Plexiglass Nude Photography
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37
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5,077
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26
23
Style: Contemporary
Medium: Plexiglass
TooLess 5680, Nude. Color Photograph Mounted on Museum Plexiglass
By Koray Erkaya
Located in Miami Beach, FL
TooLess 3D versions of the photographs of the TooLess series create a miss perception of the human brain. The first layer of the photo texture is formed by very small black and white...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
C Print, Archival Pigment, Plexiglass
No title (No 49) Photography 26 x 32 inch Edition of 25 by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 49) Photography 26 x 32 inch Edition of 25 by Yevgeniy Repiashenko
This artwork is part of "Spirit" series.
The picture shows a frozen movement of professional ballerin...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Archival Paper, Pigment, Plexiglass
"S2L" (FRAMED) Photography 44" x 44" inch Edition 1/10 by Giuliano Bekor
Located in Culver City, CA
"S2L" (FRAMED) Photography 44" x 44" inch Edition 1/10 by Giuliano Bekor
"S2L" from SCULPT series
Original photography by Giuliano Bekor
44" x 44" inch
Edition of 10
Archival pigment print mounted on dibond
Custom frame comes with non reflective museum glass
SCULPT series
The body is a vessel for the soul. The movement of every muscle – a hand position, an arch in the back, the nape of a neck – reveals the innermost continuum of the spirit. Together, lines and sinew form an emotional narrator. Using contrast, texture, and the language of the human body, this collection exposes the intersection of physical and non-physical, the marriage of tactile and ethereal.
ABOUT THE ARTIST
Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art.
Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists.
With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work.
Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style.
For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens.
His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered.
If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous.
The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak.
EXHIBITION HIGHLIGHTS
Giuliano Bekor’s most recent fine art photography solo shows include:
2019 - March Lips The cool HeArt gallery Sofitel Hotel Beverly Hills CA;
2019 - February Modernismo Hôtel Plaza Athénée...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
TooLess 7225, 3D Nude Color Photograph. Framed Lightbox
By Koray Erkaya
Located in Miami Beach, FL
TooLess 3D versions of the photographs of the TooLess series create a miss perception of the human brain. The first layer of the photo texture is formed by very small black and white...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
C Print, Archival Pigment, Plexiglass, Wood, Lights
TooLess 4420 and 5700. Color Nude Photographs Mounted on Museum Plexiglass
By Koray Erkaya
Located in Miami Beach, FL
TooLess 3D versions of the photographs of the TooLess series create a miss perception of the human brain. The first layer of the photo texture is formed by very small black and white...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Plexiglass, C Print, Archival Pigment
LOTUS (No 30) Photography Ed. of 25 32x32 inch by Yevgeniy Repiashenko
Located in Culver City, CA
LOTUS (No 30) Photography Ed. of 25 32x32 inch by Yevgeniy Repiashenko
Year photo was taken: 2019
This picture is a part of Spirit series.
The picture shows the frozen movement of the dancer...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
TooLess 5680, 3D Nude. Limited edition color photograph. Framed Lightbox
By Koray Erkaya
Located in Miami Beach, FL
TooLess 3D versions of the photographs of the TooLess series create a miss perception of the human brain. The first layer of the photo texture is formed by very small black and white...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Plexiglass, C Print, Archival Pigment, Wood
No title (No 39) Photography Edition of 25 32x32 inch by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 39) Photography Edition of 25 32x32 inch by Yevgeniy Repiashenko
No title (No 39)
Photography
Edition of 25 (32 x 32 inch) by Yevgeniy Repiashenko
Year photo was taken: 2016
This picture is a part of Spirit series.
The picture shows the frozen movement of the dancer.
Gold body make-up is put on the dancer's body.
Photography on Diasec and Dibond
This acrylic (Plexiglas) photo print is created with unique technology with 50mm transparent area around the picture and photo-clear contours. Mounting the photo under 6mm of glossy acrylic glass creates rich colors and strong contrasts and adds a clear sense of depth to the picture. Acrylic photo...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
TooLess 5700, Nude. Color Photograph mounted on Museum Plexiglass
By Koray Erkaya
Located in Miami Beach, FL
TooLess 3D versions of the photographs of the TooLess series create a miss perception of the human brain. The first layer of the photo texture is formed by very small black and white...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
C Print, Archival Pigment, Plexiglass
"Veris" Photography Edition of 18 45" x 45" inch by Yevgeniy Repiashenko
Located in Culver City, CA
"Veris" Photography Edition of 18 45" x 45" inch by Yevgeniy Repiashenko
Veris
Photography
Edition of 18 (45 x 45 inch) by Yevgeniy Repiashenko
...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
No title (No 15) Photography Edition 2/25 32x32in by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 15) Photography Edition 2/25 32x32in by Yevgeniy Repiashenko
No title (No 15) by Yevgeniy Repiashenko
Year photo was taken: 2016
Limited Edition of 25
This photo work ...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment
No title (No 03) Photography Edition of 25 32x32 inch by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 03) Photography Edition of 25 32x32 inch by Yevgeniy Repiashenko
No title (No 03)
Photography
Edition of 25 (32 x 32 inch) by Yevgeniy Repiashenko
Year photo was taken: 2017
This picture is a part of Spirit series.
The picture shows the frozen movement of the dancer.
Gold body make-up is put on the dancer's body.
Photography on Diasec and Dibond
This acrylic (Plexiglas) photo print is created with unique technology with 50mm transparent area around the picture and photo-clear contours. Mounting the photo under 6mm of glossy acrylic glass creates rich colors and strong contrasts and adds a clear sense of depth to the picture. Acrylic photo...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
No title (No 16) Photography Edition of 25 (32x32 inch) by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 16) Photography Edition of 25 (32x32 inch) by Yevgeniy Repiashenko
No title (No 16)
Photography
Edition of 25 (32 x 32 inch) by Yevgeniy Repiashenko
Year photo was ta...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Archival Pigment, Plexiglass
"RA" Photography Edition 8/25 32" x 32" inch by Yevgeniy Repiashenko
Located in Culver City, CA
"RA" Photography Edition 8/25 32" x 32" inch by Yevgeniy Repiashenko
2018 1st Place, 11th International Color Awards, Photographer Of The Year
This artwork is part of "Spirit" seri...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment
"S2M" Photography (FRAMED) 44" x 44" inch Edition of 10 by Giuliano Bekor
Located in Culver City, CA
"S2M" Photography (FRAMED) 44" x 44" inch Edition of 10 by Giuliano Bekor
"S2M" from SCULPT series
Original photography by Giuliano Bekor
44" x 44" inch
Edition of 10
Archival pigment print mounted on dibond
Custom frame comes with non reflective museum glass
SCULPT series
The body is a vessel for the soul. The movement of every muscle – a hand position, an arch in the back, the nape of a neck – reveals the innermost continuum of the spirit. Together, lines and sinew form an emotional narrator. Using contrast, texture, and the language of the human body, this collection exposes the intersection of physical and non-physical, the marriage of tactile and ethereal.
ABOUT THE ARTIST
Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art.
Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists.
With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work.
Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style.
For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens.
His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered.
If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous.
The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak.
EXHIBITION HIGHLIGHTS
Giuliano Bekor’s most recent fine art photography solo shows include:
2019 - March Lips The cool HeArt gallery...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
"S2R" Photography (FRAMED) 44" x 44" inch Edition 1/10 by Giuliano Bekor
Located in Culver City, CA
"S2R" Photography (FRAMED) 44" x 44" inch Edition 1/10 by Giuliano Bekor
"S2R" from SCULPT series
Original photography by Giuliano Bekor
44" x 44" inch
Edition of 10
Archival pigment print mounted on dibond
Custom frame comes with non reflective museum glass
SCULPT series
The body is a vessel for the soul. The movement of every muscle – a hand position, an arch in the back, the nape of a neck – reveals the innermost continuum of the spirit. Together, lines and sinew form an emotional narrator. Using contrast, texture, and the language of the human body, this collection exposes the intersection of physical and non-physical, the marriage of tactile and ethereal.
ABOUT THE ARTIST
Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art.
Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists.
With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work.
Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style.
For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens.
His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered.
If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous.
The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak.
EXHIBITION HIGHLIGHTS
Giuliano Bekor’s most recent fine art photography solo shows include:
2019 - March Lips The cool HeArt gallery...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
TooLess 4692, Nude. Color photograph mounted on Museum Plexiglass
By Koray Erkaya
Located in Miami Beach, FL
TooLess 3D versions of the photographs of the TooLess series create a miss perception of the human brain. The first layer of the photo texture is formed by very small black and white...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
C Print, Archival Pigment, Plexiglass
TooLess 5700. 3D Nude Color limited edition photograph. Framed Lightbox
By Koray Erkaya
Located in Miami Beach, FL
TooLess 3D versions of the photographs of the TooLess series create a miss perception of the human brain. The first layer of the photo texture is formed by very small black and white...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
C Print, Archival Pigment, Plexiglass, Wood, Lights
TooLess 4420, 3D Nude Color Photograph. Framed Lightbox
By Koray Erkaya
Located in Miami Beach, FL
TooLess 3D versions of the photographs of the TooLess series create a miss perception of the human brain. The first layer of the photo texture is formed by very small black and white...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
C Print, Archival Pigment, Plexiglass, Wood, Lights
TooLess 4692, 3D Nude. Limited edition Color photograph Frame Lightbox
By Koray Erkaya
Located in Miami Beach, FL
TooLess 3D versions of the photographs of the TooLess series create a miss perception of the human brain. The first layer of the photo texture is formed by very small black and white...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Pigment, Wood, Lights, Plexiglass
TooLess 7482, Nude. Color photograph mounted on Museum Plexiglass
By Koray Erkaya
Located in Miami Beach, FL
TooLess 3D versions of the photographs of the TooLess series create a miss perception of the human brain. The first layer of the photo texture is formed by very small black and white...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
C Print, Archival Pigment, Plexiglass
No title (No 45) Photography Edition of 25 32x32in by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 45) Photography Edition of 25 32x32in by Yevgeniy Repiashenko
No title (No 45) by Yevgeniy Repiashenko
32" x 32" inch
Year photo was taken: 2017
Limited Edition of 25
Photography on Diasec and Dibond
This photo work is transported in a robust plywood case.
This artwork is part of "Spirit" series.
The picture shows a frozen movement of professional ballerina.
Special glazed black makeup is put on all over the body.
This acrylic (Plexiglas) photo print is created with unique technology with 50mm transparent area around the picture and photo-clear contours. Mounting the photo under 6mm of glossy acrylic glass creates rich colors and strong contrasts and adds a clear sense of depth to the picture. Acrylic photo...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment
RED! #12. Nude Color Photograph
By David Jay
Located in Miami Beach, FL
Although a great deal of David Jay's body of work focuses on often hidden aspects of the human condition. loss, pain, suffering, war... He constantly reminds himself that the opposit...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Color, Archival Pigment
RED! #6. Nude Color Photograph
By David Jay
Located in Miami Beach, FL
Although a great deal of David Jay's body of work focuses on often hidden aspects of the human condition. loss, pain, suffering, war... He constantly reminds himself that the opposit...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Color, Archival Pigment
TooLess 7225, Nude. Color photograph mounted on Museum Plexiglass
By Koray Erkaya
Located in Miami Beach, FL
TooLess 3D versions of the photographs of the TooLess series create a miss perception of the human brain. The first layer of the photo texture is formed by very small black and white...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
C Print, Archival Pigment, Plexiglass, Lights
TooLess 7482, 3D Nude. Color Limited edition color photograph. Framed Back Light
By Koray Erkaya
Located in Miami Beach, FL
TooLess 3D versions of the photographs of the TooLess series create a miss perception of the human brain. The first layer of the photo texture is formed by very small black and white...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Pigment, Wood, Lights, Plexiglass
TooLess 4420. Nude. Color photograph mounted on Museum Plexiglass
By Koray Erkaya
Located in Miami Beach, FL
TooLess 3D versions of the photographs of the TooLess series create a miss perception of the human brain. The first layer of the photo texture is formed by very small black and white...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
C Print, Archival Pigment, Plexiglass
Whites 039
By Leo Reinfeld
Located in New York, NY
Since 1995 I have used a great deal of my time to study the lines and curves of the female body.
Long before that I already had the idea that the female body contains every line, ev...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, C Print
Hommage a Magritte - Diptych
Located in New York, NY
Nicole Furman is a multimedia artist, body painter and photographer from Bogotá, Colombia. Having studied a range of art practices from body painting and performance to art history a...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, C Print
No title (No 5) Photography Edition 2/25 32x32 inch by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 5) Photography Edition 2/25 32x32 inch by Yevgeniy Repiashenko
Year photo was taken: 2017
This picture is a part of Spirit series.
The picture shows the frozen movement of the dancer.
Black body make-up is put on the dancer's body.
Photography on Diasec and Dibond
This acrylic (Plexiglas) photo print is created with unique technology with 50mm transparent area around the picture and photo-clear contours. Mounting the photo under 6mm of glossy acrylic glass creates rich colors and strong contrasts and adds a clear sense of depth to the picture. Acrylic photo...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
Black and white 11 - black and white photo
By Leo Reinfeld
Located in New York, NY
Since 1995 I have used a great deal of my time to study the lines and curves of the female body.
Long before that I already had the idea that the female body contains every line, ev...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
C Print, Plexiglass
Black and white 12 - black and white photo
By Leo Reinfeld
Located in New York, NY
Since 1995 I have used a great deal of my time to study the lines and curves of the female body.
Long before that I already had the idea that the female body contains every line, ev...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
C Print, Plexiglass
Hommage a Pollock IV
Located in New York, NY
Nicole Furman is a multimedia artist, body painter and photographer from Bogotá, Colombia. Having studied a range of art practices from body painting and performance to art history a...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, C Print
No title (No 78) Photography Edition of 18 45" x 45" in by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 78) Photography Edition of 18 45" x 45" in by Yevgeniy Repiashenko
No title (No 78) by Yevgeniy Repiashenko
Year photo was taken: 2017
Limited Edition of 18
Picture size:
Height: 45" inch
Width: 45" inch
This photo work is transported in a robust plywood case.
This artwork is part of "Spirit" series.
The picture shows a frozen movement of professional ballerina.
Special glazed gold makeup is put on all over the body.
This acrylic (Plexiglas) photo print is created with unique technology with 50mm transparent area around the picture and photo-clear contours. Mounting the photo under 6mm of glossy acrylic glass creates rich colors and strong contrasts and adds a clear sense of depth to the picture. Acrylic photo...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment
"Hills" Photography print 16" x 24" inch Edition of 45 by Yevgeniy Repiashenko
Located in Culver City, CA
"Hills" Photography print 16" x 24" inch Edition of 45 by Yevgeniy Repiashenko
Year photo was taken: 2013
Unframed - ships in a tube
This is an archival pigment print on photo paper with 1" float border (not included in listed image dimensions). Prints are signed and numbered by the artist on verso and come with a certificate of authenticity.
Works are hand signed and numbered by the artist and come with a certificate of authenticity.
This photo work is transported in a robust plywood case.
ABOUT THE ARTIST
Yevgeniy Repiashenko is a well-versed photographer working in such genres as dynamic dance and sculpture, portrait, and fashion...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
No title (No 55) 45" x 37" in Photography Edition of 18 by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 55) 45" x 37" in Photography Edition of 18 by Yevgeniy Repiashenko
Year photo was taken: 2020
Limited Edition of 18
Photography on Diasec and Dibond
This artwork is pa...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment
"Hills" Black & White Photography Ed. of 18 24x36 inch by Yevgeniy Repiashenko
Located in Culver City, CA
"Hills" Black & White Photography Ed. of 18 24x36 inch by Yevgeniy Repiashenko
Hills
Photography
Edition of 18 (24 x 36 inch) by Yevgeniy Repia...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Pigment
"No title (No 10)" Photography 32 x 26 in Edition of 25 by Yevgeniy Repiashenko
Located in Culver City, CA
"No title (No 10)" Photography 32 x 26 in Edition of 25 by Yevgeniy Repiashenko
No title (No 10) by Yevgeniy Repiashenko
Year photo was taken: 2015
Limited Edition of 25.
Photography on Diasec and Dibond - Ready to Hang
This artwork is part of "Spirit" series.
The picture shows a frozen movement of professional ballerina.
Special glazed black makeup is put on all over the body.
This acrylic (Plexiglas) photo print is created with unique technology with 50mm transparent area around the picture and photo-clear contours. Mounting the photo under 6mm of glossy acrylic glass creates rich colors and strong contrasts and adds a clear sense of depth to the picture. Acrylic photo...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment
"LB18" (FRAMED) Abstract Photography 60" x 40" in Edition of 4 by Giuliano Bekor
Located in Culver City, CA
"LB18" (FRAMED) Abstract Photography 60" x 40" in Edition of 4 by Giuliano Bekor
2018
This artwork printed on a highest resolution archival fine art Kodak metallic pearl paper, pri...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Metal
No title (No 28) Photography Edition of 18 (45x45 inch) by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 28) Photography Edition of 18 (45x45 inch) by Yevgeniy Repiashenko
No title (No 28) by Yevgeniy Repiashenko
Year photo was taken: 2018
Limited Edition of 18
Photography...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment
"Jeune Nuit" Photography Edition of 25 32" x 32" inch by Yevgeniy Repiashenko
Located in Culver City, CA
"Jeune Nuit" Photography Edition of 25 32" x 32" inch by Yevgeniy Repiashenko
No title (No 14) by Yevgeniy Repiashenko
Year photo was taken: 2017
Limited Edition of 25
Picture size:
Height: 32" inch
Width: 32" inch
This photo work is transported in a robust plywood case.
This artwork is part of "Spirit" series.
The picture shows a frozen movement of professional ballerina.
Special glazed black makeup is put on all over the body.
This acrylic (Plexiglas) photo print is created with unique technology with 50mm transparent area around the picture and photo-clear contours. Mounting the photo under 6mm of glossy acrylic glass creates rich colors and strong contrasts and adds a clear sense of depth to the picture. Acrylic photo...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment
No title (No 47) Photography Edition of 25 ( 32x26 inch) by Yevgeniy Repiashenko
Located in Culver City, CA
No title (No 47) Photography Edition of 25 ( 32x26 inch) by Yevgeniy Repiashenko
No title (No 47) Photography Edition of 25 ( 32x24 inch) by Yevgeniy Repiashenko
No title (No 10) by Yevgeniy Repiashenko
Year photo was taken: 2016
Limited Edition of 25.
Photography on Diasec and Dibond
This artwork is part of "Spirit" series.
The picture shows a frozen movement of professional ballerina.
Special glazed black makeup is put on all over the body.
This acrylic (Plexiglas) photo print is created with unique technology with 50mm transparent area around the picture and photo-clear contours. Mounting the photo under 6mm of glossy acrylic glass creates rich colors and strong contrasts and adds a clear sense of depth to the picture. Acrylic photo...
Category
21st Century and Contemporary Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Pigment
Damasked
By Reka Nyari
Located in New York, NY
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Photographic Film, Mixed Media, Photographic Paper, Photogram
GAIA
By Reka Nyari
Located in New York, NY
Print is also available in a Medium size: 50'' x 40'' and is priced at $13,000. It is a black and white photographic print, with uniquely handmade puncture designs by the artist, set...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
THUONG NGAN (FOREST GODDESS)
By Reka Nyari
Located in New York, NY
Print is also available in a Medium size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
FILLE DE REVE
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000. Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black floating frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Plexiglass, Archival Ink, Archival Paper, Black and White, Digital, Pigm...
LE JARDIN
By Reka Nyari
Located in New York, NY
Print is also available in a Medium size : 40'' x 56'' and is priced at : $14,000. It is a black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Archi...
DANDELION
By Reka Nyari
Located in New York, NY
Print is also available in a Large size: 63'' x 50'' and is priced at: $16,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Pigme...
VENATION
By Reka Nyari
Located in New York, NY
Print is also available in a large size: 63'' x 50'' and is priced at: $16,000 Each work is a one-of-a-kind, unique piece that is hand punctured. The work also comes with a black floating frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Pigment, Pigment, Archival Pigment, Digital Pigment, Plexiglass, Archiva...
L'ARTISTE
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
PHANTASMA
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 56'' x 74'' and is priced at : $19,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
The new series “Punctured Ink” incorporates works from Nyari’s ongoing, portrait project titled “Ink Stories”.
“Ink Stories”, which was introduced at Nyari’s very first solo gallery exhibit, consists of large-scale nude photographs that explore the concept of self-identity and female empowerment. The series joins six women together, each who have faced adversity, to demonstrate the creation of a strengthened self-image through tattoos. By highlighting the intricate woven threads of ink on each woman’s skin, Nyari proposes the idea that self-empowerment and reconciliation with one’s traumas can be linked to the act of greeting one’s “own skin” or inventing their own story.
Nyari has now elevated these intimate photographs in her new Punctured Ink series through the process of puncturing botanical-like references into the surface of each image (thus making each one of a kind). Her inspiration to physically puncture the previously pristine photographic prints stemmed from a childhood memory that occurred while she was living in Finland: “I remembered my parents had this big pad of paper next to the home phone in Finland and I would use my mother’s sewing needles to poke patterns into the paper”.
This nostalgic memory in combination with the longing to apply her physical, painterly abilities resulted in the choice to transform these photographs via puncturing the paper. Unlike painting or drawing on the surface of each print, the raised, brail like holes created leave a permanent result, just as a tattoo does on one’s skin. While the surface of an artwork, like skin, is typically preserved and or avoided, Nyari follows in the subject’s footsteps by purposely destroying the pristine surface in order to create a new narrative. The act taps into a long history of tribal scarification which signified a right of passage, permitting the individual to transcend their past traumas and transforming their evolved selves. This notion grounds all of her works.
In addition, Nyari’s choice to puncture nature-based patterns into each portrait also has its own significance. She stated that when “talking about scarification and getting over trauma, to me, nature is one of the most healing and beautiful elements.”
As Nyari is emphasizing through her photographs, when you add a personal story onto the skin, it is a whole new layer that often becomes biographical. It translates a story to the audience of one’s past, future and wishes. While this concept existed in her previous photographic series, now, through puncturing the surface of each, Nyari is adding another layer of permanence onto her works’ meaning, therefore becoming, as she calls it “ink cubed”.
————————————————————————————————————————————
Born in 1979 in Helsinki, and raised in Finland and Germany, Nyari came to New York City at the age of seventeen. While here, she studied at the School of Visual Arts where she not only began to model but found her passion for photography. Using inspiration from masters such as Helmut Newton and Cindy Sherman, Nyari’s work employs and explores the traditional ideal of beauty and gender to portray sexuality from a predominately female perspective. She utilizes technical elements such as gestures, nudity, the subject’s gaze, objects and more to link this connection of the empowered feminine identity. Her work has been exhibited in numerous galleries throughout the United States and Europe and through such exposure, she has received multiple prestigious awards including the first-place winner of the International Photography Awards in 2010, Beauty Pro Category. Her 225-page Monograph titled “Femme Fatale: Female Erotic Photography...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
ROUTES
By Reka Nyari
Located in New York, NY
Print is also available in a small size : 50'' x 40'' and is priced at : $13,000. A black and white photographic print, with uniquely handmade puncture designs by the artist, set in ...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
BELOVED
By Reka Nyari
Located in New York, NY
Print is also available in a large size : 63'' x 50'' and is priced at : $16,000 Each work is a one of a kind, unique piece that is hand punctured. The work also comes with a black f...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
SORCIER
By Reka Nyari
Located in New York, NY
A black and white photographic print, with uniquely handmade puncture designs by the artist, set in a black shadow box frame.
Print is also available in large size: 63'' x 50'' and i...
Category
2010s Contemporary Plexiglass Nude Photography
Materials
Archival Ink, Archival Paper, Photographic Paper, Black and White, Plexi...
Plexiglass nude photography for sale on 1stDibs.
Find a wide variety of authentic Plexiglass nude photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add nude photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of purple, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Giuliano Bekor, Yevgeniy Repiashenko, Koray Erkaya, and David Jay. Frequently made by artists working in the Contemporary, Pop Art, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Plexiglass nude photography, so small editions measuring 0.4 inches across are also available