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Bellec
Ketut

2022

$708.63
$885.7920% Off
£533.49
£666.8720% Off
€600
€75020% Off
CA$976.19
CA$1,220.2420% Off
A$1,093.27
A$1,366.5920% Off
CHF 570.45
CHF 713.0620% Off
MX$13,353.83
MX$16,692.2920% Off
NOK 7,257.79
NOK 9,072.2420% Off
SEK 6,841.34
SEK 8,551.6720% Off
DKK 4,567.28
DKK 5,709.1020% Off

About the Item

Ce tirage fait partie de la série "Regards Croisés". « Nous allions passer l’un à coté de l’autre rapidement, sans que nos vies se croisent, quand ton regard a accroché mon objectif. Les mots que nous n’avons pas échangés se bousculaient dans l’intensité de tes pupilles !! J’ai projeté ton histoire sur un fond que l’environnement dans lequel nous étions me tendait, âpre, dur, délabré, imprégné que j’étais de ma propre imagination. Si je t’avais écouté, j’aurais peut-être appuyé ton portrait sur des tissus souples et chatoyants, de tendres crépis, des prairies verdoyantes…. Me suis-je mépris ? » Tirage 2/10. Papier : « William Turner » d’Hahnemühle 310 g, papier Aquarelle 100 % coton blanc. Autre dimension disponible - merci de contacter la galerie.
  • Creator:
    Bellec (1956, French)
  • Creation Year:
    2022
  • Dimensions:
    Height: 35.44 in (90 cm)Width: 23.63 in (60 cm)Depth: 0.04 in (1 mm)
  • More Editions & Sizes:
    édition 2/10Price: $886
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    PARIS, FR
  • Reference Number:
    1stDibs: LU2073212336912

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Sandi
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Xiu
Located in PARIS, FR
Ce tirage fait partie de la série "Regards Croisés" « Nous allions passer l’un à coté de l’autre rapidement, sans que nos vies se croisent, quand ton regard a accroché mon objectif....
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Indra
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Located in PARIS, FR
Ce tirage fait partie de la série "Regards Croisés" « Nous allions passer l’un à coté de l’autre rapidement, sans que nos vies se croisent, quand ton regard a accroché mon objectif....
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Ce tirage fait partie de la série "Regards Croisés". Photographie disponible en deux formats : 30x20cm et 60x40cm Veuillez nous contacter si intéressé. « Nous allions passer l’un à...
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