Photography

Sir Roger Deakins, Cinematographer and Photographer. Byways, Damiani Books. The Car Window, New Mexico, available in several sizes, please inquire.

Unique landscape photograph; This mixed process ice-rubbing photogram was made with snow, sand, palm leaves, the Pacific Ocean, and a frozen spinach-infused concoction. (Apologies for the cell shot, I am between (teaching) classes right now, which means I won't have access to a flatbed scanner for at least a few months; my darkroom is at home in my space-challenged NYC apartment and I pump out way too much artwork to pay per print or by the hour to scan work, so for now, cell shots of my new work will have to suffice.) I collected most of these materials when I was in southern California, teaching a brief photograms workshop, last summer, as my current body of work ("Winds of Change") inspired me to begin making location-specific photograms, which are landscape photographs in their own right (which is actually what inspired my vision for my upcoming monograph, EQUIVALENCE). I'm starting to run quite low on ocean water and find snow and various ice concoctions to be a wonderful materials to work with, so used the latter to stretch my Windansea Beach materials a bit further. Printed in February 2024, this cameraless photograph actually originated as a demo print, for a Zoom DIY Darkroom student (that's what I do for work post-covid, as my darkroom is in my apartment). A photogram is made by placing materials directly on top of a photographic surface and exposing it to light. Followed by processing it in darkroom chemistry. It is unique, and I do NOT EVER offer digital versions of my work, so once a print sells, that's it, it's off the market. I tend to do triple exposures with weird light...

Willy Ronis, Le Nu Provençal, 1949, printed 2001. 12 1/4 x 10 1/8", gelatin silver print. Signed on print recto. Titled, dated and artist stamp on print verso.

La Tour Eiffel derrière les toits de Paris

Linge étendu au rez de chaussée d'une maison cubaine

Black and white fine art landscape photography. Eleven cherry trees in a row in a strong storm with giant clouds, Weinviertel, Austria. Archival pigment ink print as part of a limite...

Hand printed silver gelatin photography by artist. Steamy girl in shower.

"REVOLVER" is an acrylic photomosaic artwork by Destro. The first release in a series mosaic works called "Icons". Destro has created large prints which are made up of many hundreds...

Warhol superstar Joe Dallesandro photographed nude for After Dark magazine, 1970, shortly after starring in Andy Warhol's 'Trash'. Vintage 11 x 14 inch silver gelatin exhibition phot...

Iceland Glacier Sólheimajökull, 2011. Is an archival inkjet print that captures the uncanny beauty of one of the most enigmatic glaciers in Iceland. Sólheimajökull is an outlet gla...

11 x 14" vintage silver gelatin exhibition photograph of Warhol Superstar and Vogue model Jane Forth & Joe Dallesandro, stars of Warhol's 'Trash' for 'Afte...

11 x 14" vintage silver gelatin photograph of dancer and Broadway star Ann Reinking, photographed for Dance Magazine December 7, 1981. Very rare, one of only two left in the archive...

Black and White Fine Art Landscape Photography. Joshua Tree in National Park at sunset in California, USA. Archival pigment ink print, edition of 9. Signed, titled, dated and numbere...

Black and white fine art long exposure waterscape - landscape photography. Wooden pier during a storm on the lake Neusiedlersee in Austria. Archival pigment ink print as part of a li...

Black and white fine art landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to order in limited editions on Ha...

DARTH VADER from the original Kenner release of the Star Wars toys in May of 1977 This is pre release is the first release in the much anticipated series "The Toys" "They encapsulat...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

To Swallow a Photo of Him the Way One Swallows the Eucharist 1994 Lifetime gelatin silver print 10.75 x 7.125 inches, image 14 x 11 inches, sheet This work is offered by CLAMP in...

Hand-coloured portrait of nymph Daphne, immobilised in marble, as she is transformed into a laurel tree. Birthed in Greek Mythology, Daphne is associated with bodies of freshwater and is an unwilling object of the god Apollo...

Handcoloured portrait of nymph Daphne, immobilised in marble, as she is transformed into a laurel tree. Birthed in Greek Mythology, Daphne is associated with bodies of freshwater and is an unwilling object of the god Apollo’s desire. Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls). Original title: Daphne II...

Somewhere to Swim Panel by Anna Dobrovolskaya-Mints. About the "Somewhere to Swim" project: By eliminating people from her photographs, her unnerving images tell the story of a lif...

Unique silver gelatin print (photogram made sans enlarger). Triple exposure with flowers, sand, and glitter. This 8x10 mixed process multiple exposure photogram was printed on Fomatone MG 133 - (The Chamois surface is quite beautiful, but doesn't translate super well digitally.) [FYI - this print makes a great diptych with "Raindrops" and some of my other 8x10 offerings.] Before covid, I specialized in what I refer to as gelatin silver "spiritual landscapes...

Unsigned. Authenticated original Herb Ritts Print Notations on Verso Silver Gelatin Photograph Over Matted In Corners

Sardinia is a photograph taken by Amanda Ludovisi in 2018. It represents a tranquil wave by the shore in Sardinia, which delicate colors. This is a gi...

11 x 14" vintage silver gelatin photograph of American Ballet Theater ballerina Lupe Serrano and Rudolf Nureyev rehearsing at ABT for a television appearance, 1962. Signed by Jack Mitchell. Comes directly from the Jack Mitchell Archives with a certificate of authenticity. Jack Mitchell, (1925-2013) bulging photographic portfolio of actors, writers, painters, musicians and especially dancers describes a pictorial history of the arts in the late 20th century. Mr. Mitchell, who took hundreds of pictures for The New York Times, was both a portraitist and a capturer of complex motion. An expert in lighting, he worked mostly, though not entirely, in black and white, and he was known — by his subjects, by the magazine and newspaper editors he worked for, and by critics — as someone who could make a photograph reveal character. Jack Mitchell was the official photographer for the American Ballet Theater, and he chronicled the work of the Alvin Ailey American Dance Theater for more than thirty years. When he retired in 1995, he had fulfilled more than 5,000 assignments in black and white, and nearly a thousand in color. He photographed more than 160 covers for Dance magazine, and his photos have appeared in Time, Life, Newsweek, Rolling Stone, Vanity Fair, Vogue and many other publications. Mitchell’s photographs are in the collections of the National Portrait Gallery, the Museum of African American History and Culture, and the Smithsonian Archives of American Art, among others. The 2019 USPS Black Heritage postage stamp honoring American performer Gregory Hines was made from a Jack Mitchell photograph, and a Jack Mitchell photograph of Audre Lorde...

Image title: "Charlie, the Lonesome Cougar" This is a contemporary photograph of North American Mountain Lion. "They represent the ultimate express...

Image title: "Charlie, the Lonesome Cougar" This is a contemporary photograph of North American Mountain Lion. "They represent the ultimate expression of American freedom" 36x48 Ed...

High contrast photo by Peter Stackpole (American, 1913-1997). The photo shows a hot bar of metal on a large machine, about to be worked. The metal is g...

Black and white fine art cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to order in limited ed...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 9. All Gerald Berghammer prints are made to orde...

Gelatin silver print 10 x 8 in. Auriga - Verlag Stamp on paper attached to verso.

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 15. All Gerald Berghammer prints are made to ord...

Frank Bowling Towards Crab Island, 2018 Hand Signed Digital print on photographic rag paper 840 x 510 mm 20 1/10 × 33 1/10 in 51 × 84 cm Edition of 75

Black and white fine art long exposure cityscape - landscape photography. Archival pigment ink print as part of a limited edition of 20. All Gerald Berghammer prints are made to orde...

This is a contemporary photograph of a wild mustangs. 36x48 Unsigned Print Signed by Shane Russeck Printed on archival paper using archival inks Framing available. Inquire for rat...

Nick Vedros Ford Wins Nomination Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1976s Size: 10x15in Edition: 12 Signed, dated ...

Nick Vedros Spa Dog Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 8x8.5in Edition: 12 Signed, dated and numbered by hand on la...

Nick Vedros Brooklyn Bridge 1875 Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2001 Size: 8x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA ...

Nick Vedros Brooklyn Bridge American Flag Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2001 Size: 12x8in Edition: 15 Signed, dated and numbered by hand on label Sta...

This is a contemporary photograph of a Wild Horses. 60x40 Printed on archival paper using archival inks. Edition of 10 Signed and numbers by Shane Framing Options Available Shane...

This is a contemporary photograph of an American Bison. 36x24 Edition of 50. Signed by Shane. Printed on archival paper and using archival inks Framing available. Inquire for rates...

This portrait of Helmut Newton was taken in 1995 during a TV Special on Helmut Newton with Télé Monte-Carlo (in the Principality of Monaco at...

Michael Mardikes Benton on the Couch (Thomas Hart Benton Plate #28) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Size: 19x13.5 in Paper Size: 22x17 in Edition: 10 (9 Mon...

Michael Mardikes Benton walking dog (Thomas Hart Benton Plate #6) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Image Size: 19x13.5 in Paper Size: 22x17 in Edition: Unique Monogrammed by hand Label signed and numbered by Estate Representative COA provided by Authorizing Body Additional COA provided by representing Gallery Ref.: 924802-908 Image included in the exhibition An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton at the Kansas City Public Library (November 20, 2021-May 15, 2022) One night in late 2020, as Nick Vedros was leaving the home of his Aunt Myrt and Uncle Michael Mardikes, his aunt suddenly asked him, “What are we going to do with all the negatives?” The noted Kansas City photographer was not sure what his 89-year-old aunt was talking about, until she handed him a notebook filled with more than 1000 negatives chronicling Thomas Hart Benton at home and in his studio. They had been filed away for almost seven decades. This startling discovery was the inspiration for the exhibition, “An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton” on view at the Kansas City Public Library Central Library. The exhibition is a must-see, not just for fans of Thomas Hart Benton but for devotees of exemplary photojournalism. Of the 1,080 photographs Mardikes took, only four had been published in an article he wrote for “This Month in Kansas City” magazine in 1966. The others were never printed, nor was their existence common knowledge. Although Vedros had been aware of his uncle’s assignment with Benton, he was stunned to discover that so much additional material existed. Vedros, who decided at age 12 to become a photographer himself after seeing his uncle’s work, was determined to organize an exhibition, and was especially interested in doing it as quickly as possible given his uncle’s advanced age and increasing frailty. Collaborating with Dan White, a photographer, master printer and friend since their time together at the University of Missouri journalism school, they selected 34 images to be printed and framed, researching the details with Steve Sitton, the director of the Thomas Hart Benton Home and Studio Historic Site. Michael Mardikes had had a brief career as a commercial photographer before going on to work in management at the Ford Motor Company and later at UMKC. He made the acquaintance of Benton through Eugene Pyle, a former student of Benton’s and Mardikes’ photography instructor at the Art Institute. In 1955, Benton asked Mardikes to photograph him; Mardikes visited Benton 35 to 40 times, over a period of a few months in late 1955 and early 1956. Sitton told Vedros that not only was Mardikes’ amount of access incredible, but that the resulting body of work was unmatched. As the project progressed, Benton became focused on a mural commission for the River Club in 1956. Henry Adams, preeminent Benton scholar and former curator at The Nelson-Atkins Museum of Art, provided some context for this particular work: “The commission to paint ‘Traders at Westport Landing’ came at a low point in Benton’s career, 1956, and initiated the late phase of Benton’s mural paintings. It was the first of a series of murals depicting the exploration and settlement of the west, which culminated in the Truman Library mural, which was completed in 1962. All these murals feature trading and friendly contact with the Indians, rather than conflict, and are arresting in their bright color and meticulous rendering of carefully researched detail. The River Club, which commissioned ‘Traders at Westport Landing,’ overlooks the Missouri River and has a panoramic view very similar to the one in Benton’s painting.” This group of black and white photos not only documents the artist’s working process but also reveals other aspects of his daily life: one memorable image reveals Rita Benton massaging her husband’s stiff shoulders after a long day in his studio. Other images show members of the River Club board visiting Benton’s studio to check on the progress of the mural. One charming image captures a candid moment of Rita Benton and Myrt Mardikes as they collaborated in the Benton kitchen making chicken kapama for their husbands. Nan Chisholm Nan Chisholm is an art consultant and appraiser of 19th- and 20th-century paintings. After a long association with Sotheby’s, she founded her own business in 2003. She has appeared as a fine art appraiser...

Gerald Berghammer - Limited Edition 1/9 Archival Pigment Ink Print, Printed 2022 Signed, numbered, dated by Artis. Handmade wood frame, black, natural white archival Passepartout, an...

Gerald Berghammer - Limited Edition 2/9. Silver Gelatin Prints, Selenium Toned, Printed 2017. Signed, numbered, dated by Artis. Handmade wood frame, black, natural white archival Pas...

"Prism" In this image, the forever-shifting surface of the sea refracts the light in novel ways. This crystalline layer gives way to the darker waters beneath, creating the perfect...

"Prism" In this image, the forever-shifting surface of the sea refracts the light in novel ways. This crystalline layer gives way to the darker waters beneath, creating the perfect...

This is a contemporary photograph of a wild mustangs. 36x48 Edition of 12. Signed by Shane Russeck Printed on kodak luster paper using archival inks Framing available. Inquire for...

Louis Stettner Elbowing Out of Town, News Stand, New York, 1954 Signed, titled & dated in pencil on verso. Embossed stamp on recto Gelatin silver print 16 x...

Twins with red coat Framed archival pigment image on canvas, intervened with hand-applied paint, ink and intentionally scratched by the artist Image size: H 25 in. x 27 in. W Frame s...

This is a contemporary black and white photograph of Wild Mustangs 24x 40 Edition of 12. Signed by artist. Printed on archival paper using only archival ink. Framing available. Inq...

Ewok Kenner toy from "Return of the Jedi" -1983 These iconic figures have become more then just iconic collectable toys. They encapsulate an era instantly transporting the viewer to ...

ISABELLE VAN ZEIJL "For Me" (2019) C-Print Mounted on Dibond Perspex Face in Tray Frame, Ed 5 of 7 44.5 x 40.5 in. Framed ____________ Recognized f...

This is a contemporary black and white photograph of Wild Mustangs 24x 36 Edition of 12. Signed by artist. Printed on archival paper using only archival ink. Framing available. Inq...

Printed on Photo Lustre. This is #5 of an edition of 8. A Certificate of Authenticity is included Murnaghan was well known for his striking underwater photography, capturing his subj...

This is a contemporary black and white photograph of Wild Mustangs. "They represent the ultimate expression of American freedom" 24x36 Edition of 50. Signed by artist. Framing avai...

Les Corbières - Limited edition pigment print - Limited Editions of 5 Mountain in France. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes ( Image size , the white margin is not counted): 23 x 70,4 cm / 9,05 x 27,56 in - Edition of 5 31 x 95 cm / 12,2 x 37,40 in - Edition of 5 45 x 137.7 cm / 17,71 x 53,93 in - Edition of 5 A custom size is possible, it will be included in the nearest edition of 15 This print that is being offered is a high-quality Archival Pigment print, which has been printed on fiber-based paper. The paper used is Hahnemühle Photo Rag® Baryta 315 gsm, which is a premium quality paper that is acid-free and lignin-free. This ensures that the print will remain in pristine condition for years to come. The Hahnemühle Photo Rag® Baryta paper is a museum-quality paper that is highly resistant to aging. It is a popular alternative to analogue baryta paper, which is known for its ability to produce rich, deep blacks and vibrant colors. The Hahnemühle Photo Rag® Baryta paper is no different, as it produces stunningly vivid and lifelike prints. Overall, this Archival Pigment print is a stunning piece of art that is sure to impress. The combination of high-quality paper and inks ensures that the print will remain in pristine condition for many years, making it a great investment for any art collector or enthusiast. Sam Thomas...