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Delilah Montoya Art

b. 1955

Although she was born in Texas and lived in Nebraska into her twenties, photographer and printmaker Delilah Montoya has deep roots in northern New Mexico through her mother's family. Raised by her mother, Montoya observes that women have empowered her family for five generations.

Montoya studied photography and printmaking at the University of New Mexico, where she received her bachelor's degree, master's degree, and master of fine arts. She works in a variety of two-dimensional photographic and printing processes as well as creating larger installations. The artist describes her approach as postmodernist and uses documentary strategies to interpret her own distinct vision.

Politically, Montoya is committed to exploring issues of identity in terms of a Chicano cultural context:"In my own evolving ideology I question my identity as a Chicana in occupied America, and articulate the experience of the minority woman. I work to understand the depth of my spiritual, political, emotional and cultural icons, realizing that in exploring the topography of my conceptual homeland, Aztlan, I am searching for the configuration of my own vision. " (Montoya n.d.) Montoya is committed to the expression of Chicana experience and history, but she does not consider herself as a feminist. Indeed, Montoya rejects identification as a United States-style feminist because she believes that "Feminists don't give us solidarity. As a Chicana my issues are multifaceted, not just gender, but class, race. "

The border, for Montoya, is a politically imposed construct, a part of a United States colonialist enterprise that was forced upon the Chicano community. It is the environment in which Chicano life and history unfolds. Montoya's work explores contemporary and historical issues, sometimes win a humorous twist. Her artist's book for the 1992 Chicano Codices exhibition organized by the Mexican Museum in San Francisco, Codex Delilah: a Journey From Mechica to Chicana (including text by poet Cecilio Garcia-Camarillo), traces the imaginary journey of Six Deer, a character who embodies the contact between indigenous and Spanish culture in her trip "pal norte" towards Aztlan, the "spiritual homeland of her ancestors." As she journeys to the north, the character also journeys forward in time, meeting important Chicanas from the past, including La Llorona, La Conquistador, and activist Velia Silva. This effort to reimagine a forgotten and ignored history integrates several elements to affirm the importance of both historical and contemporary mestizaje to Chicana survival.

Another project, "El Sagrado Corazon/The Sacred Heart," involved the Albuquerque Chicano community in an exploration of the syncretism, or mixing, of Catholicism and Aztec philosophy. These collotype portraits depict members of the community as well as cultural personages, such as "La Genizara" (a Hispanicized Native American) and "La Loca y Sweetie," barrio "home girls."

(Biography provided by Reeves Antiques)
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“Madonna and Child” Contemporary Photography on Collotype Edition 1/1
By Delilah Montoya
Located in Houston, TX
Contemporary photograph on collotype by Houston, TX artist Delilah Montoya. Photograph shows a young woman wearing a dress and a shawl over her head. The photographed subject holds a...
Category

1990s Contemporary Delilah Montoya Art

Materials

Photographic Paper

“God’s Gift” Contemporary Photograph on Collotype
By Delilah Montoya
Located in Houston, TX
Category

1990s Contemporary Delilah Montoya Art

Materials

Photographic Paper

“Treyolia” Black and White Conceptual Contemporary Photograph
By Delilah Montoya
Located in Houston, TX
Category

1990s Contemporary Delilah Montoya Art

Materials

Silver Gelatin

Jackie Chavez
By Delilah Montoya
Located in Dallas, TX
Signed, titled, and dated. Gelatin silver print 20 x 16 in.
Category

Early 2000s Conceptual Delilah Montoya Art

Materials

Silver Gelatin

Corazon Sagrado
By Delilah Montoya
Located in Dallas, TX
Edition 1/1 Signed, titled, dated and numbered in pencil on print margin. Collotype print
Category

1990s Conceptual Delilah Montoya Art

Materials

Other Medium

El Grito De La Gitana, from Corazon Sagrado series
By Delilah Montoya
Located in Dallas, TX
Edition 1/1 Signed, titled, dated and numbered in pencil on print margin. From the series, Corazon Sagrado Collotype print
Category

1990s Conceptual Delilah Montoya Art

Materials

Other Medium

God's Gift, from Corazon Sagrado series
By Delilah Montoya
Located in Dallas, TX
Edition 1/1 Signed, titled, and dated in pencil on print margin. From the series, Corazon Sagrado Collotype print
Category

1990s Conceptual Delilah Montoya Art

Materials

Other Medium

Without innocence how can there be wisdom, from Corazon Sagrado series
By Delilah Montoya
Located in Dallas, TX
Edition 1/1 Signed, titled, dated and numbered in pencil on print margin. Collotype print
Category

1990s Conceptual Delilah Montoya Art

Materials

Other Medium

El Matachin/Moro
By Delilah Montoya
Located in Dallas, TX
Edition 1/1 Signed, titled, dated and numbered in pencil on print margin. Collotype print
Category

1990s Contemporary Delilah Montoya Art

Materials

Other Medium

La Guadalupana
By Delilah Montoya
Located in Dallas, TX
A/P Signed, titled, dated, and print date.
Category

1990s Contemporary Delilah Montoya Art

Materials

Archival Pigment

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