Dye Transfer Nude Photography

Burned II (Self Portrait), 1999 Edition of 1/10, 40x40cm Print on Velvet Watercolor, 310gsm, No OBAs, Bright White, Acid Free based on an original Polaroid. Signature label and Certificate. Not mounted. Artist Inventory No 311.01. A German view of the American West The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century? Born in Germany in 1968, photographer Schneider divides her time between Berlin and Los Angeles. Her process begins in the American West, in locations such as the planes and deserts of Southern California, where she photographs her subjects. In Berlin, Schneider develops and enlarges her works by hand. What is initially most striking about Schneider's images is the color of her Polaroid film but her role in preserving the use of Polaroid film is one aspect of her work that has gained great respect from her contemporaries and the critics, as her work came about during a time when the Polaroid, a symbol of American photography, was on the road to extinction. This theme of preservation and deterioration is a core part of Schneider's oeuvre. In an interview in October 2014 with Artnet, the artist explained how her own experiences of pain and loss inspire her. ''My work resembles my life: Love, lost and unrequited, leaves its mark in our lives as a senseless pain that has no place in the present.'' ''The ex-lover experiences the residues of love as an amputee experiences the sensation of a ghost limb.'' - Stefanie Schneider Schneider's subjects are often featured in apocalyptic settings: desert planes, trailer parks, oilfields, run-down motels and empty beaches, alone, or if not, not connected with one another. ''It is the tangible experience of ''absence'' that has inspired my work'', explained Schneider. Barnebys, May 3rd, 2017 Stefanie Schneider is a contemporary German photographer and film artist. Her work is characterized by its uniform formal aesthetic and its faded imagery, which she produces through the chemical deterioration of expired film. Schneider’s focus is on the exclusive depiction of young women living in California, clothed in retro dress and evoking nostalgic home photography or vintage film stills...

Series: Provocateur Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs...

RANONKEL #2, 2009 [From the series Need to Be] Published in her book The Eyes of the Fox, 2018 30x40x2cm. Digital archival pigment print based on an original Polaroid on museum qual...

"Kate Moss 7. Bronze & Green" Photography 56x40 in Ed. 1/1 by Kate Garner Hahnemuhle fine art archival paper Kate Garner: Seeker, Sage, and Preservationist of Identity A thoughtfu...

Underwater nude photograph of Russian celebrity singer Katya Lee. The photograph is mostly black and white except for the red scarf. Original digital print on archival paper signed...

An underwater photograph of a naked women diving next to her red dress. Original gallery quality digital archival pigment print on metallic paper signed by the artist. Paper size: 1...

Camisole - 2018 Published in Carmen De Vos's new book 'The Eyes of the Fox'. 80x80cm, Edition of 5, Digital archival pigment print 
based on an original Polaroid
 on beautiful PHO...

RANONKEL #1, 2009 [From the series Need to Be] Published in her book The Eyes of the Fox, 2018 30x40x2cm. Digital archival pigment print based on an original Polaroid on museum qual...

Nick Vedros Venus Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1990s Size: 15x10in Edition: 15 Signed, dated and numbered by...

Wheel Chair Corridor (Burned) - 1999 Edition of 10, 40x40cm Analog hand print, on Velvet Watercolor, 310gsm, No OBAs, Bright White, Acid Free based on the Polaroid. Signature labe...

Low Gain Series, 2019, Edition 1/10 plus 2 Artist Proof, 50x50cm, Digital Print based on a Polaroid on Hahnemühle photo rag paper, not mounted. Signed on back with certificate. A...

"Untitled 2 (Mustang)" Photography 24" x 32" inch Edition of 7 by Larsen Sotelo From the Mustang series Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish ...