Vintage Movie Still

We were inspired by this amazing movie still from Fellini of a woman in a herringbone coat, getting into a car.

The season had just started and it was booming. Lolita, the Movie was still on the cutting floor, so Bert brought the novel and underlined passages that were visual.

The season had just started and it was booming. Lolita, the Movie was still on the cutting floor, so Bert brought the novel and underlined passages that were visual.

As one of America's most influential and celebrated photographers, Bert Stern shot the still photos of actress Sue Lyon for the movie Lolita in 1962, which led to one of the memorabl...

As one of America's most influential and celebrated photographers, Bert Stern shot the still photos of actress Sue Lyon for the movie Lolita in 1962, which led to one of the memorabl...

The season had just started and it was booming. Lolita, the Movie was still on the cutting floor, so Bert brought the novel and underlined passages that were visual.

As one of America's most influential and celebrated photographers, Bert Stern shot the still photos of actress Sue Lyon for the movie Lolita in 1962, which led to one of the memorabl...

As one of America's most influential and celebrated photographers, Bert Stern shot the still photos of actress Sue Lyon for the movie Lolita in 1962, which led to one of the memorabl...

As one of America's most influential and celebrated photographers, Bert Stern shot the still photos of actress Sue Lyon for the movie Lolita in 1962, which led to one of the memorabl...

As one of America's most influential and celebrated photographers, Bert Stern shot the still photos of actress Sue Lyon for the movie Lolita in 1962, which led to one of the memorabl...

As one of America's most influential and celebrated photographers, Bert Stern shot the still photos of actress Sue Lyon for the movie Lolita in 1962, which led to one of the memorabl...

inside a pink border with Sean Connery suavely looking out to the viewer below, holding a cigarette in his right hand and a gun in his left hand and movie stills of six Bond Girls fr...

In his mature style, developed in the 1950s, the paintings include images of either friends or lovers, or images of people found in movie stills, reproductions of historic paintings ...

Original 8x10 inches Publicity Film Still for Rocky 3 (1982) starring Sylvester Stallone and Mr T. Publicity (film/production) stills were created to help studios promote their new ...

Original 8x10 inches Publicity Film Still for Blade runner (1982) starring Harrison Ford and directed by Ridley Scott. Publicity (film/production) stills were created to help studio...

." - Terry O'Neill Terry O’Neill, in collaboration with digital artist Mariona Vilarós, has gone back to the original black and white negative to re-work the image in colour, as O’N...

In his mature style, developed in the 1950s, the paintings include images of either friends or lovers, or images of people found in movie stills, reproductions of historic paintings ...

He is from a long line of outsider, alternative, underground comics, cartoonist movement like Robert Crumb, Art Spiegelman, Chris Ware, Harvey Pekar, Ben Katchor, Ralph Bakshi and A...

This dynamic poster from 1972 features stills from the movie, including a shot of McQueen on a motorcycle in the center.

In his mature style, developed in the 1950s, the paintings include images of either friends or lovers, or images of people found in movie stills, reproductions of historic paintings ...

He would "swipe"—an artists' term for using existing work as models, a common practice among novices—from movie stills and from the Milton Caniff comic strip Terry and the Pirates.

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

My work has always resembled movie stills. I remember the first time I brought a box of Polaroids and slid them onto Susanne Vielmetter's desk (my first gallery).

This great vintage tray came from an estate of an Italian villa and a famous still living movie actor.

The peacock chair got its fame through an appearance in the risky movie Emmanuelle from the 1970s. The chair became world famous because of this movie and is still highly sought afte...

The peacock chair got its fame through an appearance in the risky movie Emmanuelle from the 1970s. The chair became world famous because of this movie and is still highly sought afte...

The peacock chair got its fame through an appearance in the risky movie Emmanuelle from the 1970s. The chair became world famous because of this movie and is still highly sought afte...

This one depicts an abstract assemblage of film strip (still or movie film) edges in a pattern and decoration style.

This is a gold knit cocktail dress with a brown SABLE timmed hem worn by Beyonce Knowles in the pictured promotional still for the movie"Dream Girls". Measurements: Length: 33" ...

Robert wanted to make an animated movie with nude stills of himself and Patti, but as she writes in her book, he wasn’t yet a photographer.

Recently, he became a novelist. in 1962, he began to practice straight photography while he was filming Echoes of Silence, his first movie. Simultaneously, he used his still camera t...

Recently, he became a novelist. in 1962, he began to practice straight photography while he was filming Echoes of Silence, his first movie. Simultaneously, he used his still camera t...

Recently, he became a novelist. in 1962, he began to practice straight photography while he was filming Echoes of Silence, his first movie. Simultaneously, he used his still camera t...

Recently, he became a novelist. in 1962, he began to practice straight photography while he was filming Echoes of Silence, his first movie. Simultaneously, he used his still camera t...

Recently, he became a novelist. in 1962, he began to practice straight photography while he was filming Echoes of Silence, his first movie. Simultaneously, he used his still camera t...

Recently, he became a novelist. in 1962, he began to practice straight photography while he was filming Echoes of Silence, his first movie. Simultaneously, he used his still camera t...

Recently, he became a novelist. in 1962, he began to practice straight photography while he was filming Echoes of Silence, his first movie. Simultaneously, he used his still camera t...

This one depicts an abstract assemblage of film strip (still or movie film) edges in a pattern and decoration style.

This one depicts an abstract assemblage of film strip (still or movie film) edges in a pattern and decoration style.

Although Western films were shown during the Soviet era in the Communist Bloc, American publicity materials were banned, allowing the state-commissioned artists to operate with total...

Original 8x10 inches Press Publicity Still for The Great Muppet Caper (1981) starring Jim Henson, Frank Oz and Dave Goelz and directed by Jim Henson. Publicity (film/production) sti...

Original 8x10 inches Press Publicity Still for Madhouse (1974) starring Vincent Price, John McEnery and Diana Dors and directed by Jim Clark. Publicity (film/production) stills were...

Original 8x10 inches Publicity Still for Who Framed Roger Rabbit (1988). Publicity (film/production) stills were created to help studios promote their new films. The stills were in...

Original 8x10 inches Publicity Film Still for The Bodyguard (1992) starring Kevin Costner and Whitney Houston. Publicity (film/production) stills were created to help studios promot...

Original 8x10 inches Press Publicity Still for Harold and Maude (1971) starring Ruth Gordon, Bud Cort and Vivian Pickles and directed by Hal Ashby. Publicity (film/production) still...

Original 8x10 inches Press Publicity Still for Harold and Maude (1971) starring Ruth Gordon, Bud Cort and Vivian Pickles and directed by Hal Ashby. Publicity (film/production) still...

Original 8x10 inches Press Publicity Still for Madhouse (1974) starring Vincent Price, John McEnery and Diana Dors and directed by Jim Clark. Publicity (film/production) stills were...