1990s Figurative Photography

Catalogue No: OA056JF Artists: Oasis, Liam Gallagher, Noel Gallagher Location: Slane Castle, Ireland Date: 22nd July 1995 Era: The 1990's Edition: hand signed Limited Edition 17/50 Print type: Giclée Print Paper type: Archival Hahnemühle Photo Rag printed this year Oasis performing at Slane Castle in 1995 as the support for REM. Fourteen years later they would headline the festival. paper size 61 x41 cm / 24 x 16 inches © Jill Furmanovsky Slane Castle, Ireland. 22 July 1995 Accompanied by a Certificate of Authenticity 'I feel blessed to have photographed so many extraordinary musicians over my 50-year career. Their music formed a soundtrack to my life and has inspired my work. This exhibition at Proud is homage to their magical gifts. ‘No Music No Life’ says it all.' Jill Furmanovsky Her legacy is profound.' Gail Buckland (guest curator and author of 'Who Shot Rock & Roll - Brooklyn Museum) 'She reveals you to yourself.' Nile Rodgers (Chic) 'Through the honesty of Jill’s work, we are brought closer to the frailty and humanity of celebrity.' (Neville Brody, designer of The Face Magazine) 'Jill is one of my favourite photographers of all time.' Jools Holland Jill Furmanovsky body of work exudes at its heart her love of music and unique ability to capture its vibrancy and spirit throughout her career. Her intimate and candid shots of Oasis reflect her close relationship with the band during their zenith. Rockarchive founder, Jill Furmanovsky, was born and brought up in Rhodesia (now Zimbabwe). Her parents moved to London in 1965 when she was eleven. As a teenager, she became a Beatles fan and often stood outside Abbey Road Studio hoping to catch sight of them. Her first rock shot was of Paul McCartney and two school friends taken on a Kodak Instamatic outside of his home in St. John’s Wood. Jill studied textile and then graphic design at the Central School of Art and Design in London. In January 1972, whilst on a two-week block course in photography, she had a lucky break when she was offered a job as in-house photographer for premier rock venue, The Rainbow Theatre. From then on, she took live shots and features for the music press of the day of the 1970’s and 80’s, including NME, Melody Maker, Sounds, Smash Hits and The Face. In the 1990s Jill became the main photographer for Oasis. Jill has won many awards for her music photography including The Jane Bown...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of...

“Helena Christensen V, Safer Sex Campaign for Playboy, 1993” by Michel Comte is a refined and elegant photograph from the iconic series created for ...

Gérard Uféras’ “Bayerische Staatsoper, Munich, Allemagne, 1992, Un Fantôme à L’Opéra” is a compelling work of limited edition fine art photography that reveals the hidden intensity, ...

Signed and numbered limited edition photograph of a polar bear by Thomas Mangelsen (American, b. 1945). Signed "Thomas Mangelsen" in the lower right corner and numbered "794/950" in the lower left corner. This particular image is no longer produced. Presented in a double mat of light grey and tan, in a wood frame. Image size: approx. 21"H x 31"W Renowned American nature and wildlife photographer Thomas D. Mangelsen (American, b. 1945) has traveled throughout the natural world for over 40 years observing and photographing the Earth’s last great wild places. A Nebraska native, Mangelsen’s love of nature, his life outdoors and business success were heavily influenced by his father. An avid sportsman, Harold Mangelsen took his sons to favorite blinds along the Platte River in Nebraska to observe the great flocks of ducks, geese and cranes that migrate through the valley. From these adventures, Mangelsen learned important lessons for photographing in the field, most notably patience and understanding animal behavior. In 1965, Mangelsen began studying business at the University of Nebraska. In 1967, Tom transferred to Doane College in Crete, Nebraska, where he changed his major and graduated with a bachelor’s degree in biology. Tom continued postgraduate study in zoology and wildlife biology at the University of Nebraska and Colorado State University. In 1970 Mangelsen moved to Nederland, Colorado. He spent two years living in the Rocky Mountains in an old mining shack without electricity or running water with his English setter, black lab and raccoon. Tom continued to work on his photography and studied arctic alpine ecology at the University of Colorado’s Mountain Research Station near Nederland. There he met Bert Kempers, a CU film producer, who later hired Tom as cinematographer and film editor for his company Westwind Productions, making educational and nature documentaries. Tom longed...

Michael Jackson is a vintage black and white photograph realized in the 1990s. Good conditions.

Artist: David LaChapelle (1963) Title: Mythical Swans: Madonna, New York, Rolling Stone, 1998 Year: 1998 Medium: ​Chromogenic print, front-mounted to acrylic, flush-mounted to alumin...

Gelatin Silver Print Paper size: 20 x 16 in. Image size: 15.75 x 15.25 in. Signed, titled and dated in pencil on print verso Growing up in Hattiesburg, Mississippi, Earlie Hudnall, ...

Palm Trees on Wilcox (Stranger than Paradise) - 1999 78x76cm, Edition of 100. Archival C-Print based on the original Polaroid. Mounted under matte Plexiglass. Artist inventory number: 398. Signed on back and Certificate. (Sales to Europe will be produced in Europe to avoild custom problems and costs and will be delivered with a Signature label and Certificate) Stefanie Schneider – Palm Trees...

Herb Ritts (1952-2002) was a Los Angeles-born photographer acclaimed for his celebrity portraits, nudes, and fashion photography from the 1970s onward. His dynamic career defied boun...

This early 1990s photograph, captured by society photographer Slim Aarons, features guests by the swimming pool on a terrace at the Hotel Bel-Air on Cap Ferrat on the Côte d'Azur, so...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Ben 2 ‘ who was captured on film in 1989...

'Porto Rotondo' Pleasure yachts moored in a sandy cove at Porto Rotondo, Sardinia, July 1990. Paper size 48 x 72 inches / 122 x 183 cm Estate Stamped Collection Edition to 150 ...

“Salzburger Festspiele, Autriche, 1996” by Gérard Uféras captures a fleeting, almost dreamlike moment suspended between performance and reality. A ballerina, seen from behind, descen...

Buried (Stranger than Paradise) - 1999 Edition of 10, 58x56cm, Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid. Artist inventory Numb...

This early 1960s photograph, captured by society photographer Slim Aarons, features the Bahamas Speed Week in Nassau. This is an estate-stamped and hand-numbered edition of 150 with...

Gelatin silver print (Edition of 15) Stamped and numbered, verso 20 x 16 inches, sheet From the series, "Gymnasium." This photograph is offered by ClampArt, located in New York Cit...

An original signed archival pigment print on Hahnemühle Photo Rag® Baryta 315 gsm paper by Scottish artist Ian Sanderson (1951- 2020) titled ‘Ben 2 ‘ who was captured on film in 1989...

Ben - Signed limited edition archival pigment print, 1996 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was then printed...

Vintage Photo. The Italian Actress Serena Grandi.

Kissing Priests image size: 8 x 10 inches Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in pencil on bottom right corn...

This 1990s photograph, captured by society photographer Slim Aarons, features a woman experiences the Caracalla Therme spa in Baden-Baden, September 1990. This is an estate-stamped ...

This is a 39.5 x 59 inches archival giclée black and white print on archival exhibition paper. It is part of a limited edition of 6 plus 2 AP. Signed and numbered in the back. It sh...

Slim Aarons Karen Davis 1978 (printed later) C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. American opera singer Karen Davis arrives at the Palace Hotel in an antique sleigh...

This early 1990s photograph, captured by society photographer Slim Aarons, features guests by the swimming pool on a terrace at the Hotel Bel-Air on Cap Ferrat on the Côte d'Azur, so...

This early 1960s photograph, captured by society photographer Slim Aarons, features the Bahamas Speed Week in Nassau. This is an estate-stamped and hand-numbered edition of 150 with...

L' Amour - Signed limited edition archival pigment print , 1993 - Edition of 5 This image was captured on film. The negative was scanned creating a digital file which was the...

image size: 8 x 10 inches Portrait of Tennessee Williams Unique Polaroid Transfer on 22 x 15 inch Rives BFK paper, unframed signed SM Beard in penci...

Gelatin silver print Signed in pencil, verso This artwork is offered by ClampArt, located in New York City. Born in Vinhedo, a small town on the outskirts of Sao Paulo, Brazil, Walter Briski, Jr. began his interests in photography at the age of thirteen. He later moved to the city of Sao Paulo to pursue his passion, and after completing his studies at the Pontificia Universidade Catolica de Campinas, he began his career as a fashion photographer working with top national magazines such as “Brazilian Vogue,” “Brazilian Interview,” and “Trip.” Soon after, Briski moved to New York City in pursuit of advancing his career. In search of strengthening his art, he learned to master the technique of black-and-white printing while employed at a highly ranked film production house. There, he printed works for artists such as Bruce Weber, Annie Leibovitz, Gordon Parks, Matthew Barney, Steven Klein, Steven Meisel, Steven Sebring, and Ellen Von Unwerth. In the midst of printing images that were reproduced in magazines such as “Vogue,” “Harper’s Bazaar,” “W,” “L’Uomo Vogue,” “I.D.,” “Arena,” “The New York Times Magazine,” and “Interview,” he also began printing his own photographs. Briski has had the wonderful opportunity to work with top models and celebrities, including the Brewer twins, Carole King...

Top Hat Epsom Derby England 1995 by Homer Sykes oversize 60x40 inches / 152 x 101 cm paper size signed limited edition print edition of 5 only this size printed 2022 Certificate of authenticity provided Homer Sykes Sykes's father, Homer Warwick Sykes, was a Canadian-born American of English extraction who worked for the China National Aviation Corporation in Shanghai; his mother, Helen Grimmitt, was Canadian-born and raised in Hong Kong. The couple were married in August 1947, but in June 1948, in an early stage of his wife's pregnancy, Homer was killed in an accident at Lunghua airfield. Helen returned to her family home in Vancouver, and the son was born three weeks later, in 1949.[1][2] When the boy's mother remarried in 1954, the family moved to England.[3] Homer was a keen photographer as a teenager, with a darkroom both at home and at boarding school. In 1968 he started a three-year course at the London College of Printing (LCP),[1][3] while sharing a house in St John's Wood.[4] In the summer vacation during his first year, he went to New York, and was impressed by the work of current photographers – Cartier-Bresson, Davidson, Friedlander, Frank, Uzzle and Winogrand – that he saw at the Museum of Modern Art.[3] Solo exhibitions "Traditional British Calendar Customs", Arnolfini Gallery (Bristol), 1977;[14] Side Gallery (Newcastle), 31 August – 25 September 1977.[15] "Shanghai Odyssey", Open Eye Gallery (Liverpool), 24 May – 20 June 2003.[14][16] Festival of Photography and Contemporary Art (Biella), 2005.[14] "On the Road Again", Hereford Town Hall (Hereford Photography Festival), 2002.[17] "Green Man and Friends, photographs from the 1970s", WPS (Hastings), 2009.[18] "England 1970–1980", Maison de la photographie Robert Doisneau (Gentilly, Paris), 27 June – 12 October 2014.[10][11][19][20] "My Britain 1970–1980", Les Douches la Galerie, Paris. 5 September – 31 October 2015.[21][22][23] "Once a Year – Homer Sykes", Lucy Bell Gallery, St Leonards-on-Sea, May–June 2021[24] Other exhibitions "Personal Views 1850–1970", British Council touring exhibition, 1970.[3] "Traditional Country Customs" (with work by Benjamin Stone), ICA (London), 1971.[3][14] "Young British Photographers", Museum of Modern Art (Oxford), 1971.[14] Exhibition of photographs by Stone and Sykes of festivals, customs and pageants, Southampton and Birmingham, 1973.[7] "Reportage Fotografen", Museum des 20. Jahrhunderts (Vienna), 1978.[14] "Il Regno Unito si diverte". British Council, Milan, 1981. With Chris Steele-Perkins and Patrick Ward.[25] "The Other Britain", National Theatre (London), and touring in Britain, 1982.[26] "A British Eye on the World", Museum of Modern Art (Rio de Janeiro), 1986.[14] "Viva, une agence photographique", Jeu de Paume (Paris), 2007.[27][28] "How We Are: Photographing Britain." Tate Britain (London), 2007.[29][30] "No Such Thing as Society: Photography in Britain 1968–1987", Aberystwyth Arts Centre; Tullie House (Carlisle); Ujazdów Castle (Warsaw).[31] "Unpopular culture." De La Warr Pavilion (Bexhill), 2008.[32] "The Other Britain Revisited: Photographs from New Society", Victoria and Albert Museum, 2010.[26] "Goodbye London: Radical art and politics in the seventies", Neue Gesellschaft für Bildende Kunst (Berlin), 26 June – 15 August 2010. With Stuart Brisley, Victor Burgin, David Hall, Margaret Harrison, Derek Jarman...

Gelatin silver print (Edition of 10) Signed and dated in pencil, l.r. Titled in pencil, l.l. 14 x 11 inches, sheet 9 x 7 inches, image This photograph is offered by ClampArt, locat...

'Caracalla Therme' 1990 Slim Aarons Limited Estate Edition Print A woman experiences the Caracalla Therme spa in Baden-Baden, September 1990. 60 x 40" inches / 152 x 102 cm pape...

This early 1960s photograph, captured by society photographer Slim Aarons, features the Bahamas Speed Week in Nassau. This is an estate-stamped and hand-numbered edition of 150 with...

Toned gelatin silver print Signed in pencil, verso This artwork is offered by ClampArt, located in New York City. Born in Vinhedo, a small town on the outskirts of Sao Paulo, Brazil, Walter Briski, Jr. began his interests in photography at the age of thirteen. He later moved to the city of Sao Paulo to pursue his passion, and after completing his studies at the Pontificia Universidade Catolica de Campinas, he began his career as a fashion photographer working with top national magazines such as “Brazilian Vogue,” “Brazilian Interview,” and “Trip.” Soon after, Briski moved to New York City in pursuit of advancing his career. In search of strengthening his art, he learned to master the technique of black-and-white printing while employed at a highly ranked film production house. There, he printed works for artists such as Bruce Weber, Annie Leibovitz, Gordon Parks, Matthew Barney, Steven Klein, Steven Meisel, Steven Sebring, and Ellen Von Unwerth. In the midst of printing images that were reproduced in magazines such as “Vogue,” “Harper’s Bazaar,” “W,” “L’Uomo Vogue,” “I.D.,” “Arena,” “The New York Times Magazine,” and “Interview,” he also began printing his own photographs. Briski has had the wonderful opportunity to work with top models and celebrities, including the Brewer twins, Carole King...

Old couple, Paris - Signed limited edition archival pigment print - Edition of 5 This image was captured on film. The negative was scanned creating...

Lisa - Edition of 5 signed + numbered by artist with certificate of authenticity, unframed Please note. There are three sizes of this archival pigment print; each is an edition of ...

This large format 20 x 24 Polaroid photograph is a self portrait of the photographer David Chack. This is a one-of-a- kind, " instant" color photograph. The process uses a multi-laye...

This refined black and white photograph by Gérard Uféras offers an intimate view of Christian Lacroix haute couture, spring-summer 1999, in Paris. The composition focuses on the back...

Tim Engelland (American, 1950-2012) Last Call, 1993 Woodcut 9 x 12 in. Signed dated lower right: 1993 T. Engelland Titled and numbered bottom: Last Call, 40/125 A lifelong artist, Engelland specialized in oil portraits and landscapes, and also worked extensively in woodcuts and linocuts. He was born on Jan. 5, 1950, in Ames, Iowa, the son of Charles Wilbur “Will” Engelland and Patricia Fairman Engelland.. Tim grew up in Terre Haute, IN, attending Fairbanks Elementary School and Indiana State University’s Laboratory School. He knew he wanted to be an artist from an early age, and was mentored by Lab School’s John Laska, graduating in 1968. He received a BFA from Temple University’s Tyler School of Art; was a Norfolk Fellow at Yale University; and received his MFA from Cornell University, teaching there for two years after graduation. He spent the majority of his career, from 1976-2004, at Deerfield...

Buried (Stranger than Paradise) - 1999 Edition of 10, 58x56cm, Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist inventory N...

Bill HENSON (*1955, Australia) Untitled #16 - AH SH4 N13, 2009/2010 Archival pigment print Sheet 127 x 180 cm (50 x 70 7/8 in.) Edition of 5, plus 2 AP's;...

Atlas Shrugged 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Not mounted.

Gelatin silver print Stamped and numbered, verso 14 x 11 inches, sheet (Edition of 15) 20 x 16 inches, sheet (Edition of 10) 24 x 20 inches, sheet (Edition of 10) From the series...

This powerful black and white photograph by Gérard Uféras captures a close view of draped couture fabric held by elegant hands. The body is partially abstracted by folds of dark mate...

ALBERT WATSON (*1942, Scotland) Monkey with Gun, New York City 1992/2015 Chromogenic print from a polaroid positive face mounted to acrylic (Diasec) Sheet 238 x 182,5 cm (93 3/4 x 71...

In 1999, star photographer Michel Comte created a series of images with supermodel Gisele Bündchen in Cannes, France for Vogue Italia. The highly praised artworks are now part of fas...

Gelatin silver print Stamped and numbered, verso 11 x 14 inches, sheet 5 x 7 inches, image (Edition of 15) 16 x 20 inches, sheet 12 x 15.75 inches, image (Edition of 10) From the ...

Toned gelatin silver print Signed, titled, dated, and numbered, recto 14 x 11 inches, sheet (Edition of 25) 20 x 16 inches, sheet (Edition of 25) 24 x 20 inches, sheet (Edition of...

Gelatin silver print Stamped and numbered, verso 11 x 14 inches, sheet 5 x 7 inches, image (Edition of 15) 16 x 20 inches, sheet 11.5 x 16 inches, image (Edition of 15) From the s...

Gelatin silver print Stamped and numbered, verso 14 x 11 inches, sheet 7 x 5 inches, image (Edition of 15) 20 x 16 inches, sheet (Edition of 10) From the series, "Gymnasium" This ...

Photos pictured of information cards after the images of the black and white photos are not included. La Chute D'Icare (The Fall of Icarus) is a original, black and white photograp...

Flower Vendor on Dal Lake by Steve McCurry depicts a man transporting vibrant, multi-colored flowers in a canoe. He paddled down the calm river, passing by a house surrounded by lush...

Moonrise in Mumbai by Steve McCurry is listed as a 20 x 24-inch digital c-print, available in an edition of 30. This photograph is printed on FujiFlex Crystal Archive Supergloss Pape...

Roping a Cloud, IL Ranch, Nevada by Adam Jahiel depicts a cowboy throwing a lasso. The lasso is frozen in time, perfectly framing the small cloud in the sky. A herd of horses surroun...

Contemporary photograph on collotype by Houston, TX artist Delilah Montoya. Photograph shows a young woman wearing a dress and a shawl over her head. The photographed subject holds an infant, a visual reminiscent of the Madonna and Child. The same subject, while surrounded by lit candles, sits against a graffiti backdrop with the word "time" in the bottom left standing out. She looks directly at the camera, confronting the viewer's inquisitive gaze. Titled, signed, and dated by artist. Framed and matted in a red and gold wooden frame. Dimensions Without Frame: H 17.25 in. x W 16.125 in. Artist Biography: Although she was born in Texas and lived in Nebraska into her twenties, photographer and printmaker Delilah Montoya has deep roots in northern New Mexico through her mother's family. Raised by her mother, Montoya observes that women have empowered her family for five generations. Montoya studied photography and printmaking at the University of New Mexico, where she received her bachelor's degree, master's degree, and master of fine arts. She works in a variety of two-dimensional photographic and printing processes as well as creating larger installations. The artist describes her approach as postmodernist and uses documentary strategies to interpret her own distinct vision. Politically, Montoya is committed to exploring issues of identity in terms of a Chicano cultural context:"In my own evolving ideology I question my identity as a Chicana in occupied America, and articulate the experience of the minority woman. I work to understand the depth of my spiritual, political, emotional and cultural icons, realizing that in exploring the topography of my conceptual homeland, Aztlan, I am searching for the configuration of my own vision. " (Montoya n.d.) Montoya is committed to the expression of Chicana experience and history, but she does not consider herself as a feminist. Indeed, Montoya rejects identification as a United States-style feminist because she believes that "Feminists don't give us solidarity. As a Chicana my issues are multifaceted, not just gender, but class, race. " The border, for Montoya, is a politically imposed construct, a part of a United States colonialist enterprise that was forced upon the Chicano community. It is the environment in which Chicano life and history unfolds. Montoya's work explores contemporary and historical issues, sometimes win a humorous twist. Her artist's book for the 1992 Chicano Codices exhibition organized by the Mexican Museum in San Francisco, Codex Delilah: a Journey From Mechica to Chicana (including text by poet Cecilio Garcia-Camarillo), traces the imaginary journey of Six Deer, a character who embodies the contact between indigenous and Spanish culture in her trip "pal norte" towards Aztlan, the "spiritual homeland of her ancestors." As she journeys to the north, the character also journeys forward in time, meeting important Chicanas from the past, including La Llorona...

Edward Serotta Student and Teacher, The Lander School of Budapest. Judaica. silver gelatin print, matted, captioned by hand and hand signed and numbered. B/W photographs document...

In this intimate black and white photograph, Gérard Uféras captures a young performer seated in full ceremonial costume, head bowed, bouquet resting between his feet. The ornate room...

This intimate black and white photograph by Gérard Uféras focuses on the delicate details of Pierre Balmain Haute Couture, autumn/winter 1999/2000. The frame draws close to embroider...

This elegant black and white photograph by Gérard Uféras captures fashion designer Hanae Mori checking the dress of Doris Soffel at the Salzburger Festspiele in Austria. The image co...

Radiant, expansive, and imbued with a sense of quiet narrative, this vivid photograph by Gérard Uféras, captured in 1993, transports the viewer into the heart of Mexico’s agave lands...