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Pablo BoneuQUIMERA 52 / LA OTRA - INSTRUCCIONES PARA DESTRUIR DINERO2009
2009
About the Item
Pablo Boneu crosses the mediums of photography, sculpture and hand-crafted textile work with thread as the material. Woven threads fall outside the frame and allow the image to come alive in a full sensory experience, where a deep observation of the image is required in order to reveal what the background conceals. Boneu juxtaposes the idea of production with a serial repetition of the same object.
His work has been showcased worldwide and is part of several private and institutional collections including the Perez Museum in Miami, The Pérez Simón Collection and the Clavijero Museum in Mexico, and Caraffa Museum in Argentina. Boneu currently lives and works in Mexico.
- Creator:Pablo Boneu (1969, Argentinian)
- Creation Year:2009
- Dimensions:Height: 45.6 in (115.83 cm)Width: 45.6 in (115.83 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU59638762572
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By Pablo Boneu
Located in New York, NY
Pablo Boneu crosses the mediums of photography, sculpture and hand-crafted textile work with thread as the material. Woven threads fall outside the frame and allow the image to come ...
Category
Early 2000s Photography
Materials
Cotton, Mixed Media
Historia, Memoria y Silencios Unopened VIII
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Located in New York, NY
Historia, Memoria y Silencios Unopened VIII, 2009
Archival ink on cotton paper
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Historia, Memoria y Silencios (Silencios) Unopened V
By Lorena Guillén Vaschetti
Located in New York, NY
Historia, Memoria y Silencios (Silencios) Unopened V, 2009
Archival Ink on Cotton Paper
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Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and currently lives and works in Buenos Aires. In 2000 Lorena received a degree in Architecture and Anthropology from University of Buenos Aires. Her work has been widely exhibited and published in the United States, South America, and Europe. Her first book, Historia, Memoria, y Silencios, Schilt 2011 was distinguished by PhotoEspana, 2012 and PDN as one of the Best Books of the Year. Her work is in the permanent museum collections of Brandts Museet for Fotokunst in Denmark, Museo de Bellas Artes of Rio de Janeiro, and the Southeast Museum of Photography in Florida.
Lorena approaches photography as an anthropologist, and the simplicity of her work allows the viewer to bring in their own stories, conclusions, and realities to the images. Using the idea of memory as a foundation for her work, Lorena's photographic series dissect how we are in the present as a result of what we remember from the past. In her Historia, Memoria, y Silencio series the artist captures elements and artifacts recovered from a box of thrown out family photographs. In 2009, Lorena's mother threw away all of the family slides to protect her daughter from their family history. Lorena was able to recover only one box out of the many that her mother discarded. She re-photographed the contents from her perspective, choosing to leave the slides that were wrapped in packages unopened. Bound in elastic bands, and concealed in film cannisters...
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Historia, Memoria y Silencios (Silencios) Unopened IX
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Located in New York, NY
Historia, Memoria y Silencios (Silencios) Unopened IX, 2009
Archival Ink on Cotton Paper
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Historia, Memoria y Silencios (Silencios) Unopened IV
By Lorena Guillén Vaschetti
Located in New York, NY
Historia, Memoria y Silencios (Silencios) Unopened IV, 2009
Archival Ink on Cotton Paper
16h x 16w in
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Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and currently lives and works in Buenos Aires. In 2000 Lorena received a degree in Architecture and Anthropology from University of Buenos Aires. Her work has been widely exhibited and published in the United States, South America, and Europe. Her first book, Historia, Memoria, y Silencios, Schilt 2011 was distinguished by PhotoEspana, 2012 and PDN as one of the Best Books of the Year. Her work is in the permanent museum collections of Brandts Museet for Fotokunst in Denmark, Museo de Bellas Artes of Rio de Janeiro, and the Southeast Museum of Photography in Florida.
Lorena approaches photography as an anthropologist, and the simplicity of her work allows the viewer to bring in their own stories, conclusions, and realities to the images. Using the idea of memory as a foundation for her work, Lorena's photographic series dissect how we are in the present as a result of what we remember from the past. In her Historia, Memoria, y Silencio series the artist captures elements and artifacts recovered from a box of thrown out family photographs. In 2009, Lorena's mother threw away all of the family slides to protect her daughter from their family history. Lorena was able to recover only one box out of the many that her mother discarded. She re-photographed the contents from her perspective, choosing to leave the slides that were wrapped in packages unopened. Bound in elastic bands, and concealed in film cannisters...
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Historia, Memoria y Silencios Unopened I
By Lorena Guillén Vaschetti
Located in New York, NY
Historia, Memoria y Silencios Unopened I, 2009
Archival Ink on Cotton Paper
16h x 16w in
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Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and currently lives and works in Buenos Aires. In 2000 Lorena received a degree in Architecture and Anthropology from University of Buenos Aires. Her work has been widely exhibited and published in the United States, South America, and Europe. Her first book, Historia, Memoria, y Silencios, Schilt 2011 was distinguished by PhotoEspana, 2012 and PDN as one of the Best Books of the Year. Her work is in the permanent museum collections of Brandts Museet for Fotokunst in Denmark, Museo de Bellas Artes of Rio de Janeiro, and the Southeast Museum of Photography in Florida.
Lorena approaches photography as an anthropologist, and the simplicity of her work allows the viewer to bring in their own stories, conclusions, and realities to the images. Using the idea of memory as a foundation for her work, Lorena's photographic series dissect how we are in the present as a result of what we remember from the past. In her Historia, Memoria, y Silencio series the artist captures elements and artifacts recovered from a box of thrown out family photographs. In 2009, Lorena's mother threw away all of the family slides to protect her daughter from their family history. Lorena was able to recover only one box out of the many that her mother discarded. She re-photographed the contents from her perspective, choosing to leave the slides that were wrapped in packages unopened. Bound in elastic bands, and concealed in film cannisters...
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