Edward Weston

Nude

1920

Louise Nevelson (1899-1988) stands as one of the most important artists of the 20th century. She is renowned for her monochromatic sculptural wooden constructions. However it is imp...

Attila Richard Lukacs (b. 1962) is one of Canada's most distinctive if not revolutionary Canadian figurative painters. Lukacs established his reputation in the 1980s by creating astonishing large-scale paintings that depicted skinheads, construction workers, and other masculine archetypes in elaborate and erotic scenes. The physical presence of the Lukacs' male subjects stands out as one of the artist's most distinctive aesthetic elements. With meticulous attention to form and proportions, Lukacs skillfully renders his young men with expressive brushwork and an intense, moody palette reminiscent of the old masters. Despite the monumental scale of his canvases, Lukacs begins his creative process with a much more intimate and modern day tool: the Polaroid. Because of its immediacy and simplicity it became an essential part of his process in the 80's and 90's. As a result the artist amassed a trove of over 1,200 Polaroids that depict lovers, friends, and anonymous models in a various poses that serve as a starting point for his paintings. In this grid of Polaroids, "Alex" is a young man posing nude on top of a tarp. The exceptional warmth and rich hues infuse this series of 12 Polaroids with a sensual and painterly quality, a characteristic that is undoubtably present throughout the artist's oeuvre. From 2009-2012 a large touring exhibition devoted to Lukacs' Polaroids was shown at several museums across Canada including Museum London and the Art Gallery of Alberta. Working with Michael Morris...

Robert Mapplethorpe's (1946-1989) place in the canon was earned from his incredible output of images that ranged from beautiful to brutal. Though known for his unrivalled output in...

Claudio Bravo (1936-2011) is a renowned Chilean artist, best known for his meticulous hyperrealist artworks. Bravo is celebrated for his intricate precision which captures his distin...

Titled with artist's reference number and signed in pencil by Cole Weston with Edward Weston's facsimile signature on back of mount. Printed later by Edward's son Cole Weston. The We...

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Printed later by Cole Weston.

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Negative Code 63N. Printed later by Cole Weston.

Titled with artist's reference number on back of mount. Stamped, 'Edward Weston printed by' and signed by Cole Weston on back of mount. Inscribed. Printed from the original negative by Cole Weston. Edward Weston, (1886 - 1958) Edward Weston was an American photographer, and co-founder of Group f/64. Most of his work was done using an 8 by 10 inch view camera. In 1902, he received his first camera for his sixteenth birthday, a Kodak Bull's-Eye #2, and began taking photographs in parks in Chicago and at his aunt's farm. The young Weston met with quick success, and his photographs were already being exhibited at the Chicago Art Institute merely a year later, in 1903. Weston worked mainly with nudes, still life - his shells and vegetable studies were especially important - and landscape subjects. After a few exhibitions of his works in New York, he went on to found Group f/64 in 1932 with fellow photographers Ansel Adams, Willard van Dyke...