Fabien Mara Art

Listing is for UNFRAMED print. Inquire within for framing. Edition of 1 of 10 If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph This exhibition is a visual dance of contradictions. Whimsical and sophisticated. Stylistic and simple. Studied and carefree. That’s what emerges when you take a photojournalist by study, fashion photographer by trade and fine artist by instinct and leave him alone with his camera and a muse. Burris’ work is influenced by his early career spent working with fashion photographer Bill King and inspired by the decisive moment made known by the Henri Cartier Bresson. He defies the confines of either discipline. It is not fashion photography, which is by nature produced, but rather purely spontaneous. Todd left the world of fashion photography after building his own career in Milan and New York to go to LA and find his niche. He embraced his fascination with flea markets and penchant for discarded items that wouldn’t ever be chosen because they were trendy but because they were interesting. Burris packed his 1979 white Pontiac station wagon with his finds. When he came upon a stage that fit the props, he called on his muses and created a visual story on the spur of a moment. The collection of black and white images conveys a sense of effervescence and Élan. It includes photographs from Burris' time in Los Angeles as well as earlier experimental work in Milan and New York City. Anything but superficial, the invitational image, "Paget #1" challenges the traditional symmetry of beauty. We see a dramatic close up of a woman’s face, her intense eyes framed by the stark contrast between her porcelain skin and jet black hair. The lighting is such that her face is divided by shadow, one half dark and mysterious, the other half light and classically beautiful. The effect is deeply engaging. The viewer doesn’t know when the photo was taken but you want to know more. In “Mercer Street...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

Nan Goldin Bea with a whip at The Other Side 1973 Gelatin silver print 14 x 11 inches; 36 x 28 cm Edition of 100 Signed, titled, dated, and numbered in graphite (lower right verso) ...

"The Glimmer Twins - Mick Jagger" Photography 20x15 in by Charlie Auringer Year: 1978 Edition of 50 Medium: Silver gelatin limited edition photographic print on paper Signed and num...

One of the most famous members of the Humanist photography in France. Signed lower right by the artist. Stamp of the artist's studio on the back.

One of the famous members of the Humanist photography in France. Signed lower right by the artist. Stamp of the artist's studio on the back.

"Embrace" Figurative Photography 36" x 24" in Ed. 1/7 by Aaron Mcpolin Signed and numbered by the artist. Comes with COA issued by the artist. Archival Giclee Print NOT framed. Shi...

This is a 2002 contact sheet (a positive print of all the negative images from a roll of 35mm film or medium format film) of youthful-looking Daniel Craig...

"Calling" Figurative Photography 36" x 24" in Ed. 1/7 by Aaron Mcpolin Signed and numbered by the artist. Comes with COA issued by the artist. Archival Giclee Print NOT framed. Shi...

The history of photography has always included the genre of the nude. In the last decade, there is a new perspective in considering the female form. Women photographers are able to capture the nude, not from a position of who holds the power in the relationship, to more of an examination of form without the whisper of sexuality. I have recently revisited my exploration of nudes, this time only from behind the camera. My revelation is that I perceive the subject as a whole, complex human being, giving me the gift of seeing them profoundly. The performance of photographer and subject is on equal footing as we both work within an area of trust and curiosity. What are we really revealing to the camera as one stands before it? Ultimately the experience connects us not only in our shared experience, but as two women, both bringing a level of acceptance and courage to our efforts. It is exhilarating to change the masculine history of photography into a feminine one. Lisa McCord is a fine art and documentary photographer from the Arkansas Delta...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...

For years, Jahiel has been photographing the cowboys of the Great Basin–perhaps one of the most inhospitable regions of the already rugged West. These people represent one of the l...