1990s Figurative Photography

Buried (Stranger than Paradise) - 1999 Edition of 10, 58x56cm, Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid. Artist inventory Numb...

Photograph signed in ink and with photographer stamp verso and hand written title. Richard Milhous Nixon (January 9, 1913 – April 22, 1994) was the 37th president of the United Stat...

Untitled, from the series "Every Other Day" from the essay "Zoo-Logos" by Eduardo Muñoz is a black and white photograph depicting a bear in the water, lunging at the camera while bar...

Untitled (From the Series "Every Other Day" From the Essay "Zoo-Logos") by Eduardo Muñoz is a black and white photograph of a man wearing an eye mask, sitting on a swing. 12.5 x 18...

MacConnel, Kim Robert (American, California, born 1946) Sri Ranganathanswamy Temple, Trichi, India (an ancient Indian city in India's southern Tamil Nadu state) 1992, commercial phot...

Ed. of 3, includes black frame with white mat. Vincent Ricardel is a photographic artist whose career has spanned the editorial, commercial and fine art worlds of photography. Throughout his career, he has blended his earlier photojournalistic style into his later work, creating a signature brand of photography that reflects his unique perspective. Vincent’s images have been published worldwide. His work is also displayed in numerous private collections throughout the United States and abroad. With a background rooted in photojournalism, Vincent’s work retains a documentary nature, capturing moments that provoke curiosity and often find amusement in life’s unintentional comedy. His artistic vision has earned him recognition and accolades among his audience. “The Call” was made in 1990. The image of a woman talking on a pay telephone...

This is a series of black and white nude photographs that began with analog photography between 1992 and 2005, followed by a transition period to digital photography. Erkaya is curre...

Vintage Photo. The Italian Actress Simona Izzo during the TV program "Prossimamente" 1979.

Vintage Photo. Simona Izzo during the TV program "Prossimamente" 1979.

Artist: Willie Miller, American (1940 - ) Title: South Beach Year: 1998 Medium: Color Photograph Size: 12 in. x 18 in. (30.48 cm x 45.72 cm) Frame Size: 17.5 x 23.5 inches

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice Gallery endeavors are superbly managed. Whether working with corporate clients, interior designers or established collectors, the Robin Rice Gallery guides patrons throughout the selection process, inspiring them to build a stylish collection or striking décor. The Robin Rice Gallery offers a bevy of styles that Robin has procured with her own signature school of artists. Figurative, black and white, water, swim, swimming, lake, Bear lake...

Slim Aarons Laudomia And Alessandro Pucci 1991 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Laudomia Pucci di Barsent...

Greetings, 1992 Photograph 10.25 h × 7.5 w in (26 × 19 cm), Frame 11 x 8 inches Photo mounted to foamcore and framed behind acrylic Hand signed and dated 'Rimma and Valeriy 1992'; Rimma Gerlovina and Valeriy Gerlovin were founding members of the underground conceptual movement Samizdat in the Soviet Union, described in their book Russian Samizdat Art. Based on a play of paradoxes, their work is rich with philosophic and mythological implications, reflected in their writing as well. Their book Concepts was published in Russia in 2012. The work by Rimma Gerlovina and Valeriy Gerlovin is emphatically contemporary. The artist couple were part of the Moscow Conceptualists, their performance Costumes, from 1977, deepened their ongoing work with linguistic semiotic systems and their own bodies. Considering the context in which Gerlovina and Gerlovin made their work—that of political restrictions on public life, of unfreedom, and censorship—their collaborative togetherness must also be read as a space of possibility for political community and resistance. Rimma Gerlovina’s hair is featured prominently in the art of the Gerlovins as a constructing element of the body. Used for the linear drawings her braids transmit transpersonal waves reminiscent of an aura of live filaments. Long loose hairs function as threads of life; streaming in abundance, they allude to Aphrodisiac vitality and Samsonian strength. On the other hand, they are the haircloth worn during mourning and penitence. In New York they continued to make sculptural objects, and their photographic projects grew into an extended series called Photoglyphs. In their photographs, they use their own faces to explore the nature of thought and what lies beyond it. Since coming to the United States in 1980, they had many exhibitions in galleries and museums including the Art Institute of Chicago. The New Orleans Museum of Art launched a retrospective of their photography, which traveled to fifteen cities. Group exhibitions include the Venice Biennale, the Guggenheim Museum, New York, Smithsonian National Museum of American Art, Washington D.C., Bonn Kunsthalle, Germany, Tokyo Metropolitan Museum of Photography, State Tretyakov Gallery, Moscow, and others. Samizdat or “self-published” began in the Soviet Union, and Samizdat art consists mainly of books and magazines published and distributed by the artists who made them. Samizdat art has sources in the innovative books and magazines turned out by the early 20th century Russian avant-garde—artists and writers like Olga Rozanova, Vladimir Mayakovsky, El Lissitzky, and Alexander Rodchenko. Artists as varied as Alexander Archipenko, Leon Bakst, Marc Chagall, Naum Gabo, Alexandra Exter...

Shimon Attie (American, b. 1957), Untitled Memory (Projection of Marsha A.) Ektacolor photograph, 1998, from the Untitled Memory series, Gallery label to verso, Jack Shainman Gallery, New York matted and framed. Frame dimensions 27 3/4 x 32 1/4 in, photo 25 X 31 Provenance: from the Estate of the late Ron and Anne Dees, Fayetteville, North Carolina Ron and Anne Dees were longtime collectors, lovers, and patrons of art. Starting in the late 1990s, they began their art acquisition and collection, focusing substantially on contemporary art. Their affinity for art went far beyond simply collecting and displaying. Ron served as a docent at the esteemed Corcoran Gallery of Art in Washington, DC, from the late 1990s into the 2000s. In the series "Untitled Memory," Attie revisited his former (and then-deserted) apartment in San Francisco, projecting black-and-white snapshots of his friends and family in spaces that they previously occupied. The desaturated figures have a specter-like appearance and are often depicted in repose or rest, as if in a perpetual state of waiting. The juxtaposition between the projected images and the empty rooms reminds viewers of the fragility of memory, and how sites are activated/changed by presence and absence. Shimon Attie (born Los Angeles in 1957) is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Rome Prize in 2001 and a Visual Artist Fellowship from Harvard University's Radcliffe Institute for Advance Study in 2007. His work spans a variety of media, including photography, site-specific installation, multiple channel immersive video installation, performance, and new media. Much of Attie's practice explores how a wide range of contemporary media may be used to re-imagine new relationships between space, time, place, and identity. Much, though not all, of Attie's work in the 90s dealt with the history of the second world war. He first garnered significant international attention by slide projecting images of past Jewish life onto contemporary locations in Berlin. More recent projects have involved using a range of media to engage local communities to find new ways of representing their history, memory and potential futures. Attie's artworks and interventions are site-specific and immersive in nature, and tend to engage subject matter that is both social, political and psychological. In 2013, Five monographs have been published on Attie's work, which has also been the subject of a number of films, which have aired on PBS, BBC, and ARD. Since receiving his MFA Degree in 1991, Attie has realized approximately 25 major projects in ten countries around the world. Most recently, in 2013-14, Shimon Attie was awarded the Lee Krasner Lifetime Achievement Award in Art. He was born in 1957 and received an MFA in 1991. In 1991 he moved to Germany from his previous home in Northern California, and began to make work initially about Jewish identity and the history of the second world war. His work later evolved to engage broader issues of memory, place and identity more generally. Shimon Attie moved to New York City in 1997. Shimon Attie's work has been extensively reviewed by a wide variety of publications, including features and/or reviews in The New York Times, The Washington Post, The Los Angeles Times, Art in America, Art News, Art Forum, The Village Voice, The Boston Globe, and many others. Yasaman Alipour, writing in "The Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture", on Shimon Attie's solo exhibition "Facts on the Ground" at Jack Shainman Gallery in New York City: Attie achieves something profound: he presents a unique opportunity to contemplate Israel/Palestine without the distraction that is simultaneously a manifestation of the limitations of visual of written language and the possibilities of their alliance." Norman Kleeblatt, writing in a cover story for "Art in America" "Like many other artists in the wake of Marcel Broodthaers...

Shimon Attie (b. 1957) Joachimstrasse, Ecke, Auguststrasse, Berlin, 1994 Edition 3/3 Dye coupler print on Kodak Ektacolor paper 27 x 34 inches (68.6 x 86.4 cm) (image) 34 x 40 inches (sheet) Presents well. Framed Dimensions 36.25 X 42.5 From series The Writing on the Wall. Attie projected found pre-war images of Jewish street-life in Berlin onto the same or nearby addresses in 1992/1993. Through this intervention, fragments of the past were introduced into the visual field of the present; long destroyed Jewish community life were visually simulated, momentarily recreated. The Writing on the Wall project was realized in Berlin’s former Jewish quarter, the Scheunenviertel, located in the Eastern part of the city, close to the Alexanderplatz. At the heart of Berlin, the Scheunenviertel was a center for eastern European Jewish immigrants from the turn of the century. The few historical photographs which remained after the Holocaust reflect the world of the Jewish working class rather than that of the more affluent and assimilated German Jews who lived mostly in the western part of the city.The juxtaposition between the projected images and the empty rooms reminds viewers of the fragility of memory, and how sites are activated/changed by presence and absence. Shimon Attie (born Los Angeles in 1957) is an American visual artist. He was awarded a Guggenheim Fellowship in 2008, The Rome Prize in 2001 and a Visual Artist Fellowship from Harvard University's Radcliffe Institute for Advance Study in 2007. His work spans a variety of media, including photography, site-specific installation, multiple channel immersive video installation, performance, and new media. Much of Attie's practice explores how a wide range of contemporary media may be used to re-imagine new relationships between space, time, place, and identity. Much, though not all, of Attie's work in the 90s dealt with the history of the second world war. He first garnered significant international attention by slide projecting images of past Jewish life onto contemporary locations in Berlin. More recent projects have involved using a range of media to engage local communities to find new ways of representing their history, memory and potential futures. Attie's artworks and interventions are site-specific and immersive in nature, and tend to engage subject matter that is both social, political and psychological. In 2013, Five monographs have been published on Attie's work, which has also been the subject of a number of films, which have aired on PBS, BBC, and ARD. Since receiving his MFA Degree in 1991, Attie has realized approximately 25 major projects in ten countries around the world. Most recently, in 2013-14, Shimon Attie was awarded the Lee Krasner Lifetime Achievement Award in Art. Judaica subject matter. He was born in 1957 and received an MFA in 1991. In 1991 he moved to Germany from his previous home in Northern California, and began to make work initially about Jewish identity and the history of the second world war. His work later evolved to engage broader issues of memory, place and identity more generally. Shimon Attie moved to New York City in 1997. Shimon Attie's work has been extensively reviewed by a wide variety of publications, including features and/or reviews in The New York Times, The Washington Post, The Los Angeles Times, Art in America, Art News, Art Forum, The Village Voice, The Boston Globe, and many others. Yasaman Alipour, writing in "The Brooklyn Rail: Critical Perspectives on Arts, Politics, and Culture", on Shimon Attie's solo exhibition "Facts on the Ground" at Jack Shainman Gallery in New York City: Attie achieves something profound: he presents a unique opportunity to contemplate Israel/Palestine without the distraction that is simultaneously a manifestation of the limitations of visual of written language and the possibilities of their alliance." Norman Kleeblatt, writing in a cover story for "Art in America" "Like many other artists in the wake of Marcel Broodthaers...

The weavers is a black and white vintage photo, realized in Mid-20th Century. Good conditions and aged. It belongs to a historical and nostalgic album including historical moments,...

A quiet stretch of coastline in Porto Ercole, Tuscany, July 1991 Slim Aarons 'Porto Ercole Beach' Porto Ercole, Tuscany, Italy Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. 60 x 40 inches $3950 40 x 30 inches $3350 30 x 20 inches $3000 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons, Porto Ercole, Italy, Il Pelicano, Vintage Glamour, 70s photography...

A quiet stretch of coastline in Porto Ercole, Tuscany, July 1991. Slim Aarons 'Porto Ercole Beach' Porto Ercole, Tuscany, Italy Chromogenic Lambda print Printed Later Slim Aarons Estate Edition Complimentary dealer shipping to your framer, worldwide. Stamped and hand numbered by the Slim Aarons Estate. Certificate of Authenticity included. 60 x 40 inches $3950 40 x 30 inches $3350 30 x 20 inches $3000 Complimentary dealer shipping to your framer, worldwide. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). * Undercurrent Projects, New York, is proud to represent Aarons' full collection of negatives and transparencies. Housed at Getty Images Hulton Archive in London, The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Internal: Slim Aarons, Porto Ercole, Italy, Il Pelicano, Vintage Glamour, 70s photography, vintage Seaside...

Players in the Fairfield County Hunt Club's croquet tournament, Fairfield, New England. Slim Aarons Fairfield Croquet Chromogenic Lambda print Slim Aarons Estate Edition 40 x 60 inches $3950 30 x 40 inches $3350 20 x 30 inches $3000 Complimentary dealer shipping to your framer. Over the course of a career lasting half a century, Slim Aarons (1916-2006) portrayed high society, aristocracy, authors, artists, business icons, the celebrated and their milieu. In doing so, he captured a golden age of wealth, privilege, beauty and leisure that occurred alongside—but quite separate from—the cultural and political backdrop of the second half of the Twentieth Century. The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone. Photograph is unframed Slide show includes a close-up of the Slim Aarons estate's stamp. Collector will get the next number in the edition * We are pleased to offer the entire archive of the Slim Aarons Estate, offering the official Slim Aarons Estate Edition (only offered in this edition of 150). Please contact us for additional photographs from Slim Aarons * Internal: Vintage croquet...

Ed. of 5, includes black frame with white mat. "Seaweed Man" was taken during a scheduled fashion shoot. The model spontaneously placed seaweed across his face, creating an unexpected mysterious scene. Vincent Ricardel...

"Marilyn Monroe NYC 1954 Seven Year Itch" is a photograph printed in 1990 from the 1954 original negative. It is signed by the artist George Zimbel ...

Widow Exits Restaurant by Steve McCurry is listed as a 20 x 24 inch digital c-print, available in an edition of 30. This photograph is printed on FujiFlex Crystal Archive Supergloss ...

Contemporary photograph on collotype by Houston, TX artist Delilah Montoya. Photograph shows a young woman wearing a dress and a shawl over her head. The photographed subject holds an infant, a visual reminiscent of the Madonna and Child. The same subject, while surrounded by lit candles, sits against a graffiti backdrop with the word "time" in the bottom left standing out. She looks directly at the camera, confronting the viewer's inquisitive gaze. Titled, signed, and dated by artist. Framed and matted in a red and gold wooden frame. Dimensions Without Frame: H 17.25 in. x W 16.125 in. Artist Biography: Although she was born in Texas and lived in Nebraska into her twenties, photographer and printmaker Delilah Montoya has deep roots in northern New Mexico through her mother's family. Raised by her mother, Montoya observes that women have empowered her family for five generations. Montoya studied photography and printmaking at the University of New Mexico, where she received her bachelor's degree, master's degree, and master of fine arts. She works in a variety of two-dimensional photographic and printing processes as well as creating larger installations. The artist describes her approach as postmodernist and uses documentary strategies to interpret her own distinct vision. Politically, Montoya is committed to exploring issues of identity in terms of a Chicano cultural context:"In my own evolving ideology I question my identity as a Chicana in occupied America, and articulate the experience of the minority woman. I work to understand the depth of my spiritual, political, emotional and cultural icons, realizing that in exploring the topography of my conceptual homeland, Aztlan, I am searching for the configuration of my own vision. " (Montoya n.d.) Montoya is committed to the expression of Chicana experience and history, but she does not consider herself as a feminist. Indeed, Montoya rejects identification as a United States-style feminist because she believes that "Feminists don't give us solidarity. As a Chicana my issues are multifaceted, not just gender, but class, race. " The border, for Montoya, is a politically imposed construct, a part of a United States colonialist enterprise that was forced upon the Chicano community. It is the environment in which Chicano life and history unfolds. Montoya's work explores contemporary and historical issues, sometimes win a humorous twist. Her artist's book for the 1992 Chicano Codices exhibition organized by the Mexican Museum in San Francisco, Codex Delilah: a Journey From Mechica to Chicana (including text by poet Cecilio Garcia-Camarillo), traces the imaginary journey of Six Deer, a character who embodies the contact between indigenous and Spanish culture in her trip "pal norte" towards Aztlan, the "spiritual homeland of her ancestors." As she journeys to the north, the character also journeys forward in time, meeting important Chicanas from the past, including La Llorona...

Historical Photo -Soldier, Albany is a black and white vintage photo, realized in 1991 in Vallona. Good conditions, with some decoloration spots and aged margins. It belongs to a h...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Monks Praying at Golden Rock by Steve McCurry presents a group of men praying next to a giant rock. The four men are dressed in red, with their hands in prayer raised to their forehe...

Toned silver gelatin print (printed 2003), , signed, dated and numbered (verso), edition '8/25', 33cm x 22cm (image size), (49cm x 37cm framed). (N.B. although this is an edition of ...

Juliette Binoche is a vintage black and white photograph realized in the 1990s. Good conditions.

Manifestation Marco Pannella and Emma Bonino is a vintage black and white photograph realized in the 1970s. Good conditions.

Robert Ashley a Portrait is a vintage black and white photograph realized in the 1990s. Good conditions.

This listing is for the unframed photograph. Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive ...

Louis Malle and Claudia Cardinale is a  vintage photo, realized in the 1990s.

Louis Malle at 46* Cannes Film Festival is a  vintage photo, realized in 1993. The artwork is a well-balanced composition.

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Slim Aarons Posing At Cap Ferrat 1991 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Marie Chantal Miller...

Gender Equality - National Library in Italy is a black and white vintage photo, realized in the 1990s. It belongs to historical album including photo reportages of historical moment ...

Herbert von Karajan is an original photograph realized in the 1980s. Good conditions.

Men attend Mine Awareness Program in Kandahar by Steve McCurry is a color photograph depicting a group of people in the desert, gathered around one man teaching the group with visual...

Christine Gerhard The Wall Design C-Print on Aluminum Substrate Year: 1999 Signed, numbered, dated and titled by hand Edition: 5 Size: 32.0 × 25.7 inches COA provided

"Graveyard Spirits" is an original fine-art performance photograph by Robert Kawika Sheer. This piece is signed in the lower right and editioned in the lower left. Edition: 64/250. T...

This photograph is printed on Japanese Paper. The price is for an unframed photograph. The Robin Rice Gallery is pleased to announce, 25 Years of Polaroids, a new exhibit by Jose ...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Slim Aarons Posing At Cap Ferrat 1991 C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. Marie Chantal Miller...

'Under the Manhattan Beach Pier No. 1' exemplifies the long-exposure photography of Robert Kawika Sheer. The artist signed this piece in the lower right and editioned in the lower le...

RUN DMC at KIT KAT CLUB, New York City circa 1995 by heralded NY underground photographer Fernando Natalici. Notes Natalici: "I was taking pictures of DMC backstage prior to the show for the club and asked RUN if I could go on the stage for 2 minutes and get some shots showing the audience reaction, he said: right side, during “Walk This Way'... and the rest is history." Archival inkjet print. Dimensions: 20 x 16 inches Excellent overall condition. Hand-signed & numbered on the reverse from a limited edition of 20. Obtained directly from artist. About Fernando Natalici New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s art design featured in the Jeffrey Deitch curated show “Area” at The Hole Gallery NYC in 2013, with his film stills from "Unmade Beds" & "The Foreigner"- two of the most significant underground films of the 1970’s New York Punk scene, exhibited at The Museum of The Moving Image in 2015. Recent Publications & Exhibits Jim Jarmusch: Music, Words & Noise (2015) Another Magazine (London, 2014) Black Book (2014) Curbed NY (2014) Photography Now (2013) The Museum of The Moving Image (New York, 2015) The Hole Gallery NYC (New York, 2014) The Chelsea Hotel (New York 2013) New York University Tisch School of The Arts (2013) _ Run-DMC was an American hip hop group from Hollis, Queens, New York, founded in 1981 by Joseph Simmons, Darryl McDaniels, and Jason Mizell. Run-DMC is widely acknowledged as one of the most influential acts in the history of hip hop culture and one of the most famous hip-hop acts of the 1980s. Along with LL Cool J, The Beastie Boys, and Public Enemy, the group pioneered new school hip-hop music. Run-DMC was the first group in the genre to have a gold album (Run–D.M.C., 1984) and be nominated for a Grammy Award. They were the first to earn a platinum record...

Vintage Photo. The Italian Actress Valeria Golino receives the prize at the international exhibition of Cinema

Mick Jagger with Jerry Hall is a black and white photograph realized in 1990s The Photo immortalizes Mick Jagger and wife in the early nineties.

Edition 5 of 15. CURRENT EXHIBITION - runs through October 29th, 2017. Any framed photographs purchased during the show will be available after October 29th. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph.” ABOUT In 2008, Andrew Arrick and Michael Hofeman first came across The Robin Rice Gallery and immediately fell in love with the fine art photography becoming fans and collectors of the work. On a visit to the gallery this past winter, Michael and Andrew had a brilliant idea to join forces with Robin to curate an exhibition in tune with the aesthetic of their vintage lifestyle boutique, FINCH hudson...

Gianni Morandi - Vintage Photo is a vintage black and white photograph realized in the 1990s. Good conditions.

Gianni Morandi - Vintage Photo is a vintage black and white photograph realized in the 1990s. Good conditions.

Robin Rice Gallery from New York and Bridgehampton comes to Beacon, NY. This year, as part of the Beacon Open Studios 10th Anniversary event, Robin Rice Gallery is proud to present a...

Virna Lisi - Golden Period of Italian Cinema is a vintage black and white photograph realized in the 1990s. Good conditions. Virna Lisi Born on November 8...

Moonrise in Mumbai by Steve McCurry is listed as a 20 x 24-inch digital c-print, available in an edition of 30. This photograph is printed on FujiFlex Crystal Archive Supergloss Pape...

Robin Rice is a successful gallerist and photographer having spent the past 40 years living and working in New York City and Bridgehampton. While still the owner of the Robin Rice Gallery in New York City, where she continues to represent and nurture artists from around the world, she has taken the bold step of moving to the Lofts in Beacon, NY to focus on her own work as a fine art photographer. Robin is carefully unearthing and curating her extensive personal collection dating back to when she was 16 years old. Her mission is simple: to document the world around her in a cinematic way. Whether capturing the grit of New York in its glory days of Studio 54 or the innate beauty of tucked-away South American landscapes or the reflective moments of unknowing subjects, her photographs are always authentic. As a photographer, she has a dreamy and bohemian way of portraying people and situations that is reflective of the way she lives her life situations connecting to people through art, food, travel and dance. Her meticulous eye, attention to detail and innate instinct for visual excellence are only some of the traits that make Robin’s photography exceptional in every way. This photograph shows Robin's love for classic black and white American photography. As she captures a woman biking through a Hampton's tree farm...

Steve McCurry Man and Taj Reflection, 1999 20x24 inch edition of 30 Also available in 30x40 inch edition of 15 40x60 inch edition of 10

Listing is for UNFRAMED print. Inquire within for framing. Edition 1 of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is p...

Patti Smith Ann Arbor, Michigan 1995: An intimate & charming photo of rock goddess Patti Smith by legendary Detroit photographer Leni Sinclair - Kresge Foundation's Eminent Artist of...

Slim Aarons Karen Davis 1978 (printed later) C print Estate stamped and hand numbered edition of 150 with certificate of authenticity from the estate. American opera singer Karen Davis arrives at the Palace Hotel in an antique sleigh...