21st Century and Contemporary Photography

'Wonderland' (Bombay all Day) - 2019 20x20cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid, not mounted. Signed on the back and with certificate. A...

'She drives me Crazy' part of the series 'Hands down' - 2019 20x20cm, Edition 2/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and wi...

This is a contemporary photograph of an African Lion. 40x60 Unsigned Archival Pigment print. Framing available. Inquire for rates. FREE SHIPPING Shane Russeck has built a reputa...

Poppy No.11 printed on archival Hahnemühle Photo Rag Baryta fine art paper, this limited edition piece measures 32 x 32 cm and is part of an exclusive series of 20 prints, each hand-...

Ariane - Signed limited edition archival pigment print - Edition of 10 Signed + numbered by artist with certificate of authenticity, unframed This print that is being offered is...

Black and white fine art long exposure waterscape - landscape photography. Archival pigment ink print as part of a limited edition of 7. All Gerald Berghammer prints are made to orde...

11 x 14 inch image is an edition of 45. Four other sizes are available. Mina Afshari was born in Tehran, Iran. Her life and art are shaped by her journey from oppression to freedom....

Noise - 2022 20x25cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2022-2008. Not moun...

Lose your head- 2021 - 20x24cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1050. Not...

Las Vegas Pool Supplies, perfect pop-art kitsch from Richard Heeps in this American roadside 'Sign Porn' photography. This artwork is a limited edition of 25 gloss photographic prin...

Beach Hut, Amagansett, NY, Archival Pigment Print, , With Surfboards The Hamptons Printed to Order *Photography: U Wash Truck, Death Valley and Mulford Lane, Amagansett 2012 have ...

This floral photography has a dramatic sense of composition which recalls the careful arrangements of Dutch and Flemish still life paintings from the 17-18 century. With multiplied ...

'Poppy Bunch’ London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and back...

Only 50 printed throughout the world, unlike O'Neill's silver gelatine editions available in many different sizes. Uncrossed unlike the silver gelatine version. Notice the collar on ...

90 Minutes A Side, pop art from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal p...

All I have to do is Dream - 2017, 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventor...

This rare photograph #25, taken during The Central Park Gates Project in 2005 by Christo and Jeanne-Claude, was never released to the public as the couple were not satisfied with the image. Every initial photograph, numbered #25 to #30, had to be retaken by their primary photographer, Wolfgang Volz. This copy is from the unpublished edition, making it a unique and highly collectible piece. The project, which consisted of 7,503 gates along 23 miles of pathways, transformed the park into a vibrant, immersive art...

The series, Entrelazar, is based on the selection of an urban element, the lamppost: a vertical element that rises above the urban landscape and is repeated in the city of Bogotá. Th...

Palazzo Borromeo II, Isola Bella, 2018 C print 120 x 150 cm edition 3 of 5 Signed and numbered on the verso label The photographer is based in Florence, and is fascinated how his a...

Slim Aarons' 1976 photograph of bathers at the Hôtel du Cap Eden-Roc in Antibes, France, is a masterful capture of vintage glamour and the epitome of Mediterranean elegance. This ico...

Fern II - 2018 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2018-479. Not mou...

Sugar on my soul - 2021 - 24x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1053. ...

Man walking - Limited edition pigment print - Limited Editions of 5 France, 2003 Signed + numbered by artist with certificate of authenticity. Free delivery Archival pigment pri...

Pause - 2020 48x60cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-949. Not mounted. K...

Summer time (and the living is easy) - 2020 50x50cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and with certificate. Artist invent...

Scottish actor Sean Connery as James Bond in ‘Diamonds Are Forever’, 1971. Paper size: 20 H x 16 W inches Matted and framed. Lifetime Edition: 29/50 *Please inquire for additi...

'Bloom Cluster' London, United Kingdom 2024. It is a still life black and white film photograph, made with a large format 4x5 Linhof camera. The photograph is signed front and bac...

Drive-In Dreams (Bombay Beach) - 2019 20x20cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the Polaroid, not mounted. Signature label and certificate. Artist ...

Cups III (Suburbia) - 2004 50x60cm, Edition of 10, Archival C-Print based on the Polaroid, Signed on verso with Certificate, Artist inventory number: 2913. Not mounted. Stefa...

Asleep, 2020 50x50cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL2020-833. ...

Monte Carlo, 1970: This classic landscape photograph, captured by society photographer Slim Aarons, features a vintage wooden and red painted speedboat carrying holidaygoers in the ...

Marion - Signed limited edition archival pigment print , France, 2003 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 g...

Kate #4, 2002 by American photographer Leonard Freed is a 8" x 10" signed black and white photograph, stamped vintage on verso (back of print). Model Kate remains forever complicit i...

Jen's love of photography began as a child, when her grandfather, a photographer, gave her a camera. However, it wasn't until she graduated from UC Berkeley that photography became a...

I was always your Girl - 2018, Edition of 7 plus 2 Artist Proofs. Digital C-print, based on an original Polaroid. Signed on the back and with certificate. Artist inventory PL201...

Richard Heeps Dream in Color 'Pool Installation'. A set of nine individual artworks, vibrant yet serene they take you on a journey through California & Nevada through the eyes of the...

"Milla pink blue Uke" Photography 29" × 20" in Edition 2/20 by Kate Garner Hahnemuhle fine art archival paper Kate Garner: Seeker, Sage, and Preservationist of Identity Not framed...

Oasis (Sidewinder), 2005, Edition 3/5, 16 pieces each 48x47cm analog C-Prints, hand-printed by the artist, printed on Fuji Crystal Archive Paper, based on Polaroids mounted on Aluminum with matte UV-Protection, based on an expired Polaroids, Artist inventory Number 3001.03 Installation shot at 'Mulholland Distilling' in LA with Danny Fox...

'The Optimism of Spring' ('Mono No Aware' Series) 40 x 60" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ The cherry blossoms burst...

Digital C-print Stamped and numbered, verso 20 x 24 inches (Edition of 10) 30 x 40 inches (Edition of 5) This photograph is offered by ClampArt, located in New York City. Please n...

Black and white fine art panorama landscape photography. Archival pigment ink print, limited edition of 9. Cherry Tree avenue at the edge of the cornfield, Weinviertel, Austria. All ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

"A cowboy on his horse rounding up the herd in an ethereal, smoky scene A herd being rounded up by a cowboy amidst rising dust This powerful global series explores horses in divers...

A contemporary photograph of the "Top Gun" soundtrack. This is s the first release in the much anticipated series "The Music" by pop Artists Destro These iconic tapes have become mor...

Heresy - 2020, 20x20cm, Edition of 7 plus 2 Artist Proof. Archival Print, based on the Polaroid. Signature label and certificate. Artist inventory PL2020-906. Not mounted. K...

Trouble me - 2020, Edition of 7 plus 2 Artist Proof Archival Print, based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-842. Not mounted. Kir...

The skin I'm in 2019, 20x20 cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory PL201...

Peonies Afloat Limited edition of 5 Archival pigment print on Hahnemühle Photo Rag fine art paper 126x100cm + 4 cm white border around the photograph Signed in the bottom right corne...

Crushing - 2017, 50x50cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2017-792. Not mount...

Tenterhooks - 2020 20x25cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid. Signed on the back and with certificate. Artist inventory PL2020-971. Not mount...

Sunblind - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1041. Not moun...

The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from t...

'Cold Song III' exemplifies the avant-garde evolution of underwater fine art photography, merging contemporary conceptual art with technical mastery. This ethereal composition captur...

The root of these unique photographic works by the artist Celso Castro occurred when the artist returned from Italy to live back in Colombia in 1987. Castro wanted to produce from t...

Paul Middleton Westport Year: 2024 Archival Pigment Print on Hahnemuehle Baryta Rag Framed Size: 13 x 13 x 0.25 inches COA provided *Ready to hang; matted and framed in a minimal bl...

Botanic - 2017 78x76cm, Edition of 5 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signed on the back and with certificate. Artist inventory PL2017-244. Not mou...

Shadowplay, triptych, 2017, Edition of 7 plus 2 Artist Proofs. 20x24cm each, 20x82cm installed including the gaps. Archival C-Print based on the original Polaroid. Signature labe...

Archival pigment print Signed and numbered, verso 42 x 25 inches 50 x 32 inches 70 x 40 inches 84 x 48 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. With the series, "Lost" (2003-2004), Nix and Gerber continue their investigation of the constructed landscape, this time examining feelings of isolation and loneliness. Like much of their previous work, this group of photographs...