overall, a stunningly intimate portrayal of the male form done with elegance and charm. Resume: Born 1958, Glen Cove, New York Lives in Schodack Landing, NY EDUCATION 1998 Penland School of Crafts, Penland, North Carolina 1988 The Maine Photographic Workshops, Rockport, Maine 1976-79 Syracuse University, New York 1974-76 Wooster School Community Art Center, Danbury, Connecticut SELECTED SOLO EXHIBITIONS 2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA McMurtrey Gallery, Houston, TX 2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA 2010 Arthur Roger Gallery, New Orleans, LA Wessel+O’Connor Fine Art, Lambertville, NJ Julie Heller...

Unmade Beds, East Village, New York, 1976 by Fernando Natalici: Cooler than cool, "Unmade Beds" was photographed on the set of the Amos Poe directed film of...

Gelatin silver print Signed, dated, and numbered, verso 10 x 8 inches, sheet 7 x 7 inches, image (Edition of 10) 14 x 11 inches, sheet 10 x 10 inches, image (Edition of 10) 20 x 1...

Gelatin silver print (Edition of 20) Signed and numbered on label, verso From the series, "Before the Camera" This artwork is offered by ClampArt, located in New York City. Chuck S...